Joep Beving / Prehension
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: neoclassical, piano solo, contemporary, modern classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:01:09
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): highresaudio
Треклист:
01 Ab Ovo 4:48
02 Kawakaari 5:32
03 The Gift 3:46
04 Impermanence 4:54
05 A Heatfelt Silence 2:49
06 Sonderling 4:33
07 Le Souvenir Des Temps Gracieus 3:07
08 Pippa's Theme 3:17
09 The Man Who Carried The Wind 3:44
10 Seelenkind 3:40
11 432 4:14
12 Hanging D 5:31
13 A Heartfelt Silence 2 2:34
14 An Alamagation Waltz 1839 4:06
15 Every Ending Is A New Beginning 4:26
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Другие альбомы Юпа Бевинга в хай-резе: [TR24][OF] Joep Beving - Henosis (Deluxe) - 2019 (Modern Classical) [TR24][OF] Joep Beving - Conatus - 2018 (Modern Classical)
Доп. информация: http://joepbeving.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-07-09 11:44:43
--------------------------------------------------------------------------------
Analyzed: Joep Beving / Joep Beving : Prehension
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -2.45 dB -17.22 dB 4:48 01-Ab Ovo
DR11 -0.94 dB -17.78 dB 5:33 02-Kawakaari
DR10 -1.79 dB -16.39 dB 3:46 03-The Gift
DR9 -2.09 dB -14.92 dB 4:55 04-Impermanence
DR12 -13.15 dB -30.31 dB 2:50 05-A Heartfelt Silence
DR11 -2.19 dB -17.48 dB 4:34 06-Sonderling
DR10 -1.33 dB -15.80 dB 3:07 07-Le Souvenir Des Temps Gracieux
DR11 -2.21 dB -16.80 dB 3:18 08-Pippa's Theme
DR10 -3.11 dB -16.92 dB 3:45 09-The Man Who Carried The Wind
DR10 -3.42 dB -17.41 dB 3:41 10-Seelenkind
DR10 -2.60 dB -16.69 dB 4:14 11-432
DR9 -0.50 dB -11.59 dB 5:32 12-Hanging D
DR12 -12.86 dB -29.12 dB 2:35 13-A Heartfelt Silence 2
DR12 -5.16 dB -21.57 dB 4:07 14-An Amalgamation Waltz 1839
DR10 -1.59 dB -15.60 dB 4:27 15-Every Ending Is A New Beginning
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Number of tracks: 15
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1216 kbps
Codec: FLAC
================================================================================
Об исполнителе (рус.) | About Artist (ru)
Юп БевингИстория успеха нидерландского пианиста Юпа Бевинга (род. 9 января 1976 г., Дутинхем, провинция Гелдерланд, Нидерланды) – яркий пример того, как современные технологии и средства коммуникации перевернули устои мира «высокой музыки», сделав его куда более демократичным и непредсказуемым. Много лет музыкант-любитель Юп Бевинг трудился в рекламной компании MassiveMusic, где занимался саунд-дизайном. Зарисовки на пианино он сочинял и записывал дома по ночам – хобби, отдушина, не более того. Однако ближе к сорокалетию Бевинга ждал сюрприз.
Свой первый альбом “Solipsism” (2015) он выпустил самиздатом, просто загрузил на Spotify. Релиз выстрелил, и сегодня на странице Юпа уже более 85 миллионов прослушиваний его произведений. Примерно столько же, как и на страницах Шопена или Равеля – любимых композиторов музыканта из Амстердама. Бевинг признается, что от осознания этого факта ему становится неловко. Он по-прежнему не считает себя профессиональным композитором. Зато музыканта всерьез воспринимает его издатель, культовый лейбл Deutche Grammophone. В момент сенсационного прорыва студийного дебюта немецкая компания выиграла схватку за контракт с Юпом и уже в 2017 году выпустила второй его альбом – “Prehension”.
В 2018 году вышел третий альбом Юпа “Conatus” (лат. усилие), который почти весь состоял из переработок музыки Бевинга с предыдущих альбомов в коллаборации с другими артистами.
А в 2019 году нидерландский пианист Юп Бевинг получил престижную награду в категории «Неоклассика» за свой четвертый альбом “Henosis” (лат. мистический союз, единство). Вместе с ним за приз боролись Ströme немецкого композитора Мартина Кольштедта (Martin Kohlstedt) и ретроспектива знаменитого исландского неоклассика Йохана Йоханнссона (Johann Johannsson).
Юп подходит к процессу сочинения с глубиной, присущей философам. В музыке он видит универсальный язык коммуникации, спасение в современном неспокойном мире. Обозреватели причисляют Бевинга к последователям Филипа Гласса. Бевинг же признает, что вдохновляется его работами, но собственную музыку находит куда более простой: «Мои альбомы – это по сути своей лаунж. Музыка для расслабления, созерцания, покоя. И не более того».
ДИСКОГРАФИЯ
Solipsism (2015)
Prehension (2017)
Conatus (2018)
Henosis (2019) https://neoclassica.ru/beving/
Об исполнителе (англ.) | About Artist (en)
Joep BevingJoep Beving has been one with the piano from an early age. He was forced to end his musical studies at the conservatory and instead continued at university to get a degree in public policy and public administration. However, his love for his instrument never perished. Where once his goal was to hit as many notes per minute as physically possible, his style of playing has changed over the years, searching for a particular aesthetic essence. His path was illuminated by a piano that Beving inherited from his grandmother when she passed away in 2009. This German instrument insisted on a more gentle touch and a gracious pace, which eventually led Beving to adapt to a more classical vocabulary to tell his story.
