Grateful Dead / American Beauty
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1970/2014
Жанр: Country-Rock, Jam Bands, Rock & Roll, Psychedelic
Издатель(лейбл): Mobile Fidelity
Продолжительность: 42:43
Наличие сканов в содержимом раздачи: Да
Треклист:
1. Box Of Rain 05:19
2. Friend Of The Devil 03:25
3. Sugar Magnolia 03:20
4. Operator 02:26
5. Candyman 06:18
6. Ripple 04:10
7. Brokedown Palace 04:10
8. Till The Morning Comes 03:11
9. Attics Of My Life 05:16
10. Truckin’ 05:07
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Released November 1, 1970
Recorded August–September 1970, at Wally Heider Studios, San Francisco, California, United States
Genre Folk rock
Label Mobile Fidelity UDSACD 2138
Producer Grateful Dead, Steve Barncard
Источник (релизер): pssacd (PS³SACD)
Об альбоме (сборнике)
American Beauty is the sixth album by the rock band the Grateful Dead. It was recorded between August and September 1970 and originally released in November 1970 by Warner Bros. Records. The album continued the folk rock and country music explored on Workingman’s Dead and prominently features the lyrics of Robert Hunter.
In 2003, the album was ranked number 258 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
Allmusic Review
With 1970’s Workingman’s Dead, the Grateful Dead went through an overnight metamorphosis, turning abruptly from tripped-out free-form rock toward sublime acoustic folk and Americana. Taking notes on vocal harmonies from friends Crosby, Stills, Nash & Young, the Dead used the softer statements of their fourth studio album as a subtle but moving reflection on the turmoil, heaviness, and hope America’s youth was facing as the idealistic ’60s ended. American Beauty was recorded just a few months after its predecessor, both expanding and improving on the bluegrass, folk, and psychedelic country explorations of Workingman’s Dead with some of the band’s most brilliant compositions. The songs here have a noticeably more relaxed and joyous feel. Having dived headfirst into this new sound with the previous album, the bandmembers found the summit of their collaborative powers here, with lyricist Robert Hunter penning some of his most poetic work, Jerry Garcia focusing more on gliding pedal steel than his regular electric lead guitar work, and standout lead vocal performances coming from Bob Weir (on the anthem to hippie love “Sugar Magnolia”), Ron “Pigpen” McKernan (on the husky blues of “Operator”), and Phil Lesh (on the near-perfect opening tune, “Box of Rain”). This album also marked the beginning of what would become a long musical friendship between Garcia and Dave Grisman, whose mandolin playing adds depth and flavor to tracks like the outlaw country-folk of “Friend of the Devil” and the gorgeously devotional “Ripple.” American Beauty eventually spawned the band’s highest charting single — “Truckin’,” the greasy blues-rock tribute to nomadic counterculture — but it also contained some of their most spiritual and open-hearted sentiments ever, their newfound love of intricate vocal arrangements finding pristine expression on the lamenting “Brokedown Palace” and the heavenly nostalgia and gratitude of “Attics of My Life.” While the Dead eventually amassed a following so devoted that following the band from city to city became the center of many people’s lives, the majority of the band’s magic came in the boundless heights it reached in its live sets but rarely managed to capture in the studio setting. American Beauty is a categorical exception to this, offering a look at the Dead transcending even their own exploratory heights and making some of their most powerful music by examining their most gentle and restrained impulses. It’s easily the masterwork of their studio output, and a strong contender for the best music the band ever made, even including the countless hours of live shows captured on tape in the decades that followed.
Disclaimer / Отказ от ответственности
Скачивая приложенные файлы, вы соглашаетесь, по крайней мере, с одним из нижеперечисленных пунктов:
- вы являетесь законным владельцем SACD, аналогичного тому, с которого снята эта копия, и загружаете копию с целью архивирования,
- вы являетесь законным владельцем легальной копии данного произведения, выпущенного на другом носителе (CD, DVD, Vinyl, альтернативный SACD и др.) или приобретенного вами в виде копии, предоставляемой для загрузки через сеть Интернет, и загружаете данные файлы по причине того, что данный SACD более не производится и/или недоступен в вашем регионе,
- вы имеете намерение приобрести оригинальный SACD и загружаете данные файлы с целью предварительного ознакомления перед покупкой. В этом случае, вы обязаны приобрести легальную копию SACD или удалить загруженные файлы в течение 24 часов.
Производство и предоставление доступа к данным файлам проводится с научной целью и не имеет цели извлечения прибыли или иных целей, кроме вышеозначенных. Авторские и смежные права на представленные произведения принадлежат законным правообладателям, обозначенным на упаковке. Данная информация включена в состав представленных файлов.
By downloading the files listed above you agree to at least one of the following:
- You are the righteous owner of a physical and original copy of the SACD, and you’re downloading the files for backup or universal playback purposes.
- In case the SACD is out of print, hard-to-find, or inaccessible in your country, you possess an authentic version of the album as standard CD, vinyl, DVD-A, alternative SACD, or paid-for Internet download.
- You’re previewing/sampling the musical files before purchasing the SACD. In case of lack of purchase, you will permanently delete the files within a 24-hour period.
The files are made for scientific purposes and are not made or distributed for profit or commercial advantage. Any adaptation, reproduction and distribution right is exclusive to the original copyright holder. http://www.sa-cd.net/showtitle/10271
/1 
发表于 2022-3-13 14:48:36
提升卡
置顶卡