Miles Davis - Bitches Brew
Жанр: Fusion
Носитель: LP
Год выпуска: 1969/2008
Лейбл: Columbia (88697404071)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 01:33:21
Треклист:
01. Pharaoh's Dance (Zawinul) - 20:11
02. Bitches Brew (Davis) - 27:02
03. Spanish Key (Davis) - 17:33
04. John McLaughlin (Davis) - 4:27
05. Miles Runs the Voodoo Down (Davis) - 14:08
06. Sanctuary (Shorter-Davis) - 10:57
Источник оцифровки: thezabs
Код класса состояния винила: Mint
Устройство воспроизведения: Rega P5 Turntable
Головка звукоснимателя: Rega Exact2 Cartridge
Предварительный усилитель: Rega Brio 3 Amplifier
АЦП: M-Audio 192 TRS Inputs
Программа-оцифровщик: Audacity
Обработка: Click Repair 3.0.1 at 5/0 on DeClick > Volume Boost +11.90/12.26/11.05/11.75 DB > Remove DC Bias
Условия оцифровки
Lineage:
Rega P5 Turntable > Virgin Vinyl > Rega Exact2 Cartridge > Rega Brio 3 Amplifier > RCA Interconnects > M-Audio 192 TRS Inputs > Audacity @ 32bit float, 96kHz capture.
Processing:
32bit wav > Run through Click Repair 3.0.1 at 5/0 on DeClick > Volume Boost +11.90/12.26/11.05/11.75 DB > Remove DC Bias > Saved as 24bit WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
600 DPI with Unsharp Mask -> Color Correction in Photoshop CS5.
Спектры
Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-02-02 00:15:41
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Analyzed: Miles Davis / Bitches Brew
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DR Peak RMS Duration Track
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DR11 -3.50 dB -17.63 dB 19:58 01-Pharaoh's Dance
DR11 -3.26 dB -17.73 dB 26:48 02-Bitches Brew
DR12 -1.92 dB -16.86 dB 17:28 03-Spanish Key
DR10 -4.08 dB -17.77 dB 4:20 04-John McLaughlin
DR12 -2.22 dB -16.49 dB 14:01 05-Miles Runs the Voodoo Down
DR11 -3.40 dB -19.37 dB 10:46 06-Sanctuary
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Number of tracks: 6
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2773 kbps
Codec: FLAC
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Review by Thom Jurek
Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later, Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, and Lenny White among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section. "Pharaoh's Dance" opens the set with its slippery trumpet lines, McLaughlin's snaky guitar figures skirting the edge of the rhythm section and Don Alias' conga slipping through the middle. Corea and Zawinul's keyboards create a haunted, riffing modal groove, echoed and accented by the basses of Harvey Brooks and Holland. The title cut was originally composed as a five-part suite, though only three were used. Here the keyboards punch through the mix and big chords ring up distorted harmonics for Davis to solo rhythmically over, outside the mode. McLaughlin's comping creates a vamp, and the bass and drums carry the rest. It's a small taste of the deep voodoo funk to appear on Davis' later records. Side three opens with McLaughlin and Davis trading fours and eights over a lockstep hypnotic vamp on "Spanish Key." Zawinul's lyric sensibility provides a near chorus for Corea to flit around in; the congas and drummers juxtapose themselves against the basslines. It nearly segues into the brief "John McLaughlin," featuring an organ playing modes below arpeggiated blues guitar runs. The end of Bitches Brew, signified by the stellar "Miles Runs the Voodoo Down," reflects the influence of Jimi Hendrix with its chunky, slipped chords and Davis playing a ghostly melody through the funkiness of the rhythm section. It seemingly dances, becoming increasingly more chaotic until it nearly disintegrates before shimmering into a loose foggy nadir. The disc closes with "Sanctuary," completely redone here as a moody electric ballad that was reworked for this band while keeping enough of its integrity to be recognizable. Bitches Brew is so forward-thinking that it retains its freshness and mystery in the 21st century.
Состав
Miles Davis - trumpet
Wayne Shorter - soprano saxophone
Bennie Maupin - bass clarinet
Chick Corea, Joe Zawinul (#1-3,6), Larry Young (#1,3-6) - electric piano
John McLaughlin - electric guitar
Dave Holland - bass
Harvey Brooks - Fender Bass
Charles Alias, Jack DeJohnette, Lenny White - drums
Jim Riley - percussion
Recorded at Columbia Studio B, New York on August 19–21, 1969.
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发表于 2022-4-2 14:56:33
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