Max Richter, Baltic Sea Philharmonic & Kristjan Järvi / Exiles
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2021
Жанр: modern classical, neoclassical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:08:26
Наличие сканов в содержимом раздачи: буклет (pdf)
Источник (релизер): highresaudio
Треклист:
01. Richter: Flowers Of Herself (8:34)
02. Richter: On The Nature Of Daylight (7:20)
03. Richter: The Haunted Ocean (2:20)
04. Richter: Infra 5 (5:35)
05. Richter: Sunlight (3:58)
06. Richter: Exiles (1:53)
07. Richter: Exiles (1:53)
08. Richter: Exiles (1:53)
09. Richter: Exiles (1:53)
10. Richter: Exiles (1:53)
11. Richter: Exiles (1:53)
12. Richter: Exiles (1:53)
13. Richter: Exiles (1:53)
14. Richter: Exiles (1:53)
15. Richter: Exiles (1:53)
16. Richter: Exiles (1:53)
17. Richter: Exiles (1:53)
18. Richter: Exiles (1:53)
19. Richter: Exiles (1:53)
20. Richter: Exiles (1:53)
21. Richter: Exiles (1:53)
22. Richter: Exiles (1:53)
23. Richter: Exiles (1:38)
24. Richter: Flowers Of Herself (3:57)
25. Richter: Exiles (3:23)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Доп. информация: https://www.maxrichtermusic.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-08-06 14:47:01
--------------------------------------------------------------------------------
Analyzed: Baltic Sea Philharmonic / Exiles
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DR Peak RMS Duration Track
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DR11 -0.89 dB -17.00 dB 8:34 01-Richter: Flowers Of Herself
DR12 -1.23 dB -18.75 dB 7:20 02-Richter: On The Nature Of Daylight (Orchestra Version)
DR10 -0.32 dB -14.61 dB 2:20 03-Richter: The Haunted Ocean (Exiles Version)
DR11 -0.32 dB -16.03 dB 5:35 04-Richter: Infra 5 (Orchestra Version)
DR10 -0.66 dB -17.66 dB 3:58 05-Richter: Sunlight (Orchestra Version)
DR12 -24.04 dB -39.94 dB 1:53 06-Richter: Exiles (Pt. 1)
DR12 -20.51 dB -36.71 dB 1:53 07-Richter: Exiles (Pt. 2)
DR11 -20.40 dB -34.45 dB 1:53 08-Richter: Exiles (Pt. 3)
DR11 -17.72 dB -33.00 dB 1:53 09-Richter: Exiles (Pt. 4)
DR11 -16.67 dB -33.05 dB 1:53 10-Richter: Exiles (Pt. 5)
DR13 -18.08 dB -34.30 dB 1:53 11-Richter: Exiles (Pt. 6)
DR11 -15.14 dB -31.42 dB 1:53 12-Richter: Exiles (Pt. 7)
DR10 -14.18 dB -27.78 dB 1:53 13-Richter: Exiles (Pt. 8)
DR11 -14.88 dB -29.24 dB 1:53 14-Richter: Exiles (Pt. 9)
DR11 -17.05 dB -32.20 dB 1:53 15-Richter: Exiles (Pt. 10)
DR11 -16.30 dB -31.15 dB 1:53 16-Richter: Exiles (Pt. 11)
DR11 -15.37 dB -30.05 dB 1:53 17-Richter: Exiles (Pt. 12)
DR9 -8.57 dB -21.27 dB 1:53 18-Richter: Exiles (Pt. 13)
DR10 -6.83 dB -18.88 dB 1:53 19-Richter: Exiles (Pt. 14)
DR10 -0.32 dB -12.19 dB 1:53 20-Richter: Exiles (Pt. 15)
DR7 -0.32 dB -8.80 dB 1:53 21-Richter: Exiles (Pt. 16)
DR9 -0.32 dB -11.95 dB 1:53 22-Richter: Exiles (Pt. 17)
DR10 -6.98 dB -21.54 dB 1:38 23-Richter: Exiles (Pt. 18)
DR11 -0.89 dB -15.54 dB 3:57 24-Richter: Flowers Of Herself (Short Edit)
DR13 -14.24 dB -30.74 dB 3:23 25-Richter: Exiles (Short Edit)
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Number of tracks: 25
Official DR value: DR11
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1199 kbps
Codec: FLAC
================================================================================
Об исполнителе (рус.) | About Artist (ru)
Макс Рихтер
Макс Рихтер (род. 22 марта 1966 г. в Гамельне, Нижняя Саксония, , Германия) — британский композитор немецкого происхождения. Автор музыки к десяткам художественных, документальных и мультипликационных фильмов, сериалов, театральных постановок, балетов, в т.ч. к таким, как «Последняя любовь на Земле», «Остров проклятых», «Камень терпения», «Прибытие», «Возвращение в Монток», «Белый парень Рик», «Работа без авторства», к телесериалам «Табу», «Оставленные», «Черное Зеркало» (серия «Нырок») и др. Был признан лучшим кинокомпозитором 2008 года по версии Европейской киноакадемии за саундтрек к фильму «Вальс с Баширом». Работы Рихтера сочетают в себе элементы инструментальной и электронной музыки и близки постминимализму.
