The Alan Parsons Project / I Robot
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited Edition, Numbered
Год издания/переиздания диска: 1977/2016
Жанр: Progressive Rock
Издатель(лейбл): Arista Records / Mobile Fidelity Sound Lab (UDSACD 2174)
Продолжительность: 41:16
Наличие сканов в содержимом раздачи: Да (сканы)
Треклист:
01. I Robot
02. I Wouldn't Want To Be Like You
03. Some Other Time
04. Breakdown
05. Don't Let It Show
06. The Voice
07. Nucleus
08. Day After Day (The Show Must Go On)
09. Total Eclipse
10. Genesis Ch.1, V.32
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества: DR10
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1
log date: 2016-11-15 10:18:29
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Analyzed: THE ALAN PARSONS PROJECT / I Robot
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DR Peak RMS Duration Track
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DR10 -5.69 dB -18.83 dB 6:04 01-I Robot
DR11 -4.96 dB -18.63 dB 3:23 02-I Wouldn't Want To Be Like You
DR9 -5.17 dB -18.24 dB 4:06 03-Some Other Time
DR10 -5.10 dB -17.41 dB 3:53 04-Breakdown
DR10 -5.05 dB -18.65 dB 4:23 05-Don't Let It Show
DR11 -4.35 dB -19.30 dB 5:23 06-The Voice
DR11 -7.54 dB -23.76 dB 3:22 07-Nucleus
DR10 -5.21 dB -18.44 dB 3:57 08-Day After Day (The Show Must Go On)
DR10 -6.71 dB -23.28 dB 3:12 09-Total Eclipse
DR9 -5.82 dB -18.56 dB 3:33 10-Genesis Ch.1. V.32
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Number of tracks: 10
Official DR value: DR10
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Скриншот спектра частот
Источник (релизер): pssacd
Состав
CREDITS
1. I ROBOT (Instrumental) 6:02
Soprano Vocal – Hilary Western
Clavinet – Eric Woolfson
Projectron & Synthi-A Sequencer Programming – Alan Parsons
Yamaha CS10 Synth – Duncan Mackay
Cimbalom and Kantele – John Leach
Guitar – Ian Bairnson, Bass – David Paton, Drums – Stuart Tosh
The English Chorale – Choirmaster – Bob Howes
Choir Arranged and Conducted by Andrew Powell
2. I WOULDN’T WANT TO BE LIKE YOU 3:22
Vocal – Lenny Zakatek
Rhodes and Wurlitzer – Eric Woolfson
Guitars – Ian Bairnson
Bass – David Paton, Drums – Stuart Tosh
3. SOME OTHER TIME 4:06
Vocals – Peter Straker, Jaki Whitren
Piano and Clavinet – Eric Woolfson
Cimbalom and Kantele – John Leach
Projectron – Alan Parsons
Acoustic Guitars – Ian Bairnson, David Paton
Electric Guitars – Ian Bairnson
Bass – David Paton, Drums – Stuart Tosh
Backing Vocals – Tony Rivers, John Perry, Stuart Calver
Orchestra Arranged and Conducted by Andrew Powell
4. BREAKDOWN 3:52
Vocal – Allan Clarke
Wurlitzer – Eric Woolfson
Synths – Duncan Mackay
Projectron – Alan Parsons
Electric Guitars – Ian Bairnson
Acoustic Guitars – Ian Bairnson, Alan Parsons
Bass – David Paton, Drums – Stuart Tosh
The New Philharmonia Chorus, Choirmaster – Bob Howes
Orchestra & Choir Arranged and Conducted by Andrew Powell
5. DON’T LET IT SHOW 4:24
Vocal – Dave Townsend
Organ and Piano- Eric Woolfson
Piccolo Trumpet – John Wallace
Guitar – Ian Bairnson, Bass – David Paton
Drums and Percussion – Stuart Tosh
Orchestra Arranged and Conducted by Andrew Powell
6. THE VOICE 5:23
Vocal – Steve Harley
Projectron and Vocoder ‘Voice’ – Alan Parsons
Wurlitzer – Eric Woolfson
Guitar – Ian Bairnson
Bass – David Paton
Drums and Percussion – Stuart Tosh
Orchestra Arranged and Conducted by Andrew Powell
7. NUCLEUS (Instrumental) 3:22
Tape Loops, Projectron and Effects – Alan Parsons
Keyboards – Eric Woolfson, Duncan Mackay
Cimbalom and Kantele – John Leach
Guitar – Ian Bairnson
Bass – David Paton, Drums and Water Gongs – Stuart Tosh
The English Chorale, Choirmaster – Bob Howes
8. DAY AFTER DAY (The Show Must Go On) 3:57
Vocal – Jack Harris
Synthi-A Sequencer Programming – Alan Parsons
Jangle Piano – Eric Woolfson
Hammond Organ – Andrew Powell
Pedal Steel Guitar – B.J. Cole
Guitar – Ian Bairnson
Bass – David Paton, Drums – Stuart Tosh
Backing Vocals – Jack Harris, David Paton,
Eric Woolfson, Alan Parsons, Ian Bairnson
9. TOTAL ECLIPSE 3:12
The English Chorale, Choirmaster – Bob Howes
Orchestra and Choir Arranged and Conducted by Andrew Powell
10. GENESIS CH.1 V.32 (Instrumental) 3:29
