Nils Frahm / Graz
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2021
Жанр: neoclassical, contemporary classical, piano, ambient
Издатель (лейбл): Erased Tapes
Продолжительность: 00:38:48
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): qobuz
Треклист:
01. Lighter (03:49)
02. O I End (04:49)
03. Because This Must Be (02:45)
04. Kurzum (08:38)
05. And Om (05:00)
06. Hammers (feat. Peter Broderick) (01:51)
07. Crossings (06:19)
08. About Coming and Leaving (02:07)
09. Went Missing (03:30)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Доп. информация: http://www.nilsfrahm.com/
Лог проверки качества
foobar2000 1.6 / Dynamic Range Meter 1.1.1
log date: 2021-03-29 10:19:34
--------------------------------------------------------------------------------
Analyzed: Nils Frahm / Graz
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR18 -4.63 dB -28.49 dB 3:50 01-Lighter
DR12 -0.70 dB -17.91 dB 4:50 02-O I End
DR13 -7.37 dB -24.16 dB 2:46 03-Because This Must Be
DR17 -0.77 dB -23.91 dB 8:38 04-Kurzum
DR11 -1.05 dB -17.08 dB 5:00 05-And Om
DR8 -0.79 dB -11.58 dB 1:52 06-Hammers
DR15 -2.55 dB -25.36 dB 6:20 07-Crossings
DR16 -7.84 dB -30.48 dB 2:08 08-About Coming and Leaving
DR13 -4.27 dB -23.32 dB 3:30 09-Went Missing
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2330 kbps
Codec: FLAC
================================================================================
Об исполнителе (рус.) | About Artist (ru)
Нильс ФрамНильс Фрам (родился 20 сентября 1982 г., Гамбург, Германия) — немецкий музыкант, композитор и продюсер из Берлина. Известен комбинированием классической и электронной музыки и необычным подходом к клавишным, в котором смешивает рояль, пианино, Roland Juno-60, Rhodes piano, драм-машины и Moog Taurus.
В дополнение к своей сольной работе Фрам отметился сотрудничеством с такими известными исполнителями как Anne Müller, Ólafur Arnalds, F. S. Blumm и Woodkid. С Фредериком Гмайнером и Себастьяном Сингвальдом он записывается и выступает как Nonkeen.
С музыкой Фрам познакомился в довольно раннем возрасте. Его отец, Клаус Фрам, был фотографом и помимо прочего создавал обложки для ECM Records. Нильс Фрам вырос под Гамбургом, где изучал как классических, так и современных композиторов. В школе работал с микшерными пультами и был очень заинтересован качеством записываемого звука. В течение восьми лет изучал классическое фортепиано под началом Наума Бродского, который был протеже жившего в соседней деревне протеже Чайковского. В 2006 году, вместо того, чтобы начать окрестровую карьеру, Фрам переехал в Берлин и стал работать техником.
Ранние сольные работы Фрама «Wintermusik» (2009) и «The Bells» (2009) привлекли к нему внимание, но только после релиза 2011 года «Felt», высоко оцененного музыкальной критикой, пришла настоящая популярность. Это был его первый полноформатный студийный альбом, выпущенный на лейбле Erased Tapes, который с тех пор выпускает его музыку. Следом последовали сольный синтезаторный альбом «Juno» и «Screws» (2012), записанный во время восстановления Фрама от травмы большого пальца, и который был предложен поклонникам для публичной загрузки в день его рождения. Следующая после «Juno» работа, названная «Juno Reworked» (2013), представляла собой переработку, выполненную Люком Эбботом и Крисом Кларком.
Альбом Фрама «Spaces» (2013) был собран из концертных записей за предыдущие два года.
В декабре 2013 года Фрам выпускает свой первый сборник нот, «Sheets Eins» (Ноты один), опубликованный издательством Manners McDade. В 2016 году выпущен сборник «Sheets Zwei» (Ноты два).
В 2014 году Фрам анонсирует новое пианино «Una Corda», специально спроектированное и сделанное для него David Klavins. Оно весит меньше 100 кг и имеет одну струну на клавишу (у обычных пианино на клавишу приходится от одной до трех струн).
Его альбом «Solo» (2015), импровизация с одной попытки без наложений, был записан на «Modell 370», на пианино высотой 370 см, также сделанного фирмой David Klavins. Это была одна из 19 записей, номинированных на награду «IMPALA Album of the Year Award».
Сжатая версия сингла «More» была представлена в трейлере видеоигры Assassin's Creed Unity.
В 2015 году Фрам впервые написал музыку к фильму, для немецкого фильма «Виктория», 140 минутной ленты, снятой одним дублем режиссером Себастьяном Шиппером. Также сотрудничал с Woodkid в работе над короткометражным фильмом «ELLIS», который был встречен критически. В том же году Фрам устроил «День фортепиано», празднуя 88-й день года (в стандартном фортепиано 88 клавиш). Первым проектом было создание в партнерстве с David Klavins фортепиано Modell 450, преемника Modell 370.