This story started to manifest itself relatively late in life, when in 2014 at age 38, he was forced to stay home from work and decided to answer the draw of his piano. In search of tranquility of mind and some form of essence, music started to present itself that he had never played before in his life. Minimal pieces that he later once described as ‘simple music for complex emotions’. Turned down by the only label he approached, Joep decided to self release his debut album Solipsism in 2015.
The sound of his piano found its way to the ears of Deutsche Grammophon’s A&R manager Christian Badzura when visiting his favorite Bar in Berlin. This led to the signing of Beving to the worlds foremost classical label and consequently the release of equally succesful sophomore album ‘Prehension’ in 2017, making Joep one of the most listened to living pianist in the world at that time.
He has attributed much of his music’s broad appeal to the stream of consciousness in which some of the pieces were conceived. Claiming that the music is already out there and that one has to ‘just’ create the circumstances for it to land. In 2018 he took this idea one step further with the release of ‘Conatus’ of which he said: “If you see music as a living organism then it is not unthinkable that it has it’s own innate inclination to continue to exist and enhance itself.” On Conatus, Beving sees compositions from his first two albums, travel through the minds of artists he admires (a.o. Suzanne Ciani, Collin Benders, Andrea Belfi) and result in new pieces of music adding new layers and dimensions which would serve as the upbeat to his next major solo project as would become apparant in April 2019.
As part of the art piece ‘Franchise Freedom’ by acclaimed artist duo Studio Drift, Joep travels to Burning Man at the end of 2018 to perform in the desert of Black Rock City in front of his largest audience to date. Inspired by the display of human creativity and inclusivity he returns home to finish his third solo album.
April 2019 sees the release of HENOSIS, Joep Beving’s closing chapter in a trilogy of albums – marking the end of an intensely personal four-year spiritual and philosophical exploration.
On HENOSIS the Dutch composer continues his minimalist and at times romantic style of writing, but this time explores new territories. It sets off where his sophomore album Prehension left us, the warm intimate sound of the Schimmel piano. With the help of producer Gijs van Klooster and through collaborations with Cappella Amsterdam, Echo Collective and Maarten Vos, Joep Beving opens up new musical worlds using orchestral and electronic sounds alongside the familiar piano.
His debut album ‘Solipsism’ investigates the self and how it is related to the other by trying to show we have a shared understanding of what it is to be human. For ‘Prehension’ Beving describes realizing he had zoomed out from the individual level to the level of the collective. HENOSIS is the last step, in which Beving’s destination is the vastness of the cosmos – that great, black void – in search of “ultimate reality and emptiness of the mind”. Asked about the album Joep says:
“I envisioned it as a journey into the cosmos, far away from the self where it had started. In search of what is fundamental in reality, beyond the immediate perceivable. Henosis means oneness or unity with the source of all that is. The outward journey reflects the inward journey, much as the build up of our inner workings reflects that of the macro-cosmos. Once that idea starts to dawn on you, the level of connection deepens beyond imagination.
Everything is connected. Think about it. If you see the other as merely a physically alternate representation of yourself it will be very difficult not to feel some form of empathy. The same goes for any other life form. I realize it is not all that straightforward and I don’t want to postulate this as being the truth. However, to me this realization has come closest to a somewhat hopeful and admirable version of it. It completes the circle that started with a growing sense of alienation from reality I dealt with at the time of Solipsism, to a growing sense of becoming one with it.”
In November 2019 Henosis was awarded with an Edison.
Amsterdam, February 2020
DISCOGRAPHY
Solipsism (2015)
Prehension (2017)
Conatus (2018)
Henosis (2019) http://joepbeving.com/about/
Об альбоме (англ.) | About Album (en)
Info for 'Prehension'
Dutch musician Joep (pronounced ‘Yoop’) is a towering figure in the streaming world – and in real life too, thanks to his two-metre frame (nearly 6’10), wild hair and flowing beard. He has become a one-man success story – writing, recording and releasing his debut album ‘Solipsism’ (now available digitally on DG) which has been streamed nearly 60 million times.
Joep’s delicate melodies instantly struck a chord with listeners when tracks from the album first appeared on streaming music playlists alongside the likes of Max Richter, Ólafur Arnalds and Nils Frahm.
“I call it ‘simple music for complex emotions’,” says Joep, summing up its universal appeal. “The world is a hectic place right now and I feel a deep urge to reconnect on a basic human level with people in general. Music as our universal language has the power to unite.”
Each track on ‘Solipsism’ was recorded at dead of night in the kitchen of his home in Amsterdam, while his partner and two young daughters slept, played on the German piano he had been left by his late grandmother.
Finally the music reached the ears of DG when a friend of Joep’s played the album in her local bar in Berlin – where one of the label’s executives happened to be – and ended up in a signing with the world’s foremost classical label.
The first fruits of the new partnership are ‘Prehension’. A natural successor to ‘Solipsism,’ it carries forward the musical and philosophical themes Joep identifies in his music. Understated, haunting and melancholic, its delicate melodies will help soothe the soul.
Music which displays introspective, melancholic, filmic and uplifting characteristics – presented in a simple, warm acoustic atmosphere. https://www.highresaudio.com/en/album/view/yzgfax/joep-beving-prehension
Состав | Artists
Joep Beving, piano
Music composed and performed by Joep Beving
Producer, Recorded by, Mixed by, Sound image created by Gijs van Klooster
Image conceived by Rahi Rezvani
Mastered by Darcy Proper
Recording Venue: RedHouse Studio, Amsterdam, 2016
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发表于 2022-3-13 14:33:25
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