Béla Bartók - Intégrale des quatuors à cordes
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): naïve classique
Продолжительность: 02:44:00
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Треклист:
String Quartet No. 1, Sz. 40
01. I. Lento
02. II. Allegretto
03. III. Allegro vivace
String Quartet No. 2, Sz. 67
04. I. Moderato
05. II. Allegro molto capriccioso
06. III. Lento
String Quartet No. 3, Sz. 85
07. I. Moderato
08. II. Allegro
09. III. Moderato
10. IV. Allegro molto
String Quartet No. 4, Sz. 91
11. I. Allegro
12. II. Prestissimo, con sordino
13. III. Non troppo lento
14. IV. Allegretto pizzicato
15. V. Allegro molto
String Quartet No. 5, Sz. 102
16. I. Allegro
17. II. Adagio molto
18. III. Scherzo. Alla bulgarese
19. IV. Andante
20. V. Finale. Allegro vivace-Presto
String Quartet No. 6, Sz. 114
21. I. Mesto-Vivace
22. II. Mesto-Marcia
23. III. Mesto-Burletta. Moderato
24. IV. Mesto
Исполнители:
Quatuor Diotima:
Yun-Peng Zhao, violin I
Constance Ronzatti, violin II
Franck Chevalier, viola
Pierre Morlet, cello
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-01-19 21:29:48
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Analyzed: Quatuor Diotima / Bartók: Intégrale des quatuors à cordes
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DR Peak RMS Duration Track
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DR13 -4.22 dB -23.54 dB 11:09 01-String Quartet No. 1, Sz. 40: I. Lento
DR14 -0.77 dB -21.08 dB 11:19 02-String Quartet No. 1, Sz. 40: II. Allegretto
DR14 -0.10 dB -19.07 dB 10:36 03-String Quartet No. 1, Sz. 40: III. Allegro vivace
DR14 -0.10 dB -20.05 dB 10:54 04-String Quartet No. 2, Sz. 67: I. Moderato
DR14 -0.10 dB -18.31 dB 7:55 05-String Quartet No. 2, Sz. 67: II. Allegro molto capriccioso
DR15 -1.38 dB -23.92 dB 10:43 06-String Quartet No. 2, Sz. 67: III. Lento
DR13 -0.10 dB -18.99 dB 4:43 07-String Quartet No. 3, Sz. 85: I. Moderato
DR13 -0.10 dB -17.25 dB 5:34 08-String Quartet No. 3, Sz. 85: II. Allegro
DR15 -3.37 dB -25.12 dB 3:18 09-String Quartet No. 3, Sz. 85: III. Moderato
DR13 -0.10 dB -16.58 dB 2:06 10-String Quartet No. 3, Sz. 85: IV. Allegro molto
DR15 -0.13 dB -19.56 dB 6:07 11-String Quartet No. 4, Sz. 91: I. Allegro
DR16 -3.26 dB -25.86 dB 2:59 12-String Quartet No. 4, Sz. 91: II. Prestissimo, con sordino
DR15 -3.76 dB -25.64 dB 6:18 13-String Quartet No. 4, Sz. 91: III. Non troppo lento
DR18 -0.84 dB -24.82 dB 2:44 14-String Quartet No. 4, Sz. 91: IV. Allegretto pizzicato
DR14 -1.66 dB -19.13 dB 5:40 15-String Quartet No. 4, Sz. 91: V. Allegro molto
DR14 -0.29 dB -19.61 dB 7:35 16-String Quartet No. 5, Sz. 102: I. Allegro
DR15 -8.53 dB -29.97 dB 6:45 17-String Quartet No. 5, Sz. 102: II. Adagio molto
DR14 -1.93 dB -22.25 dB 5:09 18-String Quartet No. 5, Sz. 102: III. Scherzo. Alla bulgarese
DR15 -3.84 dB -25.04 dB 4:57 19-String Quartet No. 5, Sz. 102: IV. Andante
DR15 -2.46 dB -22.71 dB 7:16 20-String Quartet No. 5, Sz. 102: V. Finale. Allegro vivace-Presto
DR15 -1.21 dB -21.17 dB 7:46 21-String Quartet No. 6, Sz. 114: I. Mesto-Vivace
DR15 -1.10 dB -21.15 dB 8:05 22-String Quartet No. 6, Sz. 114: II. Mesto-Marcia
DR16 -1.08 dB -22.35 dB 7:19 23-String Quartet No. 6, Sz. 114: III. Mesto-Burletta. Moderato
DR15 -4.01 dB -25.72 dB 7:16 24-String Quartet No. 6, Sz. 114: IV. Mesto
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Number of tracks: 24
Official DR value: DR14
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1324 kbps
Codec: FLAC
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Об альбоме (сборнике)
Following on from its highly-acclaimed complete cycle of string quartets from the Viennese School, the Quatuor Diotima reaches new heights in its discography with a recording of some of the most significant works of the 20th century music: the six quartets of Béla Bartok, born out of the different artistic and political influences of the time.
“These six quartets give us a genuine overview of the composer’s personal life, from his first disappointment in love to the heartbreaking farewell to his mother and his homeland. The evolution of his musical language is equally spectacular. Starting with a post-Romanticism imbued with folklore, still very present in the first two quartets, the Bartókian identity is fully asserted in the great works of his maturity that are the Third, Fourth and Fifth Quartets, and culminates in the highly individual form of the Sixth Quartet, one great song of despair and nostalgia. […] There is a before and an after Bartók in the quartet world. He renews, reinvents all the issues of the genre, the question of the relationship between the voices of the quartet governing the forms, the search for the ‘little difference’, the search for heterogeneity in so homogeneous a medium.”
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发表于 2022-9-27 16:19:18
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