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[爵士和蓝调] [Tr24] [] Tommy Emmanuel - Tommysongs的最佳 - 2020(Fingerstyle,Showspe爵士乐)

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发表于 2022-3-13 14:44:21 | 显示全部楼层 |阅读模式
Tommy Emmanuel - The Best of Tommysongs
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Fingerstyle, Smooth Jazz
Издатель (лейбл): CGP Sounds
Продолжительность: 01:18:22
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44.1
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
1. Endless Road (4:19)
2. Song for a Rainy Morning (2:11)
3. Angelina (2:40)
4. Luttrell (2:07)
5. Halfway Home (3:12)
6. Ruby's Eyes (3:26)
7. Fuel (4:26)
8. Lewis & Clark (3:51)
9. The Wide Ocean (3:36)
10. Train to Dusseldorf (2:27)
11. It's Never Too Late (3:37)
12. Mombasa (2:46)
13. (The Man With The) Green Thumb (3:07)
14. Cowboy's Dream (3:17)
15. Rachel's Lullaby (2:29)
16. The Mystery (3:46)
17. Questions (3:35)
18. Timberland (3:08)
19. Those Who Wait (4:40)
20. Timberlake Road (2:34)
21. Drivetime (2:58)
22. Sail On (2:39)
23. Blood Brother (4:47)
24. Stay Close to Me (2:58)Tommy Emmanuel, guitar
Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-05-08 13:54:35
--------------------------------------------------------------------------------
Analyzed: Tommy Emmanuel / The Best of Tommysongs
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11       0.00 dB   -14.92 dB      2:11 01-Song for a Rainy Morning
DR10      -1.23 dB   -13.11 dB      2:40 02-Angelina
DR10      -0.54 dB   -11.68 dB      3:12 03-Halfway Home
DR9       -0.16 dB   -11.64 dB      4:26 04-Fuel
DR10      -0.39 dB   -13.90 dB      3:36 05-The Wide Ocean
DR12      -0.11 dB   -14.10 dB      3:37 06-It's Never Too Late
DR12      -0.49 dB   -14.75 dB      3:08 07-(The Man With The) Green Thumb
DR11      -0.07 dB   -13.12 dB      3:46 08-The Mystery
DR11      -0.09 dB   -14.12 dB      3:08 09-Timberland
DR12      -0.59 dB   -13.70 dB      2:34 10-Timberlake Road
DR11      -0.39 dB   -13.95 dB      2:39 11-Sail On
DR12       0.00 dB   -15.34 dB      4:47 12-Blood Brother
DR12      -0.13 dB   -14.90 dB      4:19 13-Endless Road
DR8       -0.39 dB    -9.96 dB      2:07 14-Luttrell
DR14       0.00 dB   -15.57 dB      3:26 15-Ruby's Eyes
DR9       -0.39 dB   -11.27 dB      3:51 16-Lewis & Clark
DR10      -0.15 dB   -12.47 dB      2:27 17-Train to Dusseldorf
DR13      -0.06 dB   -15.64 dB      2:46 18-Mombasa
DR10      -1.62 dB   -14.34 dB      3:17 19-Cowboy's Dream
DR12      -0.88 dB   -14.31 dB      2:29 20-Rachel's Lullaby
DR11      -0.23 dB   -13.59 dB      3:35 21-Questions
DR10      -0.44 dB   -12.41 dB      4:40 22-Those Who Wait
DR12      -1.13 dB   -14.93 dB      2:58 23-Drivetime
DR13       0.00 dB   -15.19 dB      2:58 24-Stay Close To Me
--------------------------------------------------------------------------------
Number of tracks:  24
Official DR value: DR11
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1356 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
"The Best of Tommysongs" is a double album that features some of Tommy Emmanuel’s best original works. He solely wrote, produced, and recorded all the songs on this record. Tommy has been playing some of these songs for over 30 years, and they have evolved over time. He wanted to re-record them to suite the modern arrangements and to make them sound bigger than ever. The record also has 5 brand new songs.
Emmanuel solely wrote, performed, and produced every song on the 24-track record.
“I boarded a train in Paris, France to ride the rails to Cologne, Germany. Looking out the window, I saw a billboard for ‘Harry Potter World,’ that set me in motion. I got my guitar out and started looking for cinematic chords and ideas. Three hours later, I had the entire song written and was practicing it up. I had no title at that stage and when I played it for a friend he asked “what’s fueling this emotion?” Immediately I reacted, “You just gave me the title, ‘Fuel’! Even though there’s time changes and odd bars in the song, you can actually tap time straight through it. In my own way, this is a small attempt at paying homage to Mason Williams, the brilliant composer of ‘Classical Gas.'”
                                                                                       
                       
                       
                       
                       
                       
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