György Kurtág - Six moments musicaux; Officium breve · Antonín Dvořák - String Quintet, Op. 97
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2021
Жанр: Classical
Издатель (лейбл): ECM New Series
Продолжительность: 01:03:15
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
György Kurtág
Six moments musicaux, Op. 44
01. I. Invocatio [un fragment]
02. II. Footfalls (...mintha valaki jönne...)
03. III. Capriccio
04. IV. In memorian György Sebők
05. V. ...rappel des oiseaux... (étude pour les harmoniques)
06. VI. Les adieux (In Janáček's Manner)
Antonín Dvořák
String Quintet in E-Flat Major, Op. 97, B. 180
07. I. Allegro non tanto
08. II. Scherzo. Allegro vivace
09. III. Larghetto
10. IV. Finale. Allegro giusto
György Kurtág
Officium breve in memoriam Andreae Szervánszky, Op. 28
11. I. Largo
12. II. Più andante
13. III. Sostenuto, quasi giusto
14. IV. Grave, molto sostenuto
15. V. (Fantasie über die Harmonien des Webern-Kanons) Presto
16. VI. (Canon a 4) Molto agitato
17. VII. Canon a 2 (frei, nach, Op. 31/VI von Webern) Sehr fliessend
18. VIII. Lento
19. IX. Largo
20. X. [Webern: Kanon a 4 (Op. 31/VI)] Sehr fliessend
21. XI. Sostenuto
22. XII. Sostenuto, quasi giusto
23. XIII. Sostenuto, con slancio
24. XIV. Disperato, vivo
25. XV. Arioso interrotto (di Endre Szervánszky) Larghetto
Исполнители:
Parker Quartet:
Daniel Chong, violin
Ken Hamao, violin
Jessica Bodner, viola
Kee-Hyun Kim, violoncello
Kim Kashkashian, viola
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2021-10-30 08:56:08
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Analyzed: Parker Quartet, Kim Kashkashian / Kurtág: Six moments musicaux; Officium breve / Dvořák: String Quintet, Op. 97
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DR Peak RMS Duration Track
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DR15 -0.30 dB -21.57 dB 1:31 01-Six moments musicaux, Op. 44: 1. Invocatio [un fragment]
DR15 -6.40 dB -33.38 dB 2:46 02-Six moments musicaux, Op. 44: 2. Footfalls ... mintha valaki jönne ...
DR14 -6.55 dB -27.11 dB 1:33 03-Six moments musicaux, Op. 44: 3. Capriccio
DR14 -6.05 dB -26.34 dB 3:35 04-Six moments musicaux, Op. 44: 4. In memorian Gyoergy Sebeok
DR17 -12.87 dB -39.58 dB 2:31 05-Six moments musicaux, Op. 44: 5. ... rappel des oiseaux ... [étude pour les harmoniques]
DR17 -4.92 dB -30.47 dB 2:49 06-Six moments musicaux, Op. 44: 6. Les adieux [in Janáčeks Manier]
DR16 -1.81 dB -22.81 dB 9:30 07-String Quintet in E Flat Major, Op. 97, B. 180: 1. Allegro non tanto
DR15 -3.17 dB -25.64 dB 5:59 08-String Quintet in E Flat Major, Op. 97, B. 180: 2. Scherzo, Allegro vivace
DR16 -4.42 dB -27.49 dB 10:06 09-String Quintet in E Flat Major, Op. 97, B. 180: 3. Larghetto
DR16 -1.73 dB -22.66 dB 8:35 10-String Quintet in E Flat Major, Op. 97, B. 180: 4. Finale, Allegro giusto
DR6 -24.33 dB -38.20 dB 0:25 11-Officium breve in memoriam Andreae Szervánszky, Op. 28: 1. Largo
DR10 -23.57 dB -39.76 dB 0:44 12-Officium breve in memoriam Andreae Szervánszky, Op. 28: 2. Più andante
DR8 -12.05 dB -30.98 dB 0:41 13-Officium breve in memoriam Andreae Szervánszky, Op. 28: 3. Sostenuto, quasi giusto
DR9 -0.30 dB -21.48 dB 0:33 14-Officium breve in memoriam Andreae Szervánszky, Op. 28: 4. Grave, molto sostenuto
DR16 -2.28 dB -27.54 dB 0:42 15-Officium breve in memoriam Andreae Szervánszky, Op. 28: 5. (Fantasie über die Harmonien des Webern-Kanons) Presto
DR11 -12.22 dB -32.87 dB 0:21 16-Officium breve in memoriam Andreae Szervánszky, Op. 28: 6. (Canon a 4) Molto agitato
DR12 -6.74 dB -30.02 dB 0:39 17-Officium breve in memoriam Andreae Szervánszky, Op. 28: 7. Canon a 2 (frei, nach Op. 31/VI von Webern) Sehr fliessend
DR13 -7.04 dB -29.89 dB 0:39 18-Officium breve in memoriam Andreae Szervánszky, Op. 28: 8. Lento
DR10 -18.15 dB -35.41 dB 0:57 19-Officium breve in memoriam Andreae Szervánszky, Op. 28: 9. Largo
DR15 -2.41 dB -26.19 dB 2:21 20-Officium breve in memoriam Andreae Szervánszky, Op. 28: 10. [Webern: Kanon a 4 (Op. 31/VI)]
DR11 -4.62 dB -20.65 dB 2:39 21-Officium breve in memoriam Andreae Szervánszky, Op. 28: 11. Sostenuto
DR10 -13.37 dB -32.07 dB 0:41 22-Officium breve in memoriam Andreae Szervánszky, Op. 28: 12. Sostenuto, quasi giusto
DR8 -1.15 dB -27.81 dB 1:07 23-Officium breve in memoriam Andreae Szervánszky, Op. 28: 13. Sostenuto, con slancio
DR13 -0.30 dB -16.73 dB 0:48 24-Officium breve in memoriam Andreae Szervánszky, Op. 28: 14. Disperato, vivo
DR11 -14.80 dB -31.63 dB 1:15 25-Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto
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Number of tracks: 25
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2533 kbps
Codec: FLAC
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Об альбоме (сборнике)
On their ECM New series debut, the Boston-based Parker Quartet, hailed by the Washington Post for “exceptional virtuosity and imaginative interpretation,” play music of György Kurtág and are joined by violist Kim Kashkashian, one of the quarter’s early mentors, to play Dvořák. In this powerful programme of contrasts, Dvořák’s outgoing String Quintet No. 3, composed in America in 1893, is framed by two of Kurtág’s concentrated, meticulously-shaped works – the Six Moments musicaux (2005) and the Officium breve in memoriam Andreae Szervánszky (1988/89). Throughout, the Parker Quartet’s feeling for colour and texture is in evidence. The quartet’s insights into Kurtág’s soundworld have been developed through extensive work with the Hungarian composer. The album was recorded at Zürich’s Radio DRS Studio.