Макс Рихтер родился 22 марта 1966 года в Германии, но с детства жил в Великобритании, в Бедфорде. Композицию и игру на фортепиано изучал в Эдинбургском университете, Королевской академии музыки, а также у Лучано Берио во Флоренции. После окончания обучения стал одним из основателей секстета пианистов en:Piano Circus, исполнявшего музыку композиторов-минималистов: Арво Пярта, Филипа Гласса, Джулии Вольф и Стивена Райха. В составе ансамбля Рихтер играл около десяти лет и выпустил пять альбомов на Decca/Argo.
В 1996 году работал с Future Sound of London над альбомом Dead Cities, изначально как пианист, а в дальнейшем и с использованием других инструментов, а один трек (названный «Max») сочинил самостоятельно. Впоследствии сотрудничал с FSOL в течение двух лет, также внеся вклад в альбомы en:The Isness и en:The Peppermint Tree and Seeds of Superconsciousness.
В 2000 году сотрудничал с выигравшим Mercury Prize Рони Сайзом над альбомом группы en:Reprazent, названным In the Mode.
В этот же год составил восемнадцатитрековый альбом Memoryhouse с музыкальным изображением звуков природы, наложенных на голоса людей, читающих поэзию на различных языках, в том числе и на русском: в треке «Maria, The poet (1913)» актриса Алла Демидова читает стихотворение Марины Цветаевой «Уж сколько их упало в эту бездну». Четыре трека («Europe, After the Rain», «The Twins (Prague)», «Fragment» и «Embers») были использованы в шестисерийном документальном фильме 2005 года BBC Освенцим: Нацисты и «окончательное решение» (продюсер Лоуренс Риз). Альбом был записан при участии Филармонического ансамбля ВВС.
Во втором альбоме The Blue Notebooks (2004 год) композитор также соединил музыку и литературу. В основу диска легли произведения Кафки, которые читает актриса Тильда Суинтон. По такой же схеме был записан и третий альбом Songs From Before: музыкант Роберт Уайатт читал тексты Харуки Мураками.
В 2008 году Рихтер издал четвёртый альбом 24 Postcards In Full Colour. В 2010 вышел пятый альбом Infra, который композитор написал специально для балета Уэйна Макгрегора, поставленного на сцене Королевского театра в Ковент-Гардене.
В 2012 году Britten Sinfonia записала Времена года (Вивальди) в авторской интерпретации Макса Рихтера. Композитор изменил музыку Антонио Вивальди в духе минимализма и постмодернизма. Запись возглавила рейтинги классической музыки по версии iTunes в Великобритании, США и Германии.
Макс Рихтер написал музыку к десяткам европейских и азиатских художественных и документальных фильмов. Самая известная его работа – в фильме «Вальс с Баширом». Отдельные композиции в ряде популярных кинолент также принесли Рихтеру мировую известность. Для фильма Мартина Скорсезе «Остров проклятых» Рихтер написал трек On The Nature of Daylight, в котором соединил свою музыку и а капеллу Дины Вашингтон к песне Bitter Earth. Позднее это произведение прозвучало ещё в нескольких фильмах. Композиция Sarajevo звучала в официальном трейлере к фильму Ридли Скотта «Прометей», а композиция November, с того же альбома, сопровождала трейлеры к фильмам «К чуду» и «Дж. Эдгар».
