John Coltrane - Giant Steps
Жанр: Hard Bop
Носитель: LP
Год выпуска: 1959/2018
Лейбл: Atlantic/Warner Music Japan Inc. (WPJR-10029) (Mono)
Страна-производитель: Япония
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:37:31
Треклист:
01. Giant Steps (Coltrane) - 4:47
02. Cousin Mary (Coltrane) - 5:50
03. Countdown (Coltrane) - 2:26
04. Spiral (Coltrane) - 5:59
05. Syeeda's Song Flute (Coltrane) - 7:05
06. Naima (Coltrane) - 4:25
07. Mr. P.C. (Coltrane) - 6:59
Источник оцифровки: thezabs
Код класса состояния винила: Mint
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0 DB > Remove DC Bias
Условия оцифровки
Lineage:
Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-01-25 20:27:22
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Analyzed: John Coltrane / Giant Steps
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DR Peak RMS Duration Track
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DR10 -3.74 dB -15.17 dB 4:47 01-Giant Steps
DR11 -3.55 dB -16.05 dB 5:50 02-Cousin Mary
DR11 -5.02 dB -20.71 dB 2:26 03-Countdown
DR11 -6.11 dB -18.72 dB 5:59 04-Spiral
DR11 -3.91 dB -18.06 dB 7:05 05-Syeeda's Song Flute
DR15 -4.78 dB -21.14 dB 4:25 06-Naima
DR11 -5.07 dB -16.92 dB 6:59 07-Mr. P.C.
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Number of tracks: 7
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 1
Bits per sample: 24
Bitrate: 2531 kbps
Codec: FLAC
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Review by Lindsay Planer
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers -- who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty. Both Giant Steps [Deluxe Edition] and the seven-disc Heavyweight Champion: The Complete Atlantic Recordings offer more comprehensive presentations of these sessions.
Состав
John Coltrane - tenor saxophone
Tommy Flanagan (#1-5,7), Wynton Kelly (#6) - piano
Paul Chambers - bass
Art Taylor (#1-5,7), Jimmy Cobb (#6) - drums
Recorded at Atlantic Studios, New York on May 4 (#1-5,7) and December 2 (#6), 1959.
Mastered by Isao Kikuchi.
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发表于 2022-4-2 14:56:37
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