Poncho Sanchez / Trane's Delight
Формат записи/Источник записи: [TR24][OF]
Год издания/переиздания диска: 2019
Жанр: Latin Jazz
Издатель (лейбл): Concord Picante
Продолжительность: 01:02:06
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - Soul Bourgeoisie 05:53
02 - Liberia 06:00
03 - The Feeling Of Jazz 05:57
04 - Giant Steps 04:48
05 - Si Te Dicen 06:10
06 - Sube 06:45
07 - Blue Train 05:56
08 - Yam’mote 03:31
09 - Poncho Sanchez Medley #2 07:37
10 - Trane’s Delight 04:39
11 - Todo Termino 04:50
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2019-09-19 18:04:16
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Analyzed: Poncho Sanchez / Trane's Delight
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DR Peak RMS Duration Track
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DR11 0.00 dB -12.14 dB 5:54 01-Soul Bourgeoisie
DR11 0.00 dB -12.64 dB 6:01 02-Liberia
DR12 0.00 dB -13.83 dB 5:57 03-The Feeling Of Jazz
DR10 0.00 dB -12.00 dB 4:48 04-Giant Steps
DR10 -0.33 dB -12.44 dB 6:10 05-Si Te Dicen
DR11 0.00 dB -13.62 dB 6:45 06-Sube
DR9 0.00 dB -11.45 dB 5:56 07-Blue Train
DR12 0.00 dB -12.86 dB 3:31 08-Yam’mote
DR10 0.00 dB -12.60 dB 7:38 09-Poncho Sanchez Medley #2
DR13 0.00 dB -14.64 dB 4:39 10-Trane’s Delight
DR10 0.00 dB -11.54 dB 4:51 11-Todo Termino
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Number of tracks: 11
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1586 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Poncho Sanchez - Congas, Percussion, Vocals
Giancarlo Anderson - Bongos, Percussion
Ron Blake - Flugelhorn, Trumpet
Rene Camacho - Bass, Vocals (Background)
Joey De Leon, Jr. - Percussion, Timbales, Vocals (Background)
Cornelius Alfredo Duncan Jr. - Kalimba
Robert Hardt - Flute, Sax (Alto), Sax (Tenor)
Andy Langham - Piano
Ross Schodek - Bass
Norell Thomson - Vocals
Francisco Torres - Trombone, Vocals (Background)
Об альбоме (сборнике) https://www.allmusic.com/album/tranes-delight-mw0003305359
In 1962, Poncho Sanchez purchased the album Coltrane on Impulse. He was 14. It was the first album he'd bought with his own money. He'd been under the saxophonist's spell for years, listening to him on the radio in Los Angeles. Trane's Delight, the first album by Sanchez in seven years, is a thank you, a tribute to one of his musical pillars. Issued by Concord, the conguero's home since 1982, the date is a heartfelt homage to the saxophonist's influence as well as a seamless extension of Sanchez's signature brand of Latin jazz. The 11-track set features Sanchez's longtime band: trombonist and musical director Francisco Torres, trumpet and flügelhorn master Ron Blake, saxophonist Robert Hardt, pianist Andy Langham, bassists Rene Camacho and Ross Schodek, and percussionists Joey DeLeon and Giancarlo Anderson. There are three Coltrane tunes here -- "Liberia," "Blue Train," and "Giant Steps" -- as well as a Latinized read of Duke Ellington's "The Feeling of Jazz," from 1963's Duke Ellington and John Coltrane. Sanchez takes insightful and wide liberties with the material. In his liner notes, jazz historian and author Ashley Khan argues that this is just as it should be given the saxophonist's boundary-extending example. "Giant Steps" is offered as a spirited mambo with dueling percussion and a complex horn chart structured in staggered rhythms. "Liberia" is delivered as hard-swinging, spiritual, Afro-Cuban hard bop, with fiery montunos from Langham and a burning trombone solo by Torres. "Blue Train" is a deep-hued cha-cha. The latter comes across as a bluesy swagger that gives way to Hardt's sweet-toned alto in a sprightly bebop vernacular, and the up-mixed percussion section percolates right alongside it. But Sanchez offers his own Latin jazz nod to 'Trane with the band's reading of Hubert Laws' "Soul Bourgeoise" -- immortalized by the conguero's early idols the Jazz Crusaders on 1965's landmark Chile con Soul. It' a funky cha cha with a roiling tenor solo from Hardt. "Si Te Dicen" is a rich, silky bolero that juxtaposes the Joe Cuba Sextet version with Coltrane's warm ballad style. Langham's "Sube" melds mambo, salsa, modal jazz, and post-bop in a glorious stew, with Sanchez and the percussionists nodding at the influence of Mongo Santamaria. The other originals from Sanchez and Torres include "Yam'mote," a smoking salsa blues with fine soloing from the trombonist and "Poncho Sanchez's Medley #2" -- "Baila Me Gente," "El Sabroso," and "El Shing-A-Ling" -- which offer seamless, impeccably arranged salsa with fine singing by Sanchez and a wondrous flute break by Hardt. The title cut readily references the bop frame of Tadd Dameron's "Our Delight" inside a hard-hitting mambo. The closer is a modernized read of Bobby Manrique's sparkling salsa "Todo Termino" (it appeared on a Sammy Gonzalez y Los Torbellinos album from 1978), with gorgeous vocals from Norell Thomas. Trane's Delight is savvy, sophisticated, and funky: a personal tribute that reveals the joy offered by Coltrane's inspiration. More, it is a welcome return for Sanchez, a jazz giant and creative inspiration in his own right. ~ Thom Jurek
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发表于 2022-3-13 14:44:23
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