青铜长老
音符 0
音乐币 67998
贡献 32600
Bettye LaVette - Blackbirds
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: jazz, soul, blues
Издатель (лейбл): Verve
Продолжительность: 00:40:13
Треклист:1. I Hold No Grudge
2. One More Song
3. Blues For The Weepers
4. Book Of Lies
5. Romance In The Dark
6. Drinking Again
7. Strange Fruit
8. Save Your Love For Me
9. BlackbirdКонтейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): https://store.acousticsounds.com/d/157020/Bettye_Lavette-Blackbirds-FLAC_96kHz24bit_磁力下载:
Лог проверки качества
Общее
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Формат/Информация : Free Lossless Audio Codec
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Продолжительность : 5 м. 0 с.
Режим общего битрейта : Переменный
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Нормализатор звука альбома : -7,15 дБ
Пик нормализатора звука альбома : 1.010586
Альбом : Blackbirds
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Трек/Положение : 1
Трек/Всего : 9
Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000087
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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BARCODE : 00602508692949
DYNAMIC RANGE : 7
MEDIA : WEB-DL
RELEASEDATE : 2020-08-28
URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Библиотека кодирования : libFLAC 1.3.3 (UTC 2019-08-04)
Общее
Полное имя : /Users/user/Movies/Bettye LaVette - Blackbirds (2020) {Verve 00602508692949} [WEB FLAC 24-96]/02 - One More Song.flac
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Формат/Информация : Free Lossless Audio Codec
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Нормализатор звука альбома : -7,15 дБ
Пик нормализатора звука альбома : 1.010586
Альбом : Blackbirds
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Трек/Положение : 2
Трек/Всего : 9
Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000194
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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BARCODE : 00602508692949
DYNAMIC RANGE : 9
MEDIA : WEB-DL
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URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Общее
Полное имя : /Users/user/Movies/Bettye LaVette - Blackbirds (2020) {Verve 00602508692949} [WEB FLAC 24-96]/03 - Blues for the Weepers.flac
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Формат/Информация : Free Lossless Audio Codec
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Альбом : Blackbirds
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Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000196
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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BARCODE : 00602508692949
DYNAMIC RANGE : 7
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RELEASEDATE : 2020-08-28
URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Библиотека кодирования : libFLAC 1.3.3 (UTC 2019-08-04)
Общее
Полное имя : /Users/user/Movies/Bettye LaVette - Blackbirds (2020) {Verve 00602508692949} [WEB FLAC 24-96]/04 - Book of Lies.flac
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Альбом : Blackbirds
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Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000202
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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BARCODE : 00602508692949
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URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Библиотека кодирования : libFLAC 1.3.3 (UTC 2019-08-04)
Общее
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Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000203
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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Общее
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Жанр : Soul
Дата записи : 2020
ISRC : USUM72000207
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
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BARCODE : 00602508692949
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URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Общее
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Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
ALBUM DYNAMIC RANGE : 8
BARCODE : 00602508692949
DYNAMIC RANGE : 9
MEDIA : WEB-DL
RELEASEDATE : 2020-08-28
URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Общее
Полное имя : /Users/user/Movies/Bettye LaVette - Blackbirds (2020) {Verve 00602508692949} [WEB FLAC 24-96]/08 - Save Your Love for Me.flac
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Трек : Save Your Love for Me
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Трек/Всего : 9
Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000248
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
ALBUM DYNAMIC RANGE : 8
BARCODE : 00602508692949
DYNAMIC RANGE : 9
MEDIA : WEB-DL
RELEASEDATE : 2020-08-28
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Общее
Полное имя : /Users/user/Movies/Bettye LaVette - Blackbirds (2020) {Verve 00602508692949} [WEB FLAC 24-96]/09 - Blackbird.flac
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Формат/Информация : Free Lossless Audio Codec
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Пик нормализатора звука альбома : 1.010586
Альбом : Blackbirds
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Трек/Положение : 9
Трек/Всего : 9
Исполнитель : Bettye LaVette
Метка : Verve
Жанр : Soul
Дата записи : 2020
ISRC : USUM72000250
Обложка : Yes
Тип обложки : Cover (front)
MIME-тип обложки : image/jpeg
Примечание : Singer Bettye LaVette has made a career of overcoming adversity, bad timing and cruel music business vagaries. And so who better, at a time when America is reckoning with privilege and inequality, to bring fresh pathos and pique to the ever-powerful anti-lynching call, "Strange Fruit." On Blackbirds, she slowly climbs the mountain that is Billie Holiday's most famous number in a spare rendition—just piano chords, electric guitar notes and brushes on the snare—that allows her to linger on every word. The socially relevant timing of her latest collection is sustained by the title track, LaVette's very personalized interpretation of Paul McCartney's folk hymn to America's racial infamy that she first unveiled in 2010 at the Hollywood Bowl. / / Once advised that learning to sing standards would make her eternally employable—and unaware that her song selection on Blackbirds would meet the current moment with such force—LaVette, whose career was relaunched in the aughts with a series of albums on the Anti label, decided with this album to tackle tunes from the Great American Songbook most closely associated with great African-American female singers like Ruth Brown, Nancy Wilson and the aforementioned Billie Holiday. She wastes no time laying out her guiding principles in the opener, "I Hold No Grudge," a number first heard on Nina Simone's High Priestess of Soul album: "I hold no grudge/ Deep inside me there's no regrets/ But a gal who's been forgotten may forgive/ But never once forget." / / With a vocal instrument that's grown creakier but also wiser with age, LaVette adds layers of stylized reflection—as well as bursts of rascally spirit—to this cabaret-like set of mostly downbeat ballads. Produced by drummer Steve Jordan (who helmed her previous album Things Have Changed), and working with a quintet that features multi-talented guitarist Smokey Hormel (Beck, Johnny Cash, Tom Waits), Blackbirds was recorded at Brooklyn Recording by engineer Dave O'Donnell who unerringly captures the timbre and subtle inflections of LaVette's emphatic singing. The mood lightens for a moment in a keyboard-led version of Lil' Green's sexy "Romance in the Dark," before easing into the unavoidably heart-wrenching "Drinking Again," one of Dinah Washington's signature numbers where the sharp rasp of LaVette's voice accentuates the song's poignance. A shrewd stylist climbing inside songs to discover, decry and universalize. © Robert Baird/Qobuz
ALBUM DYNAMIC RANGE : 8
BARCODE : 00602508692949
DYNAMIC RANGE : 9
MEDIA : WEB-DL
RELEASEDATE : 2020-08-28
URL : https://mora.jp/package/43000006/00602508692949/
Аудио
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Формат/Информация : Free Lossless Audio Codec
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Вид битрейта : Переменный
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Каналы : 2 канала
Channel layout : L R
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Библиотека кодирования : libFLAC 1.3.3 (UTC 2019-08-04)
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