At first glance, the pairing of the two composers chosen by the Parker Quartet and violist Kim Kashkashian for their recording on ECM New Series may appear unusual. However, György Kurtág and Antonín Dvořák have more in common than a fleeting glimpse at their oeuvre – an extremely narrow, concentrated catalogue of works in the one case and a multifaceted life's work that lavishly encompasses all musical genres in the other – would suggest.
There is no question that György Kurtág and Antonín Dvořák are creators of eminent chamber music works. Dvořák wrote thirty-one works in this field (not counting the two serenades and some lost pieces), the most generously represented genre being the string quartet with fourteen works, in addition to the three quintets, one sextet, two tercets and others, all intended for pure string ensembles. Even greater still is the proportion of chamber music works in Kurtág's oeuvre, although his orchestral works were often written for smaller ensembles and reduced instrumentations. Ultimately, the intimate, austere quality of chamber music is more in keeping with Kurtág's artistic nature, who thinks less in terms of large formats, but rather developed his own unique style with sound material reduced to microscopic cells.
For the present recording, their first for ECM, the Parker Quartet combines the Six moments musicaux op. 44 and the Officium breve op. 28 – Kurtág's String Quartets Nos. 3 and 4, if you will – with Dvořák's String Quintet No. 3 in E-flat Major op. 97, for which Kim Kashkashian has taken over the second viola part. And here, within the musical facture, the compositional means, in the sound complexion, the paths of these two composers, who represent two musical eras, diverge.
As with basically all the works of György Kurtág, who scrupulously concentrates and condenses the means and tools of composition, these two string quartets are made up of the smallest musical gestures, timbres and fragments – all of convincing consistency. They are replete with allusions to persons close to him, works and events of the past and present, from which the composer's aesthetic points of orientation can be derived: Beethoven, Olivier Messiaen, the pianist and piano teacher György Sebök, the Hungarian poet Endre Ady, Samuel Beckett, Leoš Janáček. And Anton Webern, of course, with his minimum of notes and maximum of expression as a consequence.
These examples of sonic artistry, concentrated around the essential, frame Antonín Dvořák's late String Quintet in E-flat major, op. 97. Like the other works written at the same time, during the composer’s "American period", its attractiveness hails from the natural, almost blossoming melodicism as well as the concise rhythm. Brahms, the Czech composer’s mentor of many years, took note of Dvořák’s unpretentious sense for melody, and his apparently never-ending power of invention.
The Parker Quartet quickly established itself as one of the leading ensembles on the international stage after its founding in Boston in 2002. The four alumni of the New England Conservatory of Music and the Julliard School have been artists in residence at Harvard University for over six years and have performed at renowned venues such as Carnegie Hall, Lincoln Center, Wigmore Hall in London, Concertgebouw Amsterdam and the Vienna Musikverein. In the course of its existence, the quartet has been honoured with various awards, including the Grand Prix and the Mozart Prize of the Bordeaux International String Quartet Competition. Alongside the Cleveland Quartet and Rainer Schmidt (Hagen Quartet), Kim Kashkashian and György Kurtág are among the most important mentors of the ensemble, whose main focus lies on the interpretation of contemporary works, many of which are written in close collaboration with the respective composers. Such projects include the 2011 recording of works by György Ligeti, which won the Grammy award for Best Chamber Music Performance.
Kim Kashkashian is one of the most distinguished viola players and sought-after teachers in the world today. Her teaching career has taken her to the University of Indiana in Bloomington, the Mannes School of Music in New York, the conservatories in Freiburg and Berlin and, since 2000, the New England Conservatory in Boston. Collaborations with numerous composers have added significant works to the narrow repertoire for the viola and have received their world premiere through Kim Kashkashian. Many of Kim Kashkashian's recordings, released on ECM New Series for the past thirty years, have won international awards, including a Grammy in 2013 for her recording Music for Viola with works by György Ligeti and György Kurtág. In the same year, she was honoured with the George Peabody Medal for her outstanding contribution to music in America.
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发表于 2022-3-13 14:33:28
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