Peter Gregson - Bach: The Cello Suites
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Modern Classical, Cello
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:52:41
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Тизер: youtube
Треклист:
Cello Suite No. 1 in G Major, BWV 1007
1. 1.1 Prelude (02:01)
2. 1.2 Allemande (02:02)
3. 1.3 Courante (02:27)
4. 1.4 Sarabande (02:14)
5. 1.5 Menuetts (04:28)
6. 1.6 Gigue (02:00)
Cello Suite No. 2 in D Minor, BWV 1008
7. 2.1 Prelude (03:36)
8. 2.2 Allemande (02:06)
9. 2.3 Courante (01:40)
10. 2.4 Sarabande (04:26)
11. 2.5 Menuetts (04:04)
12. 2.6 Gigue (03:40)
Cello Suite No. 3 in C Major, BWV 1009
13. 3.1 Prelude (03:59)
14. 3.2 Allemande (03:12)
15. 3.3 Courante (03:37)
16. 3.4 Sarabande (03:54)
17. 3.5 Bourrées (02:00)
18. 3.6 Gigue (01:56)
Cello Suite No. 4 in E-Flat Major, BWV 1010
19. 4.1 Prelude (05:13)
20. 4.2 Allemande (02:39)
21. 4.3 Courante (02:02)
22. 4.4 Sarabande (04:49)
23. 4.5 Bourrées (02:39)
24. 4.6 Gigue (03:47)
Cello Suite No. 5 in C Minor, BWV 1011
25. 5.1 Prelude (02:43)
26. 5.2 Allemande (03:35)
27. 5.3 Courante (02:42)
28. 5.4 Sarabande (03:33)
29. 5.5 Gavottes (03:08)
30. 5.6 Gigue (02:40)
Cello Suite No. 6 in D Major, BWV 1012
31. 6.1 Prelude (02:27)
32. 6.2 Allemande (03:35)
33. 6.3 Courante (02:17)
34. 6.4 Sarabande (06:50)
35. 6.5 Gavottes (02:10)
36. 6.6 Gigue (02:49)
Исполнители:
Peter Gregson, cello
Richard Harwood, cello
Ben Chappell, cello
Reinoud Ford, cello
Katherine Jenkinson, cello
Tim Lowe, cello
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-10-19 23:51:22
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Analyzed: Peter Gregson / Bach: The Cello Suites - Recomposed by Peter Gregson
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.32 dB -11.61 dB 2:01 01-1.1 Prelude
DR11 -0.32 dB -12.73 dB 2:02 02-1.2 Allemande
DR10 -0.36 dB -12.50 dB 2:27 03-1.3 Courante
DR10 -0.74 dB -15.48 dB 2:14 04-1.4 Sarabande
DR11 -1.11 dB -16.79 dB 4:28 05-1.5 Menuetts
DR10 -0.32 dB -12.38 dB 2:00 06-1.6 Gigue
DR10 -0.65 dB -14.90 dB 3:36 07-2.1 Prelude
DR14 -6.19 dB -25.21 dB 2:06 08-2.2 Allemande
DR10 -0.32 dB -13.03 dB 1:40 09-2.3 Courante
DR11 -1.62 dB -17.08 dB 4:26 10-2.4 Sarabande
DR11 -0.32 dB -14.92 dB 4:04 11-2.5 Menuetts
DR10 -0.32 dB -13.07 dB 3:39 12-2.6 Gigue
DR11 -1.46 dB -15.20 dB 3:59 13-3.1 Prelude
DR10 -1.02 dB -14.89 dB 3:12 14-3.2 Allemande
DR11 -2.26 dB -16.25 dB 3:37 15-3.3 Courante
DR11 -3.62 dB -19.34 dB 3:54 16-3.4 Sarabande
DR10 -0.32 dB -12.77 dB 2:00 17-3.5 Bourrees
DR10 -0.32 dB -13.47 dB 1:56 18-3.6 Gigue
DR10 -0.32 dB -14.50 dB 5:13 19-4.1 Prelude
DR10 -0.85 dB -14.46 dB 2:39 20-4.2 Allemande
DR11 -0.39 dB -14.87 dB 2:02 21-4.3 Courante
DR11 -2.26 dB -18.06 dB 4:49 22-4.4 Sarabande
DR10 -0.32 dB -14.32 dB 2:39 23-4.5 Bourrees
DR10 -0.32 dB -11.50 dB 3:47 24-4.6 Gigue
DR11 -1.08 dB -16.90 dB 2:43 25-5.1 Prelude
DR10 -0.62 dB -14.74 dB 3:35 26-5.2 Allemande
DR10 -0.32 dB -13.97 dB 2:42 27-5.3 Courante
DR11 -3.64 dB -17.95 dB 3:33 28-5.4 Sarabande
DR11 -0.32 dB -14.12 dB 3:08 29-5.5 Gavottes
DR10 -0.32 dB -13.46 dB 2:40 30-5.6 Gigue
DR9 -0.32 dB -12.74 dB 2:27 31-6.1 Prelude
DR10 -1.84 dB -16.27 dB 3:35 32-6.2 Allemande
DR11 -0.32 dB -15.23 dB 2:17 33-6.3 Courante
DR12 -0.32 dB -16.48 dB 6:50 34-6.4 Sarabande
DR11 -0.32 dB -14.98 dB 2:10 35-6.5 Gavottes
DR8 -0.32 dB -11.81 dB 2:49 36-6.6 Gigue