В феврале 2016 года Фрам выпустил работу «The Gamble», за которой в августе того же года последовала запись «Oddments of the Gamble». Сайт Pitchfork охарактеризовал этот альбом как «обаятельно склеенный и неряшливый, при этом быстрый и динамичный». Материал записывался в течение восьми лет, обложку альбома сделал отец Нильса.
Фрам сказал: "Я интересуюсь тем, как люди реагируют в определенных ситуациях и как музыка влияет на их эмоции. Как мы мы можем изменить отношение людей к звукам. После того, как я хорошо отыграю концерт, люди покидают зал счастливыми. Это то, что мы можем вернуть миру. Когда люди чувствуют себя паршиво и кажется, что все катится к черту, по крайней мере мы можем дать им музыку и изменить их отношение, и они перестают думать, что всё так уж плохо... Вот такая моя вера."
Дискография
Сольные альбомы
Streichelfisch (2005, AtelierMusik)
Electric Piano (2008, AtelierMusik)
My First EP (2008, AtelierMusik)
The Bells (2009, Kning Disk, Erased Tapes)
Felt (2011, Erased Tapes)
Screws (2012, Erased Tapes)
Spaces (2013, Erased Tapes)
Solo (2015, Erased Tapes)
All Melody (2018, Erased Tapes)
All Encores (2019, Erased Tapes)
Tripping with Nils Frahm (2020, Erased Tapes)
Студийные записи
Wintermusik (2009, AtelierMusik)
Unter/Über (2010, Erased Tapes)
Juno (2011, Erased Tapes)
Encores 1 (2018, Erased Tapes)
Encores 2 (2019, Erased Tapes)[18]
Encores 3 (2019, Erased Tapes)
Graz (2021, Erased Tapes)
Сборники
Screws Reworked (2015, Erased Tapes)
Late Night Tales: Nils Frahm (2015, Late Night Tales)
Саундтреки
Music for the Motion Picture Victoria (2015, Erased Tapes)
ELLIS (2016, Erased Tape, with Woodkid)
Подробнее: https://ru.wikipedia.org/wiki/Фрам,_Нильс
Об исполнителе (англ.) | About Artist (en)
Nils FrahmNils Frahm (born 20 September 1982) is a German musician, composer, and record producer based in Berlin. He is known for combining classical and electronic music and for an unconventional approach to the piano in which he mixes a grand piano, upright piano, Roland Juno-60, Rhodes piano, drum machines, and Moog Taurus.
In addition to his solo work, Frahm has released collaborations with such notable performers as Ólafur Arnalds, F. S. Blumm, Anne Müller and Woodkid. With Frederic Gmeiner and Sebastian Singwald he records and performs as Nonkeen.
Frahm had an early introduction to music. His father, Klaus Frahm, was a photographer who also designed covers for ECM Records. He grew up near Hamburg, where he learned the styles of the classical pianists as well as contemporary composers. At school he used mixing boards and was very interested in the quality of recorded sound. He studied classical piano for 8 years under Nahum Brodsky, the protégé of the protégé of Tchaikovsky, who lived in a neighbouring village. In 2006, rather than pursue an orchestra career, Frahm moved to Berlin as a jobbing technician.
Frahm's earlier solo piano works Wintermusik (2009) and The Bells (2009) gained him attention, but it was his 2011 release Felt that was met with critical acclaim. It was his first studio album on Erased Tapes, which has released his music since. It was followed by the solo synthesizer EP Juno; and by Screws (2012), recorded while Frahm was recovering from a thumb injury, and which was offered as a free download to fans on his birthday. His follow-up to Juno, titled Juno Reworked (2013), featured guest reworks by Luke Abbott and Chris Clark.
Frahm's album Spaces (2013) was made of live recordings from various venues spanning two years.
In December 2013, Frahm released his first music book, Sheets Eins (Sheets One), published by Manners McDade. In 2016 the follow-up Sheets Zwei was released.
In 2014, Frahm announced his new piano "Una Corda", specially designed and made for him by David Klavins. It weighs under 100 kg and has one string per key. (Standard pianos have from one to three strings per key.)
His album Solo (2015), an improvised single take with no overdubs, was later recorded on the "Modell 370", a 370 cm high vertical piano also made by David Klavins. It was one of 19 records nominated for the IMPALA Album of the Year Award.
A condensed version of Frahm's single "More" was featured in the trailer for the video game Assassin's Creed Unity gamescom.
In 2015, Frahm composed his first original film score, for the German film Victoria, a 140-minute continuous take directed by Sebastian Schipper. He also collaborated with Woodkid on the critically acclaimed short film ELLIS directed by JR which was released in October 2015.
In the same year, Frahm created "Piano Day", celebrated on the 88th day of the year (due to the standard piano's 88 keys). The event's first project was the construction, with David Klavins, of the Modell 450 piano, the successor to the Modell 370.