Уже первый сольный альбом Макса Рихтера Memoryhouse заслужил хвалебные речи в его адрес со стороны музыкальных критиков. Грейсон Каррин из Pitchfork в своей рецензии назвал музыку Рихтера предтечей музыки Нико Мьюли и других композиторов-авангардистов, отметив, что Рихтер совершил своего рода прорыв в музыкальном искусстве. Второй альбом The Blue Notebooks некоторые критики назвали лучшим за всю историю классической музыки того периода. https://ru.wikipedia.org/wiki/Рихтер,_Макс
Об исполнителе (англ.) | About Artist (en)
Max Richter
Max Richter (born 22 March 1966) is a German-born British composer who has been an influential voice in post-minimalist composition and in the meeting of contemporary classical and alternative popular musical styles since the early 2000s. Richter is classically trained, having graduated in composition from the Royal Academy of Music and studied with Luciano Berio in Italy.
Richter also composes music for stage, opera, ballet and screen. He has also collaborated with other musicians, as well as with performance, installation and media artists. He has recorded eight solo albums and his music is widely used in cinema.
Richter was born in Hamelin, Lower Saxony, West Germany. He grew up in Bedford, England, United Kingdom, and his education was at Bedford Modern School and Mander College of Further Education. He studied composition and piano at the University of Edinburgh, the Royal Academy of Music, and with Luciano Berio in Florence. After finishing his studies, Richter co-founded the contemporary classical ensemble Piano Circus. He stayed with the group for ten years, commissioning and performing works by minimalist musicians such as Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe, and Steve Reich. The ensemble was signed to Decca/Argo, producing five albums.
In 1996, Richter collaborated with Future Sound of London on their album Dead Cities, beginning as a pianist, but ultimately working on several tracks, as well as co-writing one track (titled Max). Richter worked with the band for two years, also contributing to the albums The Isness and The Peppermint Tree and Seeds of Superconsciousness. In 2000, Richter worked with Mercury Prize winner Roni Size on the Reprazent album In the Møde. Richter produced Vashti Bunyan's 2005 album Lookaftering and Kelli Ali's 2008 album Rocking Horse.
In 2015, Max Richter released his most ambitious project to date, Sleep, an 8.5 hour listening experience targeted to fit a full night's rest. The album itself contains 31 compositions, most of them reaching 20–30 minutes in duration, all based around variations of 4-5 themes. The music is calm, slow, mellow and composed for piano, cello, two violas, two violins, organ, soprano vocals, synthesizers and electronics. As the album's liner notes, strings are played by the American Contemporary Music Ensemble (Ben Russell, Yuki Numata Resnik, Caleb Burhans, Clarice Jensen and Brian Snow), Vocals are provided by Grace Davidson and the piano, synthesisers and electronics are played by Richter himself.
Richter also released a 1-hour version of the project, "From Sleep", that contains roughly 1 shortened version of every "theme" from Sleep (hence its title), and is supposed to act as a shorter listening experience for the Sleep project.
Richter has described SLEEP as an eight-hour-long lullaby. It was released on CD and vinyl. The work was strongly influenced by Gustav Mahler's symphonic works.
The entire composition was performed on 27 September 2015, from midnight to 8:00 A.M. as the climax of the "Science and Music" weekend on BBC Radio 3. The performance broke several records, including the longest live broadcast of a single musical composition in the history of the network.
Sleep was chosen by Jarvis Cocker to be the BBC6 Album of the year for 2015 and by Pitchfork Magazine as one of the 50 best ambient albums of all time.
The full-length Sleep has been played live by Richter at the Concertgebouw (Grote Zaal) Amsterdam; the Sydney Opera House; in Berlin (as part of Berliner Festspiele's Maerz Musik Festival), in Madrid (as part of Veramos de la Villa) and in London (at the Barbican). In November 2017 Sleep was played at the Philharmonie de Paris.[50] In September 2018 it was played in the Antwerp cathedral for an audience of 400 which were provided with beds for the night.
“I think of it as a piece of protest music,” Richter has said. “It’s protest music against this sort of very super industrialized, intense, mechanized way of living right now. It’s a political work in that sense. It’s a call to arms to stop what we’re doing. https://en.wikipedia.org/wiki/Max_Richter
Об альбоме (англ.) | About Album (en)
Info for Max Richter: Exiles
World premiere recording of Richter's electrifying ballet music 'Exiles', originally commissioned for 'Singulière Odyssée' (2016) by Sol León and Paul Lightfoot, and premiered by Nederlands Dans Theater (NDT). The album contains the previously unreleased piece from 'Woolf Works', entitled 'Flowers of Herself', along with new orchestral versions of some iconic Richter catalogue tracks.
