foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-09-03 22:02:56
--------------------------------------------------------------------------------
Analyzed: Peter Gregson / Touch
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -0.79 dB -19.16 dB 6:02 01-Found
DR11 -0.21 dB -15.43 dB 5:06 02-Time
DR12 -0.37 dB -17.88 dB 5:05 03-Cycle
DR11 -1.25 dB -17.47 dB 4:56 04-Chorale
DR12 -0.21 dB -16.71 dB 5:01 05-Held
DR12 -0.21 dB -16.48 dB 10:13 06-Touch
DR13 -0.21 dB -18.59 dB 7:01 07-Turn
DR10 -0.20 dB -14.18 dB 6:05 08-Lost
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2224 kbps
Codec: FLAC
================================================================================
Об исполнителе (рус.) | About Artist (ru)
Питер Грегсон
Питер Грегсон — один из ведущих виолончелистов и композиторов Великобритании, выпускник Королевской академии музыки. Первой его крупной авторской работой в кино стал саундтрек к «Версальскому роману» Алана Рикмана ('A Little Chaos', directed by Alan Rickman), который принес Грегсону две номинации на премии Public Choice Award и World Soundtrack Award. До этого Питер много работал со студией Remote Control Productions Ханса Циммера как сольный виолончелист в многочисленных фильмах и телепроектах.
На своих сольных концертах он исполняет произведения таких композиторов как Стив Райх, Джоби Тэлбот, Говард Гудолл, Макс Рихтер и Йохан Йоханнссон. С последними двумя он записал мини-альбом. В 2012 году британский композитор Габриэль Прокофьев, внук Сергея Прокофьева, написал сюиту для девяти виолончелей, которую Грегсон мастерски сыграл с использованием сложных современных техник. В результате получилась уникальная запись на стыке американского минимализма, электроники и современной камерной музыки. Теплый, полнокровный звук виолончели Питера вступает здесь в конфликт с колючими электронными ритмическими текстурами.
Другой яркой работой Питера стал альбом, в котором он переосмысливает сюиты для виолончели Баха, написанные в XVII веке. Диск вошел в серию Recomposed немецкого лейбла Deutsche Grammophon. Грегсон собрал ансамбль из пяти виолончелистов и укутал сюиты, которые играл с детства, в простыню из мягких электронных звуков. Как он сам отмечает, слушать его версию произведений Баха — все равно что смотреть на них через другой объектив. В 2018 году композитор стал одним из составителей плейлистов Apple Music с классической симфонической музыкой, а также одним из трех музыкантов, которым было доверено курировать музыкальные каналы, посвященные Моцарту, Бетховену и Баху. Не обходит стороной Питер и поп-музыку. Так, Грегсон записал струнные аранжировки для Rag’n’Bone Man и группы Public Service Broadcasting, а также дирижировал струнными и играл соло на виолончели в покорившем чарты альбоме Эда Ширана «÷». https://www.last.fm/ru/music/Peter+Gregson
Об исполнителе (англ.) | About Artist (en)
Peter Gregson
Peter Gregson (b.1987) is a renowned Composer, Cellist, and Deutsche Grammophon recording artist set to release his fifth studio album ‘Patina’ on September 10th 2021.
His music is regularly sought out by the most exciting choreographers and dance companies in the world, recently including Theatrehaus Stuttgart / Gauthier Dance, Joffrey Ballet, PA Ballet, Dutch National Ballet, and Ballet BC.
Amongst his film credits, Roger Michell’s ‘Blackbird’ (starring Kate Winslet and Susan Sarandon) and the late Alan Rickman’s ‘A Little Chaos’ as well as the Soundtrack for the popular video game ‘Boundless’ receiving critical acclaim.
His music has featured on some of the most popular TV series - from Netflix’s hit ‘Bridgeton’ to HBO’s ‘The New Pope’ by Paolo Sorrentino. Brands including Balenciaga, Burberry, Dior, Ralph Lauren, Pat McGrath have all featured Gregson’s music in recent campaigns and runway shows.
As a cellist, he has performed all around world, from The Royal Albert Hall in London to a jazz club in Beijing; from the Elbphilharmonie in Hamburg to Capitol Studios in Hollywood, which was filmed and released in January 2021.
He is a prolific artist, most recently releasing the stunning ‘Somina’ which was commissioned for ‘World Sleep Day’.
Patina is his most expansive and expressive work to date, featuring an astonishing array of analogue electronics instruments, a string ensemble and his unique solo cello, brought together to explore the theme of absence. https://petergregson.co.uk/about
Об альбоме (англ.) | About Album (en)
Info for 'Peter Gregson: Touch'
“Touch follows on from my previous album, Lights in the Sky. It comprises eight tracks for analogue synthesiser, cello, piano, and string orchestra. Where Lights in the Sky was saturated, sonically intense, almost ‘spoilt brat’-ish sound, Touch has a more refined palette of sounds. Composers are often asked what their music is about, especially with instrumental music such as this. To me, it sort of defeats the purpose and joy of listening to music. How do we interpret the emotion and meaning of music when we aren’t hand held through listening, or guided by a lyric? Just because music is slow, doesn’t mean that it is sad; just because it is fast, doesn’t make it happy. The same goes for tonality: major music isn’t intrinsically happy, minor music isn’t exclusively sad. Yes, these can be devices for eliciting an emotional response, but they are not in and of themselves complete. For me, this is the magic of music. Where it isn’t objectively about something, it becomes amorphous, changing shape and purpose to fit the ear and mind of the listener. It has many lives and many meanings, none of them right and none of them wrong.” (Peter Gregson)
Peter Gregson is a tremendously talented cellist and composer who is described by The New Yorker as “working at the forefront of the new music scene”. Incredibly versatile, Peter has worked on many successful and innovative projects despite being so young. He has premiered works by composers including Tod Machover, Daníel Bjarnason, Gabriel Prokofiev, Max Richter, Jóhann Jóhannsson, Steve Reich and Sally Beamish. He also collaborates with many of the world’s leading technologists, including Microsoft Labs, United Visual Artists, Reactify and the MIT Media Lab.
Peter’s debut album, Terminal, was released in 2010, followed by his Cello Multitracks consisting of compositions by Gabriel Prokofiev, released in 2012 on Prokofiev’s Nonclassical label. Lights in the Sky his second studio album, composed for cello, piano and analogue synthesisers, was released at Imogen Heap's ‘Reverb Festival' in August 2014. https://www.highresaudio.com/en/album/view/tfi7k9/peter-gregson-peter-gregson-touch
Состав | Artists
Peter Gregson, cello
Sarah D'Angelo, violin
Henry Flory, violin
Eunice Kim, violin
Derek Powell, violin
Esme Allen-Creighton, viola
Dana Rokosny, viola
Douglas Jameson, cello
Ali Cook, double bass
/1 
发表于 2022-3-13 14:33:25
提升卡
置顶卡