Keyboards – Eric Woolfson, Duncan Mackay
Backing Vocals – Tony Rivers, John Perry, Stuart Calver
Electric Guitars – Ian Bairnson, Acoustic Guitars – Ian Bairnson, David Paton
Bass – David Paton, Drums – Stuart Tosh
The New Philharmonia Chorus, Choirmaster – Bob Howes
Orchestra and Choir Arranged and Conducted by Andrew Powell
Produced by Alan Parsons
Executive Producer – Eric Woolfson
Engineered by Alan Parsons
Assistant Engineers – Pat Stapley, Chris Blair
Recorded and mixed at Abbey Road Studios,
London between December 1976 and March 1977
Steve Harley and Duncan Mackay appear courtesy of EMI Records Ltd
Allan Clarke appears courtesy of Chigreen Ltd
Peter Straker appears courtesy of Goose Productions Ltd
Thanks to David Katz, Smokey Parsons, Hazel Woolfson,
Mickey Shapiro, Bob Britton, Mike King, Eric Prince,
Humphrey Ocean and all at Abbey Road.
Sleeve Concept – Eric Woolfson, Sleeve Design by Hipgnosis
Graphics by George Hardie
All tracks written by Eric Woolfson & Alan Parsons
Except ‘Total Eclipse’ written by Andrew Powell
Published by Woolfsongs Ltd/ Careers Music.Inc. (BMI)
Administered by Universal Music
(p) 1977 RCA Records, a division of Sony Music Entertainment
Об исполнителе (группе)
The Alan Parsons Project were a British progressive rock band, active between 1975 and 1990,[1] consisting of Alan Parsons and Eric Woolfson surrounded by a varying number of session musicians and some relatively consistent band members such as guitarist Ian Bairnson, bassist and vocalist David Paton, drummer Stuart Elliott, and vocalist Lenny Zakatek.
Behind the revolving line-up and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson. Parsons was an audio engineer by profession, but also a musician and a composer. A songwriter by profession, Woolfson was also a composer, a pianist, and a singer. Almost all songs on the band's albums are credited to "Parsons/Woolfson".
Об альбоме (сборнике)
I Robot is the second studio album by the British progressive rock band The Alan Parsons Project, released on 1 June 1977 by Arista Records. The album draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.
the-alan-parsons-project.com
MEMORIES
Eric’s initial idea had been to do Tales of Mystery Volume II (further inspired by the work of Edgar Allan Poe), but by this stage they had changed record labels and the new record label was unwilling to have Volume II where they did not have Volume I. Another writer who had greatly inspired Eric was Isaac Asimov whose ‘I, Robot’ was one of many science fiction masterpieces Eric devoured at that stage. The original idea was to base the work on Asimov’s stories, but unfortunately Asimov had granted rights to a TV/ Film Company from 10 years before which prevented him from granting permission. Eric recalls a very pleasant conversation with Isaac Asimov who was extremely friendly and enthusiastic about the idea, but there was nothing he could do. Eric wrote the album using a similar title (on which there was no copyright) but dropping the comma and with the lyrics completely unrelated to Asimov’s writing, although there was a loose robotic connection.
The album I Robot to some extent looks at the questions and the extent to which as human being we may or may not be pre-programmed and act in a robotic fashion as well as the dangers of uncontrolled development of artificial intelligence.
The song ‘Some Other Time’ came about because when Alan asked Paul McCartney to read a line of poetry for the Tales of Mystery album in return for a favor Alan had done him, Paul’s response had been ‘Some other time Alan, some other time’ and this gave Eric an idea for the song.
‘I Wouldn’t Want to Be Like You’ was really the breakthrough airplay recording which got a tremendous amount of exposure, especially on American radio.
The I Robot album came out at a very fortuitous time, unknown to anyone, as completely unplanned, the album (with a robot on its cover) hit record stores in the US the same week as Star Wars was released and suddenly robots were all the rage and the Project was the only album being featured with a robotic cover.