Ike Quebec / Soul Samba Bossa Nova
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2009
Жанр: Bossa Nova, Soul Jazz, Latin Jazz
Издатель (лейбл): Blue Note / Analogue Productions
Продолжительность: 00:48:36
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
01. Loie (3:11)
02. Lloro Tu Despedida (3:05)
03. Goin' Home (5:43)
04. Me 'N You (6:02)
05. Liebestraum (3:44)
06. Shu Shu (3:32)
07. Blue Samba (5:23)
08. Favela (4:01)
09. Linda Flor (3:28)
10. Loie (Alternate Take) (3:36)
11. Shu Shu (Alternate Take) (3:21)
12. Favela (Alternate Take) (3:32)Bass – Wendell Marshall
Drums – Willie Bobo
Guitar – Kenny Burrell
Mastered By – Kevin Gray, Steve Hoffman
Shekere [Chekere] – Gravin Masseaux
Tenor Saxophone – Ike QuebecКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Originally released in 1962 by Blue Note Records
Analogue Productions – CBNJ 84114 SA
Mastered for SACD by Kevin Gray and Steve Hoffman
at AcousTech Mastering, Camarillo, California
Источник (релизер): grillbrill (PS³SACD) https://store.acousticsounds.com/d/49161/Ike_Quebec-Soul_Samba_Bossa_Nova-Hybrid_Stereo_SACD
Лог DR
foobar2000 1.3.17 / Dynamic Range Meter 1.1.1
log date: 2019-10-09 23:27:56
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Analyzed: Ike Quebec / Soul Samba Bossa Nova
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DR Peak RMS Duration Track
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DR13 -10.97 dB -28.33 dB 3:11 01-Loie
DR13 -7.41 dB -25.74 dB 3:05 02-Lloro Tu Despedida
DR14 -7.90 dB -26.92 dB 5:43 03-Goin' Home
DR13 -9.25 dB -26.54 dB 6:02 04-Me 'N You
DR14 -10.62 dB -27.53 dB 3:44 05-Liebestraum
DR12 -12.24 dB -27.73 dB 3:32 06-Shu Shu
DR13 -7.87 dB -26.50 dB 5:23 07-Blue Samba
DR13 -10.73 dB -28.33 dB 4:01 08-Favela
DR11 -8.01 dB -26.29 dB 3:28 09-Linda Flor
DR14 -8.15 dB -26.24 dB 3:36 10-Loie (Alternate Take)
DR12 -8.23 dB -26.07 dB 3:21 11-Shu Shu (Alternate Take)
DR12 -9.71 dB -27.26 dB 3:32 12-Favela (Alternate Take)
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Number of tracks: 12
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 44100 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Скриншот спектра частот
Об альбоме (сборнике)
Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award!
"...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52
This program of sultry, minor key music with a Brazilian tinge seems inspired by Ike Quebec, who was suffering from advanced cancer that would claim his life three months later. But here is big-toned, impassioned tenor is in tact. Quebec's take on the bossa nova craze that explored that year (1962) is more muscular than Stan Getz's and doesn't rely on the familiar Jobim and Gilberto songs of the day. He and Kenny Burrell solo on the sly, subtle rhythms of Wendell Marshall, Willie Bobo and Garvin Masseaux.
All Music Review
This was veteran tenor saxophonist Ike Quebec’s final recording as a leader. It was cut in October 1962 and produced by Alfred Lion a little more than three months before the saxophonist’s death. Bossa Nova Soul Samba was recorded and released during the bossa nova craze, as Brazilian music was first brought to the attention of pop listeners via Stan Getz and Charlie Byrd’s smash hit with Tom Jobim’s “Desafinado,” on their Jazz Samba record for Verve in February. After that, seemingly everyone was making a bossa nova record. Quebec’s effort is a bit unusual in that none of the musicians (guitarist Kenny Burrell, bassist Wendell Marshall, drummer Willie Bobo, and percussionist Garvin Masseaux) was associated with Brazilian (as opposed to Afro-Cuban) jazz before this, and that there isn’t a single tune written by Jobim on the set. Quebec emphasizes warm, long tones (reminiscent of Coleman Hawkins in a romantic fashion), and his sidemen play light and appealing but nonetheless authoritative bossa rhythms. Standout tracks here include Burrell’s own “Loie,” which opens the disc, “Goin’ Home,” based on a tune by classical composer Antonin Dvorák and arranged by Quebec — he does the same with “Liebestraum” two tunes later — and the stunning “Favela,” by the crack composing team of Joraci Camargo and Heckel Tavares. The result is high-quality melodic Brazilian dance music with Burrell shining in particular.