J.S. Bach: Italian Concerto, French Overture, Sonata in D minor
Masaaki Suzuki
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2006
Жанр: Classical/Chamber/Harpsichord
Издатель (лейбл): BIS
Продолжительность: 01:09:20
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Italian Concerto, BWV 971
01] I. (Allegro)
02] II. Andante
03] III. Presto
French Overture in B minor, BWV 831
04] I. Ouverture
05] II. Courante
06] III. Gavotte I - II
07] IV. Passepied I - II
08] V. Sarabande
09] VI. Bourree I - II
10] VII. Gigue
11] VIII. Echo
Sonata in D minor, BWV 964
12] I. (Adagio) [After BWV 1003]
13] II. Allegro (After BWV 1003)
14] III. Andante (After BWV 1003)
15] IV. Allegro (After BWV 1003)Performers:
Masaaki Suzuki, harpsichordКонтейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Доп. информация: Paru le 01/05/2006 chez BIS
Источник (релизер): https://www.qobuz.com/fr-fr/album/bach-js-italian-concerto-french-overture-in-b-m...ch/7318590014691
Лог DR
Об альбоме (сборнике)
Strong but delicate, deliberate but subtle, driven but supple, Masaaki Suzuki's 2005 recording of Bach's Italian Concerto and French Overture for harpsichord are quite convincing in their own distinctive way. In Suzuki's hands, the opening crash of the Italian Concerto is as instantly arresting as the powerful opening prelude and fugue from the French Overture is immediately appealing. Yet the concerto's following Andante is as emotionally nuanced as the overture's Sarabande is deeply affecting and the concerto's closing Presto is as joyfully rambunctious as the overture's Gigue is relentlessly propulsive. Better yet are Suzuki's performances of Bach's own transcription of his A minor Sonata for solo violin as a D minor sonata for solo harpsichord. Here, Suzuki's playing and interpretation are all of a piece; a deep, dark, soulful, and sometimes scary piece, true, but still one overwhelming piece. And whatever the work, Suzuki's playing is always first rate, if not quite as strikingly virtuosic as some full-time harpsichordists -- after all, Suzuki's full-time job since 1990 has been directing the Bach Collegium of Japan, the group recording Bach's complete cantatas for BIS. Captured in crisp sound, this recording will please Suzuki's many fans in Japan and around the world.