Cher - Dancing Queen
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Pop
Издатель (лейбл): Warner Bros.
Продолжительность: 00:40:05
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Интервью: youtubeТреклист:
1. Dancing Queen
2. Gimme! Gimme! Gimme! (A Man After Midnight)
3. The Name of the Game
4. SOS
5. Waterloo
6. Mamma Mia
7. Chiquitita
8. Fernando
9. The Winner Takes It All
10. One of Us
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-09-28 17:43:49
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Analyzed: Cher / Dancing Queen
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DR Peak RMS Duration Track
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DR6 0.00 dB -7.97 dB 3:43 01-Dancing Queen
DR6 -0.30 dB -7.87 dB 4:11 02-Gimme! Gimme! Gimme! (A Man After Midnight)
DR6 0.00 dB -8.19 dB 4:49 03-The Name of the Game
DR5 0.00 dB -8.25 dB 3:22 04-SOS
DR6 0.00 dB -6.60 dB 2:53 05-Waterloo
DR6 0.00 dB -7.55 dB 3:34 06-Mamma Mia
DR7 0.00 dB -9.57 dB 5:14 07-Chiquitita
DR6 0.00 dB -8.84 dB 3:57 08-Fernando
DR6 0.00 dB -8.85 dB 4:32 09-The Winner Takes It All
DR9 -0.25 dB -12.29 dB 3:54 10-One of Us
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Number of tracks: 10
Official DR value: DR6
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1524 kbps
Codec: FLAC
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Об альбоме (сборнике)
It makes so much sense, it’s a wonder this took so long. An album of ABBA covers by camp queen Cher is a match made in pop-music heaven. The ostensible inspiration for the set was her cameo in Mamma Mia 2, where she delivered a faithful rendition of the timeless ballad “Fernando”. But who needs a reason to justify 10 new takes on ABBA’s biggest hits? From the piano vamp of “Dancing Queen” that opens the album, it’s clear nobody is trying to reinvent the wheel here. These tracks, FM radio staples for 40-plus years already, are given a spit shine and updated production values, but they’re otherwise straightforward takes that make clear the producers’ (and the performer’s) reverence for the source material. Only at the end does the formula change: “One of Us”, a heartbreaking standout from the Swedish group’s final album, The Visitors, is stripped down to strings and piano, leaving only Cher’s voice to channel all of the emotion from the devastating lyrics.