***
The Baltic Sea Philharmonic will make its label debut for Deutsche Grammophon with the new Max Richter album EXILES. Set for release on 6 August 2021, EXILES features the orchestra and its Music Director and Founding Conductor Kristjan Järvi in new recordings of pieces from previous Max Richter albums, as well as pieces originally composed for ballet scores. The album comprises seven tracks but especially the mainwork ’Exiles’ dealing with the humanitarian disaster of the migrant crisis resonates the country-bonding mission of the Baltic Sea Philharmonic. ’It has this “peacemaking” function, people being able to talk to each other in a creative way. It struck me that it would be nice to have that orchestra play music that matched that theme’, said Max Richter. Besides ‘Exiles’ in two parts the album also contains ‘The Haunted Ocean’ from Waltz with Bashir; ‘Infra 5’ from Infra; ‘Flowers of Herself’ from Woolf Works; ‘On the Nature of Daylight’ from The Blue Notebooks; and ‘Sunlight’ from Songs from Before.
EXILES was recorded in September 2019 at the studio of Estonian Public Broadcasting in Järvi’s home city of Tallinn, Estonia, in the presence of the composer. The album represents the orchestra’s first major collaboration with Max Richter, although his compositions have previously featured on the programmes of Baltic Sea Philharmonic concerts. Richter and Järvi have worked together on various other projects, including with the MDR Symphony Orchestra in Leipzig, when Järvi was the orchestra’s chief conductor and Richter was artist in residence for its 2016/17 season.
Lights of openness and unity: Max Richter composed the main work on the album, the 33-minute ‘Exiles’, for the Nederlands Dans Theater, and the music had its premiere in 2017 as the score for a dance work called Singulière Odyssée. Like some other Richter works, ‘Exiles’ has a socio-political dimension, in that it is a personal response to the humanitarian disaster of the migrant crisis and the plight of Syrian refugees. In this light, the choice of the Baltic Sea Philharmonic – with its open, borderless and unifying nature – as collaborators for the album was therefore an important one for the composer. ‘They are engaged with music and society, connecting people who live around the Baltic Sea so that obviously includes former Western European countries, former Eastern European countries,’ he said. ‘The orchestra has an explicit social dimension, which really struck me as important.’
For Kristjan Järvi, the openness and fearlessness he has encouraged in the Baltic Sea Philharmonic musicians are essential qualities for playing Max Richter’s emotionally direct works, with their exposed musical lines. ‘This music is so personal that if the lines are not played with personal commitment and dedication, then they don’t work,’ he said. ‘It means on an emotional level it’s scary for the musicians to go out on stage and commit themselves, because then they’re showing the audience exactly who they are. But that’s why I love doing these pieces with the Baltic Sea Philharmonic.’ https://www.highresaudio.com/en/album/view/dpyyak/baltic-sea-philharmonic-kristja...x-richter-exiles
Состав | Artists
COMPOSED BY MAX RICHTER
Orchestra Baltic Sea Philharmonic
Kristjan Järvi, conductor
Mixed by RUPERT COULSON
Produced by MAX RICHTER
Mastered by GÖTZ-MICHAEL RIETH from Eastside Mastering Studios GmbH
Recording: Tallinn, Estonia, 9/2019
Executive Producer StudioRichterMahr YULIA MAHR
Studio Manager StudioRichterMahr REBECCA DRAKE-BROCKMAN
Artist Management by Harmonic Artists
For Deutsche Grammophon:
Executive Producer / A&R Production Manager CHRISTIAN BADZURA
A&R Coordination ANUSCH ALIMIRZAIE
Product Management HANS-CHRISTIAN LOHS
Product Management Coordination RAFAEL WALCHSHOFER
Creative Production Manager NICOLE ALBRING, LARS HOFFMANN
Cover Painting by YULIA MAHR (2017):%Maman, 1950
Harmonic Artists Ltd. | contact@harmonicartists.com
Artist Photos ! SIIRI KUMARI
Product Design by FLORIAN KARG | athousandleaves.de
! 2021 StudioRichterMahr, under exclusive license to Deutsche Grammophon GmbH, Berlin
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发表于 2022-3-13 14:33:28
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