Andre Cluytens / Musique Russe
(Rimsky-Korsakov, Mussorgsky, Borodin)
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1958/2016
Жанр: Classical/Orchestral
Издатель (лейбл): Warner / Tower
Продолжительность: 01:02:38
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Nikolai Rimsky-Korsakov: Испанское каприччо / Capriccio Espagnol,Op.34
01. I. Alborada
02. II. Variazioni
03. III. Alborada
04. IV. Scena e Canto Gitano
05. V. Fandango Asturiano
06. Alexander Borodin: Symphonic Poem В степях Средней Азии / "In the Steppes of Central Asia"
07. Modest Mussorgsky: Symphonic Poem Ночь на лысой горе / "Night on the Bare Mountain"
Alexander Borodin:
08. Dance of the Polovtsian Maidens from Князь Игорь / "Prince Igor"
09. Polovtsian Dances from Князь Игорь / "Prince Igor"
Nikolai Rimsky-Korsakov:
10. Русская пасха (Светлый праздник) / Russian Easter Festival Overture, Op.36
11. Полет шмеля /Flight of the Bumblebee from Сказка о царе Салтане /"Tale of the Tsar Saltan"Philharmonia Orchestra
Orchestre de la Société des Concerts du Conservatoire
André Cluytens (conductor)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Tower Records [TDSA-15]
Источник (релизер): WEB https://tower.jp/item/4163024/%E3%83%AD%E3%82%B7%E3%82%A2%E7%AE%A1%E5%BC%A6%E6%A5...5%AE%9A%EF%BC%9E
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2020-02-09 23:53:37
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Анализ: Philharmonia Orchestra & Orchestre de la Sociйtй des Concerts du Conservatoire / Andrй Cluytens, conductor / Musique Russe
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DR Пики RMS Продолжительность трека
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DR11 -8.53 дБ -24.50 дБ 1:16 01-Capriccio Espagnol,Op.34 I. Alborada
DR11 -11.52 дБ -28.89 дБ 4:44 02-Capriccio Espagnol,Op.34 II. Variazioni
DR10 -7.03 дБ -23.62 дБ 1:17 03-Capriccio Espagnol,Op.34 III. Alborada
DR13 -7.84 дБ -27.15 дБ 4:49 04-Capriccio Espagnol,Op.34 IV. Scena e Canto Gitano
DR10 -6.58 дБ -21.91 дБ 3:18 05-Capriccio Espagnol,Op.34 V. Fandango Asturiano
DR14 -7.11 дБ -28.49 дБ 6:41 06-Symphonic Poem [In the Steppes of Central Asia]
DR11 -7.44 дБ -23.60 дБ 10:47 07-Symphonic Poem [Night on the Bare Mountain]
DR12 -7.99 дБ -25.72 дБ 2:17 08-Dance of the Polovtsian Maidens from [Prince Igor]
DR11 -5.92 дБ -23.70 дБ 11:12 09-Polovtsian Dances from [Prince Igor]
DR13 -7.60 дБ -25.61 дБ 15:00 10-Russian Easter Festival Overture, Op.36
DR13 -9.56 дБ -29.93 дБ 1:17 11-Flight of the Bumblebee from [Tale of the Tsar Saltan]
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Количество треков: 11
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
A beautiful collection of Russian works by Cluytens. An excellent recording board that reproduces precious sound sources with high sound quality, drawn with two orchestras.
A rare collection of Russian small original EMI masterpieces by Cluytens. Three songs recorded in 1958 with the Philharmonia Orchestra and four songs with the Paris Conservatory Orchestra recorded the following year were coupled. It is an excellent recording board with excellent sound quality in spite of the initial stereo. For this reprint, a new mastering was performed separately for the SACD layer and the CD layer using a 96kHz / 24bit digital master from the home country master. It is a permanent storage board. There are many Russian music sources by Cluytens since the monaural era. Around the 1960s, many small pieces of Russian music were released by Anselmé, Montau, and Solti. Cluytens also recorded four of the songs on this album in 1949, suggesting his excellence (from "Igor", "Kumabee" is the only recording). Cluytens' Russian music can be interpreted in a more advanced way, taking full advantage of the original sense of rhythm and outstanding color sense. Music that is full of dynamism by emphasizing expressions that have been developed without being neat and simple is another aspect of Cluytens. These performances are considered to be more appreciated and appropriate. In this reprint, I combined three songs with the Philharmonia tube in the first half, which is a sound recording that was fulfilling in sound quality, and a song recorded in stereo with the Paris Conservatory tube recorded in Paris the following year. Because the recording engineers are the same, the album has the same trend, but the recording locations and orchestras are significantly different. The recording condition is very good, and it is an excellent recording that conveys the sound of the orchestra at that time and the clarity of the cruitance.
~Google Interpreter