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[爵士和蓝调] (Bossa Nova) [LP] [24/192] Stan Getz & Joao Gilberto (feat. Antonio Carlos Jobim) - Getz/Gilberto - 1964/2020, FLAC (tracks)

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发表于 2022-4-2 14:56:35 | 显示全部楼层 |阅读模式
Stan Getz & Joao Gilberto (feat. Antonio Carlos Jobim) - Getz/Gilberto
Жанр: Bossa Nova
Носитель: LP
Год выпуска: 1964/2020
Лейбл: Verve Records (B0031690-01)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:33:42
Треклист:
01. The Girl from Ipanema (Jobim-De Moraes-Gimbel) - 5:21
02. Doralice (Caymmi-Almeida)- 2:46
03. Para machucar meu coracao (Barroso) - 5:07
04. Desafinado (Jobim-Mendonca) - 4:07
05. Corcovado (Jobim-Lees) - 4:18
06. So danco samba (Jobim-De Moraes) - 3:40
07. O grande amor (Jobim-De Moraes) - 5:28
08. Vivo sonhando (Jobim) - 2:55
Источник оцифровки: thezabs
Код класса состояния винила: Mint
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3.55/3.85 DB > Remove DC Bias
Условия оцифровки
Lineage:
Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3.55/3.85 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.

Спектры




Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-02-08 00:13:35
--------------------------------------------------------------------------------
Analyzed: Stan Getz & Joao Gilberto / Getz/Gilberto
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -2.85 dB -18.38 dB 5:21 01-The Girl from Ipanema
DR11 -3.08 dB -16.84 dB 2:46 02-Doralice
DR11 -3.02 dB -16.74 dB 5:07 03-Para machucar meu coracao
DR11 -2.82 dB -16.59 dB 4:07 04-Desafinado
DR11 -3.45 dB -17.91 dB 4:18 05-Corcovado
DR12 -3.34 dB -17.59 dB 3:40 06-So danco samba
DR11 -3.27 dB -17.52 dB 5:28 07-O grande amor
DR10 -3.15 dB -16.40 dB 2:55 08-Vivo sonhando
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4952 kbps
Codec: FLAC
================================================================================

Об альбоме (сборнике)
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases — the sensational collaborations, Stan Getz and João Gilberto's landmark Getz/Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).
Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve/UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz/Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault: Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.
"We are excited to launch our Acoustic Sounds series," said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality."
"We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process — from title selection to mastering, pressing and packaging — is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do," Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog."
Getz/Gilberto is not only a marvelous album, but one which had a profound influence upon the face of jazz and American popular music. This stunning 1964 collaboration between Stan Getz, one of the most popular and respected tenor saxophonists of the era, and the remarkable Brazilian guitarist João Gilberto, launched the bossa nova craze and the career of João's wife Astrud Gilberto with the hugely popular and iconic hit song, "The Girl from Ipanema (Garota de Ipanema)." Even more impactful, it introduced the famed Brazilian composer Antonio Carlos Jobim to the English-speaking musical world. In addition to playing piano on the album, Jobim also composed six of the eight compositions, including two of his most popular masterpieces, "Desafinado" and "Corcovado," along with the aforementioned "Garota de Ipanema."
While Getz had embraced the music of Brazil prior to this with two outstanding Verve albums — Jazz Samba and Big Band Bossa Nova — Getz/Gilberto, with multiple Grammy Awards and a permanent place on various Best Albums of All-time lists is the album that launched a revolution. Regardless of that, the collaborative blending of Getz's fluid, muscular virtuosity and João's impeccable acoustic guitar stylings and captivating vocals, Astrud's enchanting almost-whispered singing on two tracks, all backed by Jobim's minimalist subtlety on piano and the flawless support of Sebãstio Neto and Milton Banana on bass and drums, make this an utterly momentous musical experience regardless of its lofty place in musical history.
Now these albums and many more will be heard better than ever in the exciting new audiophile Acoustic Sounds series.

Состав
Stan Getz - tenor saxophone
Joao Gilberto - guitar, vocals
Antonio Carlos Jobim - piano
Sebastiao Neto - bass
Milton Banana - drums
Astrud Gilberto - vocals (#1,5)
Recorded at A&R Recording Studios, New York on March 18–19, 1963.
Mastered by George Marino.
                                                                                       
                       
                       
                       
                       
                       
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