Baden Powell - Tristeza on Guitar
Жанр: Latin Jazz, Bossa Nova
Носитель: LP
Год выпуска: 1966/2017
Лейбл: MPS Records (0211970MSW)
Страна-производитель: Германия
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:40:47
Треклист:
01. Tristeza (Lobo-Nitinho) - 3:22
02. Canto de Xango (Powell-De Moraes) - 4:47
03. Round About Midnight (Monk-Williams) - 5:35
04. Sarava (Powell) - 3:36
05. Canto de Ossanha (Powell-De Moraes) - 3:39
06. Manha de Carneval (Bonfa-Maria) - 3:16
07. Invencao em 7 1/2 (Powell) - 5:14
08. Das Rosas (Caymmi) - 5:33
09. Som do Carnaval (Powell-Copinha) - 3:19
10. O Astronauta (Powell-De Moraes) - 2:26
Источник оцифровки: thezabs
Код класса состояния винила: Mint
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3 DB > Remove DC Bias
Условия оцифровки
Lineage:
KLAudio KL-LP-200 RCM > Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-02-02 17:47:47
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Analyzed: Baden Powell / Tristeza on Guitar
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DR Peak RMS Duration Track
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DR12 -2.92 dB -17.11 dB 3:22 01-Tristeza
DR10 -4.48 dB -16.20 dB 4:47 02-Canto de Xango
DR11 -3.45 dB -18.64 dB 5:35 03-Round About Midnight
DR11 -4.62 dB -16.90 dB 3:36 04-Sarava
DR11 -2.92 dB -16.99 dB 3:39 05-Canto de Ossanha
DR10 -3.09 dB -18.11 dB 3:16 06-Manha de Carneval
DR11 -2.94 dB -16.83 dB 5:14 07-Invencao em 7 1/2
DR10 -4.94 dB -17.47 dB 5:33 08-Das Rosas
DR12 -2.98 dB -17.93 dB 3:19 09-Som do Carnaval
DR12 -2.95 dB -16.81 dB 2:26 10-O Astronauta
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Number of tracks: 10
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4898 kbps
Codec: FLAC
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Об альбоме (сборнике)
Brazilian guitar maestro Baden Powell's seminal years with producer Joachim-Ernst Berendt and MPS stretch from 1966 to 1975, with a total of two sets of three LPs. Tristeza On Guitar was the beginning of this nine-year collaboration. The repertoire is in no way characterized by sadness, as the title might cause one to believe. It embraces a sublime spectrum ranging from a ritual feel to exuberant carnival atmosphere on through to intimate songs with a singable quality. Baden clothes the title piece, the famous bittersweet samba from Haroldo Lobo and Niltinho, in a dance-like virtuoso succession of variations. He fashions the theme "Manha De Carnaval" from the movie Black Orpheus into a ritualistic celebration of pain.
The pieces dedicated to the gods of the Afro-Brazilian Candomblé religion ("Canto de Xangô," "Canto de Ossanha") are central to the album. They originate from the "Afro-sambas" music cycle completed four years earlier; here they have flowered to perfection. Monk's "Round Midnight" takes on the colors of a balmy tropical evening; the studio's ingenious use of space helps create the appropriately mysterious atmosphere. And in the middle lies a valuable solo inlay: Bahian poet Dorival Caymmi's unadorned song "Das Rosas" transformed into a serenade on the strings. Today, over half a century later, one still succumbs to this fascinating "gateway drug" - the first MPS album of this Brazilian maestro.
Состав
Baden Powell - guitar, agogo (#2), surdo (#9)
Sergio - bass (#1-3,6,10)
Milton Banana - drums (#1,2,4,9,10)
Copinha - flute (#1), agogo (#9)
Alfredo Bessa - atabaque (#2,5,9), guica (#4)
Amauri Coelho da Rosa - atabaque (#4), pandeiro (#2,5,9)
Recorded at Studio Riosom S/A, Rio de Janeiro on June 1, 1966 and Studio Atonal Ltda, Rio de Janeiro on June 2, 1966.