In February 2016, Frahm released The Gamble, followed by its companion release Oddments of the Gamble in August 2016. Pitchfork described the album as "charmingly patched together and messy as it is well-paced and dynamic". The material was recorded over eight years while the artwork was produced by Frahm's father.
In 2016 Frahm curated Possibly Colliding at the Barbican Centre in London, featuring a weekend of music, art and films.
Frahm has said "I’m interested in how human beings react in certain situations, and what music does to people’s emotions. How we can change people’s attitudes with tones. After I’ve played a good concert, people leave the room happy. This is something we can give back to the world. When people feel down and like it’s all going to shit, at least we can give them some music and change their attitude so people don’t think it’s all shit... That’s my religion."
Discography
Solo albums
Streichelfisch (2005, AtelierMusik)
Electric Piano (2008, AtelierMusik)
The Bells (2009, Kning Disk, Erased Tapes)
Felt (2011, Erased Tapes)
Screws (2012, Erased Tapes)
Spaces (2013, Erased Tapes)
Solo (2015, Erased Tapes)
All Melody (2018, Erased Tapes)
All Encores (2019, Erased Tapes)
Empty (2020, Erased Tapes)
Tripping with Nils Frahm (2020, Erased Tapes)
Graz (2021, Erased Tapes)
EPs
My First EP (2008, AtelierMusik)
Wintermusik (2009, AtelierMusik)
Unter/Über (2010, Erased Tapes)
Juno (2011, Erased Tapes)
Encores 1 (2018, Erased Tapes)
Encores 2 (2019, Erased Tapes)[20]
Encores 3 (2019, Erased Tapes)
Compilation albums
Screws Reworked (2015, Erased Tapes)
Late Night Tales: Nils Frahm (2015, Late Night Tales)
Soundtrack albums
Music for the Motion Picture Victoria (2015, Erased Tapes)
ELLIS (2016, Erased Tape, with Woodkid) https://en.wikipedia.org/wiki/Nils_Frahm
Об альбоме (англ.) | About Album (en)
Info for 'Graz'A grand piano is a particular kind of beast to play, which will only sound
refined and beautiful if you command a strong control over the keyboard.
Each slight change in touch results in a different timbre, which will be
rewarded when used wisely and will be your trapdoor when you fail to
hold the horses. I remember how I had to squeeze the music out of the
grand piano in the Graz sessions, and while I enjoy listening to it now, I
kept these recordings secret for a good while – they sound like a much
younger version of myself to me, and a lot of the musical expressions from
that time would be impossible for me to replicate today. Close friends whom
I had shared the record with reminded me of it once in a while, and some
of the pieces got released in other versions on the album Spaces in the
meantime. But somehow, any piece of music you create wants to get out
there in order to find you, which is why I’m glad to share this beast with
you and do hope you enjoy listening to it too! Love, NilsPiano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret… until now.
Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of-mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, which received an award in the Classical Surround Recording category at the 127th AES Convention in New York.
Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography.
Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse.
"A grand piano is a particular kind of beast to play, which will only sound refined and beautiful if you command a strong control over the keyboard. Each slight change in touch results in a different timbre, which will be rewarded when used wisely and will be your trapdoor when you fail to hold the horses. I remember how I had to squeeze the music out of the grand piano in the Graz sessions, and while I enjoy listening to it now, I kept these recordings secret for a good while – they sound like a much younger version of myself to me, and a lot of the musical expressions from that time would be impossible for me to replicate today. Close friends whom I had shared the record with reminded me of it once in a while, and some of the pieces got released in other versions on the album Spaces in the meantime. But somehow, any piece of music you create wants to get out there in order to find you, which is why I’m glad to share this beast with you and do hope you enjoy listening to it too! Love, Nils"
The highly anticipated physical editions on vinyl and CD are set for release via Erased Tapes on May 21st, 2021. https://www.erasedtapes.com/release/eratp143-nils-frahm-graz
Состав | Artists
Nils Frahm – piano
ALL MUSIC WRITTEN AND PLAYED BY NILS FRAHM AT MUMUTH,
UNIVERSITÄT FÜR MUSIK UND DARSTELLENDE KUNST GRAZ
AS PART OF THE THESIS CONVERSATIONS FOR PIANO AND ROOM
VOCALS ON HAMMERS BY PETER BRODERICK
PRODUCTION AND RECORDING ENGINEER THOMAS GEIGER
RECORDING ASSISTANT LINDA LÜCHTRATH
MIXED BY NILS FRAHM AT SEVERAL PLACES
MASTERED BY ZINO MIKOREY
ALL SONGS PUBLISHED BY MANNERS MCDADE MUSIC PUBLISHING LTD.
PHOTOS BY SEBASTIAN RIECK
DESIGN BY STUDIO TORSTEN POSSELT
/1 
发表于 2022-3-13 14:52:21
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