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[TR24][OF] Johann Sebastian Bach & Max Reger - Works for violin solo (Sonatas, partitas, preludes & fuges) {Sayaka Shoji} - 2011 (Classical)
Sayaka Shoji - Bach & Reger: Works for violin solo
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2011
Жанр: Classical
Издатель (лейбл): Mirare
Продолжительность: 1:46:03
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Источник (релизер): tuoro, qobuz
Треклист
Max Reger - Prelude & Fugue in G minor, Op.117 No.2
01. I. Prelude (3:54)
02. II. Fugue (3:24)
Johann Sebastian Bach - Sonata No.1 in G minor, BWV 1001
03. I. Adagio (4:35)
04. II. Fuga (Allegro) (5:15)
05. III. Siciliano (3:22)
06. IV. Presto (3:55)
Max Reger - Prelude & Fugue in B minor, Op.117 No.1
07. I. Prelude (3:38)
08. II. Fugue (2:23)
Johann Sebastian Bach - Partita No.1 in G minor, BWV 1002
09. I. Allemande (7:06)
10. II. Double (3:03)
11. III. Courante (3:42)
12. IV. Double (3:42)
13. V. Sarabande (4:18)
14. VI. Double (2:13)
15. VII. Bourree (3:42)
16. VIII. Double (3:54)
17. Max Reger - Chaconne in G minor, Op.117 No.4 (12:11)
Johann Sebastian Bach - Partita No.2 in D minor, BWV 1004
18. I. Allemande (4:47)
19. II. Courante (3:11)
20. III. Sarabande (4:28)
21. IV. Gigue (4:29)
22. V. Chaconne (14:51)
Исполнители
Sayaka Shoji - violin
Recorded at Chapelle de l'Enfant Jesus par Hugues Deschaux on August 28-31, 2010.
Лог проверки качества
foobar2000 1.3.17 / Dynamic Range Meter 1.1.1
log date: 2018-10-22 23:24:55
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Analyzed: Sayaka Shoji / Bach & Reger: Works for violin solo
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DR Peak RMS Duration Track
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DR12 -1.31 dB -17.38 dB 3:54 01-Reger: Prelude & Fugue in G minor, Op.117 No.2: I. Prelude
DR12 -0.36 dB -16.82 dB 3:24 02-Reger: Prelude & Fugue in G minor, Op.117 No.2: II. Fugue
DR13 -4.30 dB -21.69 dB 4:35 03-Bach: Sonata No.1 in G minor, BWV 1001: I. Adagio
DR12 -1.23 dB -16.58 dB 5:15 04-Bach: Sonata No.1 in G minor, BWV 1001: II. Fuga (Allegro)
DR13 -3.79 dB -20.94 dB 3:22 05-Bach: Sonata No.1 in G minor, BWV 1001: III. Siciliano
DR14 -0.88 dB -20.28 dB 3:55 06-Bach: Sonata No.1 in G minor, BWV 1001: IV. Presto
DR12 -1.92 dB -18.47 dB 3:38 07-Reger: Prelude & Fugue in B minor, Op.117 No.1: I. Prelude
DR11 -0.28 dB -16.04 dB 2:23 08-Reger: Prelude & Fugue in B minor, Op.117 No.1: II. Fugue
DR13 -3.00 dB -20.77 dB 7:06 09-Bach: Partita No.1 in G minor, BWV 1002: I. Allemande
DR13 -5.24 dB -22.39 dB 3:03 10-Bach: Partita No.1 in G minor, BWV 1002: II. Double
DR13 -6.11 dB -22.75 dB 3:42 11-Bach: Partita No.1 in G minor, BWV 1002: III. Courante
DR13 -4.32 dB -20.79 dB 3:42 12-Bach: Partita No.1 in G minor, BWV 1002: IV. Double
DR11 -4.87 dB -19.91 dB 4:18 13-Bach: Partita No.1 in G minor, BWV 1002: V. Sarabande
DR12 -5.85 dB -22.36 dB 2:13 14-Bach: Partita No.1 in G minor, BWV 1002: VI. Double
DR14 -1.32 dB -19.09 dB 3:42 15-Bach: Partita No.1 in G minor, BWV 1002: VII. Bourree
DR12 -5.61 dB -21.59 dB 3:54 16-Bach: Partita No.1 in G minor, BWV 1002: VIII. Double
DR13 -0.07 dB -17.36 dB 12:11 17-Reger: Chaconne in G minor, Op.117 No.4
DR13 -5.22 dB -21.71 dB 4:47 18-Bach: Partita No.2 in D minor, BWV 1004: I. Allemande
DR13 -3.99 dB -20.73 dB 3:11 19-Bach: Partita No.2 in D minor, BWV 1004: II. Courante
DR12 -4.76 dB -21.78 dB 4:28 20-Bach: Partita No.2 in D minor, BWV 1004: III. Sarabande
DR13 -4.92 dB -21.74 dB 4:29 21-Bach: Partita No.2 in D minor, BWV 1004: IV. Gigue
DR13 -0.12 dB -18.79 dB 14:51 22-Bach: Partita No.2 in D minor, BWV 1004: V. Chaconne
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Number of tracks: 22
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1382 kbps
Codec: FLAC
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Review by Julie Anne Sadie
The winner of the 1999 Paganini Competition at the age of 16, Sayaka Shoji isn’t merely a superb technician, she’s a deeply engaging performer who punches above her weight. The richly resonant, spirited sound that the diminutive young violinist produces with her 1729 “Recamier” Stradivarius is impressive and so, too, is the poetic delicacy of her phrasing.
Clearly she relishes the solo violin repertoire but she’s hardly the first to pair works for solo violin by Bach and Reger. Jennifer Koh did so most recently in 2005 (Cedille). Nor has Shoji recorded Reger’s Op 117 in its entirety, as has Renate Eggebrecht (Troubadisc). She has chosen three pairs of works, to draw attention to the influence of Bach on Reger, of which
the most telling must be the magnificent Chaconnes: where Reger provides a gymnastic display, Bach creates music of the highest order. Like so many modern players, Shoji makes little attempt to differentiate them stylistically despite the two centuries that separate them.
“Bach and Reger”: that’s the order in which one would incline to think of them. Gilles Cantagrel, who wrote the booklet-notes for this disc, does too. Why, then, does Mirare place each of the pairs in the reverse order? Are we meant to reflect on the Reger we’ve heard as we listen to the Bach that follows? Reger, for all his contrapuntal skill and imaginative harmony, is never going to win hearts and minds; and anyway, Bach makes you forget everything else you’ve ever heard so the battle is lost almost immediately! It might have been better to devote one disc to Bach and one to Reger.
Nevertheless, Shoji emerges as a formidable musician armed with a superb instrument, able to draw on huge reserves of stamina and the unflinching equal of anything thrown at her. The world is her oyster.
/1 
发表于 2022-9-27 16:19:14
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