Youn Sun Nah / Same Girl
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Reissue
Год издания/переиздания диска: 2010 / 2014
Жанр: Vocal Jazz
Издатель (лейбл): ACT
Продолжительность: 00:47:08
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - My Favorite Things (3:58)
02 - My Name Is Carnival (4:02)
03 - Breakfast In Baghdad (5:56)
04 - Uncertain Weather (3:22)
05 - Song Of No Regrets (3:46)
06 - Kangwondo Arirang (4:07)
07 - Enter Sandman (4:52)
08 - Same Girl (4:14)
09 - Moondog (4:10)
10 - Pancake (3:36)
11 - La Chanson D'Hélène (5:07)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-03-14 00:53:49
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Analyzed: Youn Sun Nah / Same Girl
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DR Peak RMS Duration Track
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DR10 -3.33 dB -17.52 dB 3:58 01-My Favorite Things
DR8 -0.20 dB -11.96 dB 4:02 02-My Name Is Carnival
DR6 -0.20 dB -8.90 dB 5:56 03-Breakfast in Baghdad
DR10 -0.20 dB -11.74 dB 3:22 04-Uncertain Weather
DR11 -0.90 dB -15.45 dB 3:46 05-Song of No Regrets
DR10 -0.20 dB -13.83 dB 4:07 06-Kangwondo Arirang
DR7 -0.20 dB -11.19 dB 4:52 07-Enter Sandman
DR11 -2.43 dB -18.77 dB 4:14 08-Same Girl
DR9 -0.20 dB -11.38 dB 4:11 09-Moondog
DR7 -0.20 dB -8.66 dB 3:36 10-Pancake
DR11 -0.20 dB -13.91 dB 5:07 11-La Chanson D'hélène
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Number of tracks: 11
Official DR value: DR9
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2629 kbps
Codec: FLAC
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Источник (релизер): ProStudioMasters
Состав
Youn Sun Nah \ vocals, kalimba, music box, kazoo
Ulf Wakenius \ guitars
Lars Danielsson \ acoustic bass, cello
Xavier Desandre-Navarre \ percussion
Об альбоме (сборнике)
With her new album Same Girl Youn Sun Nah is still on a musical voyage, exploring and experimenting with different musical styles and genres. Again the song material is very diverse, but she is still the same girl the audience has come to know and love, surprising the listener with songs that have been interpreted in highly individual and distinctive ways, and which break free from the usual stylistic constraints. I didn t want to be confined to a particular repertoire but reflect all possible moments of my life, she explains. That s why I think the album is atmospherically much more diverse than Voyage and, in certain respects, it has more depth and reflects even more aspects of my personality.
If one were to listen only to “My Favorite Things,” the Richard Rodgers-Oscar Hammerstein Great American Songbook standard that opens Same Girl, one might deduce that Korea’s Youn Sun Nah is just another cabaret singer with a pretty voice. The kalimba with which she is accompanying herself as she sings — the sole instrument heard — lends a sense of purity to the tune, and although the vocalist avoids the usual routes taken with the song, there’s no real reason to get excited. Yet. Then things get interesting, fast. As she works her way through material from sources as diverse as Randy Newman, Sergio Mendes, and Metallica — yes, Metallica; she does a mean “Enter Sandman” — in addition to two original compositions and a Korean standard, Nah establishes that, in fact, she is incontestably an original, a jazz singer of great range, complexity, emotion, and ideas. Precision timing and sharp diction mark Nah’s approach as she traverses the lyrics, but it’s not only her technical prowess that makes Same Girl (her second release as a leader on the ACT label, after having spent a decade with a French band) such a delight. For one thing, she is constantly full of surprises. On the Mendes tune, “Song of No Regrets,” Nah could have followed the rule book and sung the number as a samba. Instead, she turns it into a near a cappella minimalist dirge, Lars Danielsson’s cello bringing to the rendition an unexpected eeriness and majesty. Terry Cox’s “Moondog” is something else altogether, all jutting angles and piercing barbs, Ulf Wakenius’ guitar and Xavier Desandre-Navarre’s drums seemingly flailing willy-nilly behind Nah’s warbles, yet somehow making perfect sense in the context of the arrangement, even when Nah breaks the solemnity with a jarring kazoo solo, of all things. For a real taste of her ability to knock a listener out cold, though, Wakenius’ “Breakfast in Baghdad” is the place to go: to call Nah a scat singer is like calling John Coltrane a guy who fooled around a bit with the sax. Nah is a wildwoman let loose, treating each syllable as a new adventure in acrobatics, the musicians flying free and fancifully behind her captivating, seriously stunning ravings. Youn Sun Nah doesn’t simply interpret; any good jazz signer can do that. She gets to the root of a melody and a lyric, deconstructs it wholly, and then presents it in a way it’s never before been heard. Not many around who can do that anymore. ~ Jeff Tamarkin
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发表于 2022-3-13 14:44:21
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