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[古典] [tr24] [] Brigitte Fassbaender,Mü Nchner Philharmoniker,Sergiu Celibidache - Mahler,Gustav:Kindertotenlieder,施特劳斯,Richard:Tod und Verklä rung - 1983/2017(古典)

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发表于 2022-3-13 14:33:26 | 显示全部楼层 |阅读模式
Brigitte Fassbaender, Münchner Philharmoniker, Sergiu Celibidache / Mahler, Gustav: Kindertotenlieder, Strauss, Richard: Tod und Verklärung
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1983/2017
Жанр: Classical
Издатель (лейбл): MPHIL
Продолжительность: 59:00
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
Mahler: Kindertotenlieder 29:13
I. "Nun will die Sonn' so hell aufgeh'n" 7:42
II. "Nun seh' ich wohl, warum so dunkle Flammen" 5:39
III. "Wenn dein Mutterlein" 5:44
IV. "Oft denk' ich, sie sind nur ausgegangen" 2:55
V. "In diesem Wetter, in diesem Braus" 7:13
Strauss, R: Tod und Verklärung, Op. 24 30:11
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-11-22 14:11:54
--------------------------------------------------------------------------------
Analyzed: Sergiu Celibidache, Munich Philharmonic / Mahler: Kindertotenlieder - Strauss: Tod und Verklärung
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR13      -3.37 dB   -26.11 dB      7:42 01-Kindertotenlieder: I. "Nun will die Sonn' so hell aufgeh'n"
DR13      -1.44 dB   -21.44 dB      5:39 02-Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
DR15      -1.76 dB   -23.74 dB      5:45 03-Kindertotenlieder: III. "Wenn dein Mutterlein"
DR12      -0.79 dB   -19.30 dB      2:56 04-Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen"
DR14      -3.17 dB   -23.64 dB      7:13 05-Kindertotenlieder: V. "In diesem Wetter, in diesem Braus"
DR10      -0.50 dB   -16.27 dB     30:11 06-Tod und Verklärung, Op. 24, TrV 158
--------------------------------------------------------------------------------
Number of tracks:  6
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2605 kbps
Codec:             FLAC
================================================================================

Источник (релизер): https://www.prestomusic.com/classical/products/8366988--mahler-kindertotenlieder
Оркестр: Münchner Philharmoniker
Композитор: Gustav Mahler, Richard Strauss
Дирижер: Sergiu Celibidache
Состав
Brigitte Fassbaender (mezzo-soprano)
Münchner Philharmoniker
Sergiu Celibidache
Исполнитель: Brigitte Fassbaender (mezzo-soprano)
Münchner Philharmoniker
Sergiu Celibidache
Об исполнителе (группе)
The Munich Philharmonic and Sergiu Celibidache share an exceptional legacy. He started his work as principal conductor in 1979 and remained in this position for as long as 17 years. Sergiu Celibidache played an integral part in making the Munich Philharmonic what it is today: an orchestra of worldwide renown. Today the Munich Philharmonic is critically acclaimed internationally with hopelessly sold out concerts in Munich and the world.
On their recently launched label MPHIL, the Munich Philharmonic is opening up its vast archives, giving listeners the opportunity to enjoy one of the richest collections of recordings by legendary artists. Because of the Celibidache era and its part in forming the core essence of the orchestra, this first MPHIL physical archive release consists of two recordings under the baton of Maestro Celibidache.
Mahler’s Kindertotenlieder feature German mezzo-soprano Brigitte Fassbaender, who holds the prestigious title Kammersängerin from the Bavarian State Opera and the Vienna State Opera.

Об альбоме (сборнике)
The chosen repertoire on the album is Gustav Mahler’s Kindertotenlieder, recorded 30 June 1983 at the Herkulessaal der Residenz, Munich and Richard Strauss’ Tod und Verklärung, recorded on 17 February 1979 also at the Herkulessaal der Residenz, Munich.
For a long time, Tod und Verklärung was the most popular of Richard Strauss’s early tone poems. It contains a wide range of memorable motifs subtly differentiated with the result that its music recurs whenever there is mention of death or transfiguration in Strauss’ later output. Together with the innocent tone and positively artificial naïveté of the poems that attracted Gustav Mahler as a composer and prompted him to compose the Kindertotenlieder, this thoughtfully curated pairing creates an altogether intimate character while revealing an astonishing wealth of colours.
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