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Number of tracks: 36
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2804 kbps
Codec: FLAC
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Об исполнителе (группе)
Peter Gregson
is a cellist and composer "working at the forefront of the new music scene" (The New Yorker) Recently, he has premiered works by composers including Tod Machover, Daníel Bjarnason, Gabriel Prokofiev, Max Richter, Jóhann Jóhannsson, Steve Reich, and Sally Beamish; he collaborates with many of the world’s leading technologists, including Microsoft Labs, UnitedVisualArtists, Reactify and the MIT Media Lab.
Peter developed and was commissioned to compose ‘The Listening Machine‘, a data sonification of Twitter in collaboration with Daniel Jones and Britten Sinfonia for the BBC/Arts Council’s “The Space”, where it ran continuously between May-January 2013.
His debut solo album, ‘Terminal’, was commissioned by Bowers & Wilkins and launched in April 2010. A limited edition 10′′ vinyl was commissioned by Mute in May 2011, featuring new solo works for Peter written by Max Richter and Jóhann Jóhannsson and was released at the ‘Short Circuit’ Festival at The Roundhouse. In May 2012, Nonclassical released Gabriel Prokofiev’s ‘Cello Multitracks’, a cello suite written for Peter which the two have toured around the world.
'Lights in the Sky', his second studio album, composed for cello, piano, and analogue synthesisers, was released at Imogen Heap's 'Reverb Festival' in August 2014.
His third studio album, TOUCH, will be released on Sono Luminus in August 2015.
In demand for his work across major film and television soundtracks, Spitfire Audio developed a sample library of Peter's extended techniques and sounds from his blue, five-string electric cello, all recorded at Pixel, his studio in London.
The score to his first feature film, 'A Little Chaos' , directed by Alan Rickman and starring Kate Winslet and Matthias Schoenaerts, is available now on Milan Records.
Об альбоме (сборнике)
Award-winning cellist and composer Peter Gregson is the latest contemporary composer to be invited by Deutsche Grammophon to reinterpret iconic works in the classical canon for their pioneering Recomposed series. Gregson follows in the footsteps of contemporaries Matthew Herbert, Matthias Arfmann, Jimi Tenor and Max Richter, whose Recomposed by Max Richter – Vivaldi: The Four Seasons was the latest, hugely popular release in the series.
For his record, Gregson has ‘recomposed’ perhaps the best-loved of all works for his instrument, the Bach Cello Suites. His approach was to retain the shape and flow of the suites, whilst still allowing his own aesthetic to come through. Gregson’s reinterpretation adds a new instrumental dimension, reimagining them for a five-person cello ensemble, analogue synthesizers and his own solo cello. The recording was made at the infamous AIR Studios in London with complex and high production values that made use of the physical space. The five cellists were widely dispersed throughout the studio galleries and Gregson turned the variety of analogue synthesizers, which he played himself, into acoustic instruments by re-amplifying them. The result is a multilayered sound that brings a new aural dimension to the works.
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发表于 2022-3-13 14:33:25
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