The Doobie Brothers
Livin’ on the Fault Line
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1977/2017
Жанр: Hard Rock, Roots Rock, Country Rock, Swamp Rock
Издатель (лейбл): Warner Bros. Japan
Продолжительность: 00:35:17
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. You’re Made That Way 03:37
2. Echoes Of Love 03:02
3. Little Darling (I Need You) 03:28
4. You Belong To Me 03:07
5. Livin’ On The Fault Line 04:48
6. Nothin’ But A Heartache 03:11
7. Chinatown 04:59
8. There’s A Light 04:20
9. Need A Lady 03:26
10. Larry The Logger Two-Step 01:20Bass, Vocals – Tiran Porter
Congas, Vocals – Bobby LaKind
Drums – John Hartman
Drums, Vocals – Keith Knudsen
Guitar – Jeff Baxter
Guitar, Vocals – Pat Simmons*, Tom Johnston
Keyboards, Vocals – Michael McDonald
Arranged By [Strings], Arranged By [Horns] – David PaichКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Released August 19, 1977
Recorded 1977 at Sunset Sound Recorders, Hollywood, CA, Western Recorders, Hollywood, CA and Warner Bros. Recording Studios, North Hollywood, CA
Producer Ted Templeman
Engineer – Donn Landee
Engineer [Second Engineer] – Kent Nebergall
Warner Bros. Japan WPCR 17685, Released: 19 Apr 2017
The ISO image is created using sacd-ripper for PS3 version 0.21.Источник (релизер): pssacd (PS³SACD) http://www.cdjapan.co.jp/product/WPCR-17685 https://www.discogs.com/it/The-Doobie-Brothers-Livin-On-The-Fault-Line/release/10275998
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-07-19 18:40:15
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Анализ: THE DOOBIE BROTHERS / LIVIN' ON THE FAULT LINE
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DR Пики RMS Продолжительность трека
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DR12 -0.08 дБ -13.47 дБ 3:37 01-YOU'RE MADE THAT WAY [2016 Remastered]
DR10 -0.11 дБ -13.45 дБ 3:02 02-ECHOES OF LOVE [2016 Remastered]
DR11 -0.10 дБ -13.38 дБ 3:28 03-LITTLE DARLING (I NEED YOU) [2016 Remastered]
DR10 -0.10 дБ -12.86 дБ 3:07 04-YOU BELONG TO ME [2016 Remastered]
DR10 -0.08 дБ -12.16 дБ 4:48 05-LIVIN' ON THE FAULT LINE [2016 Remastered]
DR11 -0.10 дБ -12.97 дБ 3:11 06-NOTHIN' BUT A HEARTACHE [2016 Remastered]
DR11 -0.02 дБ -13.64 дБ 4:59 07-CHINATOWN [2016 Remastered]
DR11 -0.11 дБ -13.91 дБ 4:20 08-THERE'S A LIGHT [2016 Remastered]
DR12 -0.10 дБ -14.15 дБ 3:26 09-NEED A LADY [2016 Remastered]
DR14 -0.81 дБ -18.11 дБ 1:20 10-LARRY THE LOGGER TWO-STEP [2016 Remastered]
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Количество треков: 10
Реальные значения DR: DR11
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Livin’ on the Fault Line is the seventh studio album by the American rock band The Doobie Brothers, released in 1977. It is one of the few Doobie Brothers albums which did not produce a hit (although “You Belong to Me” was a hit as recorded by co-author Carly Simon). Still, the album received modest critical acclaim. Tom Johnston (guitar, vocals) left the band early in the sessions. He is listed as part of the band (appearing in the inside group photo) but appears on little or none of the actual album. Much of this consistently mellow album has a jazz tinge, and the influences of R&B are palpable throughout. The track “Little Darling (I Need You)” is a remake of the Marvin Gaye 1966 hit.
All Music Review
Livin’ on the Fault Line fell between two of the Doobie Brothers’ biggest-selling records. The album had no hit singles, and one-time leader Tom Johnston kept a markedly low profile (this would be his last record with the group, not including a later reunion). Despite this, Livin’ on the Fault Line contains some of the most challenging and well-developed music of the band’s career, with Patrick Simmons and Michael McDonald really stepping to the fore. There’s a vague mood of melancholia running through the songs, as well as a definite jazz influence. This is most obvious on the title track, which has several instrumental passages that showcase the guitar abilities of Simmons and Jeff Baxter. Similarly, “Chinatown” is a spooky mood piece not unlike the smooth fusion of late-period Steely Dan or Little Feat. But “Echoes of Love” and “Nothin’ But a Heartache” are both intelligent, glistening pop songs that confirm Simmons and McDonald as first-rate tunesmiths. The record slips a little at the end, with a plodding R&B song and a Piedmont guitar instrumental thrown in as filler. Overall, though, this is a chapter in the Doobie Brothers’ history that deserves a second look.