GYMNOPÉDIE
The Best of Erik Satie
Karl-Andreas Kolly
piano
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2015
Жанр: Classical
Издатель (лейбл): Meister Music
Продолжительность: 01:16:09
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: DFF (*.dff)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация:
Release date: 2015
Production date: 1998
Recorded: 1998 April 21st-23rd Isehara Shimin Bunkakaikan, Kanagawa.
Publisher number: MM3064 Meister Music
Original Recording Format: DSD128
Исполнитель: Karl-Andreas Kolly - piano
Треклист:
01 - Je te veux (4:46)
02 - 6 Gnossiennes: Gnossienne No. 1 (3:32)
03 - 6 Gnossiennes: Gnossienne No. 2 (1:58)
04 - 6 Gnossiennes: Gnossienne No. 3 (2:40)
05 - 6 Gnossiennes: Gnossienne No. 4 (2:30)
06 - 6 Gnossiennes: Gnossienne No. 5 (3:23)
07 - 6 Gnossiennes: Gnossienne No. 6 (1:13)
08 - Fantaisie-Valse (2:02)
09 - 3 Gymnopedies: Gymnopedie No. 1 (2:56)
10 - 3 Gymnopedies: Gymnopedie No. 2 (2:29)
11 - 3 Gymnopedies: Gymnopedie No. 3 (2:11)
12 - Pouder d’or (4:25)
13 - 3 Airs à faire fuir - Pieces froides I. (2:13)
14 - 3 Airs à faire fuir - Pieces froides II. (1:24)
15 - 3 Airs à faire fuir - Pieces froides III. (2:12)
16 - Le Piccadilly (1:32)
17 - Valse du chocolato aux amandes Menus propos enfantins (1:08)
18 - 5 Nocturnes: Nocturne No. 1 (2:51)
19 - 5 Nocturnes: Nocturne No. 2 (1:50)
20 - 5 Nocturnes: Nocturne No. 3 (2:41)
21 - 5 Nocturnes: Nocturne No. 4 (2:21)
22 - 5 Nocturnes: Nocturne No. 5 (1:58)
23 - Sonatine bureaucratique (3:43)
24 - Sports et Divertissements (12:30)
25 - Le poisson reveur (5:44)
Official DR value: DR13
foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2021-11-17 12:29:15
--------------------------------------------------------------------------------
Analyzed: Karl-Anreas Kolly / GYMNOPEDIE "The Best of Erik Satie"
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -6.29 dB -25.16 dB 4:46 01-Je te veux
DR13 -8.39 dB -28.66 dB 3:32 02-6 Gnossiennes: Gnossienne No. 1
DR12 -12.88 dB -30.97 dB 1:58 03-6 Gnossiennes: Gnossienne No. 2
DR12 -11.66 dB -30.17 dB 2:40 04-6 Gnossiennes: Gnossienne No. 3
DR13 -9.49 dB -27.87 dB 2:30 05-6 Gnossiennes: Gnossienne No. 4
DR13 -10.94 dB -29.36 dB 3:23 06-6 Gnossiennes: Gnossienne No. 5
DR13 -9.73 dB -25.89 dB 1:13 07-6 Gnossiennes: Gnossienne No. 6
DR12 -6.20 dB -22.46 dB 2:02 08-Fantaisie-Valse
DR13 -13.72 dB -30.32 dB 2:56 09-3 Gymnopedies: Gymnopedie No. 1
DR16 -8.29 dB -30.59 dB 2:29 10-3 Gymnopedies: Gymnopedie No. 2
DR13 -12.34 dB -30.77 dB 2:11 11-3 Gymnopedies: Gymnopedie No. 3
DR13 -6.06 dB -23.50 dB 4:25 12-Pouder d’or
DR13 -8.75 dB -26.05 dB 2:13 13-3 Airs à faire fuir - Pieces froides I.
DR11 -14.67 dB -30.08 dB 1:24 14-3 Airs à faire fuir - Pieces froides II.
DR13 -8.16 dB -26.02 dB 2:12 15-3 Airs à faire fuir - Pieces froides III.
DR11 -6.25 dB -21.14 dB 1:32 16-Le Piccadilly
DR11 -15.30 dB -29.76 dB 1:08 17-Valse du chocolato aux amandes Menus propos enfantins
DR13 -8.40 dB -27.71 dB 2:51 18-5 Nocturnes: Nocturne No. 1
DR13 -7.17 dB -26.79 dB 1:50 19-5 Nocturnes: Nocturne No. 2
DR13 -8.85 dB -26.79 dB 2:41 20-5 Nocturnes: Nocturne No. 3
DR13 -10.21 dB -29.35 dB 2:21 21-5 Nocturnes: Nocturne No. 4
DR13 -8.58 dB -27.57 dB 1:58 22-5 Nocturnes: Nocturne No. 5
DR15 -6.21 dB -25.70 dB 3:43 23-Sonatine bureaucratique
DR16 -6.16 dB -26.72 dB 12:30 24-Sports et Divertissements
DR14 -6.26 dB -24.88 dB 5:44 25-Le poisson reveur
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Number of tracks: 25
Official DR value: DR13
Samplerate: 5644800 Hz / PCM Samplerate: 352800 Hz
Channels: 2
Bits per sample: 24
Bitrate: 11290 kbps
Codec: DSD128
================================================================================
Об альбоме (сборнике)
In 1888, the eccentric French composer Erik Satie (1866-1925) published three short, atmospheric piano solos called Gymnopédies. The first, marked Lent et douloureux (“slowly with pain/grief”), is perhaps one of the most famous piano solos penned during the late Romantic era. Let’s dive a little deeper into Gymnopédie No. 1 and see what makes it so memorable.
No one is completely sure why Satie named these pieces Gymnopédies. The term itself comes from the ancient Greek word for an annual festival where young men danced to show off their athletic skills (probably without clothing, like in the Olympics). But because the music does not evoke images or feelings from that festival, others think the inspiration for the title came from Gustave Flaubert‘s novel Salammbô (Satie said this after proclaiming himself a “gymnopedist” – whatever that means) or the following poem from J. P. Contamine de Latour that was published in a magazine alongside the music.
French Poem:
Oblique et coupant l’ombre un torrent éclatant
Ruisselait en flots d’or sur la dalle polie
Où les atomes d’ambre au feu se miroitant
Mêlaient leur sarabande à la gymnopédie
English Translation:
Slanting and shadow-cutting a bursting stream
Trickled in gusts of gold on the shiny flagstone
Where the amber atoms in the fire gleaming
Mingled their sarabande with the gymnopaedia.
Musical Analysis
The first thing to understand about Gymnopédie No. 1 is that its simplicity is intentional, and that’s where the beauty comes from. The melody is a single, flowing line of quarter notes, raising and lowering like ocean waves. The rhythms are long and sustained, creating a sense of floating through time.
Источник (релизер): WEB, все благодарности Конёк-Горбуно́к за предоставленный материал.
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发表于 2022-3-13 14:33:27
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