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[古典] [TR24][OF] Carl Philipp Emanuel Bach - The Cello Concertos Wq 170, 171, 172 (Roel Dieltiens, Orchestra of the Eighteenth Century, Marc Destrube) - 2019 (classical / cello / concert

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发表于 2022-9-27 16:19:19 | 显示全部楼层 |阅读模式
Carl Philipp Emanuel Bach - The Cello Concertos / Roel Dieltiens, Orchestra of the Eighteenth Century
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания диска: 2019
Дата записи: 2019
Жанр: classical / cello / concerto
Издатель (лейбл): Glossa
Номер по каталогу: GCD921127
Источник: qobuz.com
Продолжительность: 01:14:10
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
Треклист
Cello Concerto in A minor (Wq 170, 1750)
01. I. Allegro assai 11:39
02. II. Andante 8:54
03. III. Allegro assai 6:51
Cello Concerto in B flat major (Wq 171, 1751)
04. I. Allegretto 8:30
05. II. Adagio 9:06
06. III. Allegro assai 6:55
Cello Concerto in A major (Wq 172, 1753)
07. I. Allegro 7:08
08. II. Largo con sordini, mesto 9:45
09. III. Allegro assai 5:16

Исполнители
Roel Dieltiens, cello (Marten Cornelissen, Northampton 1992)
Orchestra of the Eighteenth Century
Marc Destrube, concertmaster

Лог проверки качества

foobar2000 1.6.4 / Dynamic Range Meter 1.1.1
log date: 2021-03-06 14:18:49
--------------------------------------------------------------------------------
Analyzed: Roel Dieltiens, Orchestra of the Eighteenth Century, Marc Destrube / Carl Philipp Emanuel Bach - The Cello Concertos
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -2.36 dB   -20.51 dB     11:38 01-Cello Concerto in A Minor, Wq 170 - I. Allegro assai
DR15      -2.86 dB   -22.99 dB      8:55 02-Cello Concerto in A Minor, Wq 170 - II. Andante
DR14      -3.56 dB   -20.72 dB      6:51 03-Cello Concerto in A Minor, Wq 170 - III. Allegro assai
DR14      -3.81 dB   -21.07 dB      8:31 04-Cello Concerto in B-Flat Major, Wq 171 - I. Allegretto
DR14      -2.94 dB   -22.37 dB      9:07 05-Cello Concerto in B-Flat Major, Wq 171 - II. Adagio
DR15      -1.46 dB   -20.61 dB      6:56 06-Cello Concerto in B-Flat Major, Wq 171 - III. Allegro assai
DR14      -1.97 dB   -19.71 dB      7:09 07-Cello Concerto in A Major, Wq 172 - I. Allegro
DR13      -3.56 dB   -22.30 dB      9:46 08-Cello Concerto in A Major, Wq 172 - II. Largo con sordini, mesto
DR14      -2.70 dB   -20.42 dB      5:16 09-Cello Concerto in A Major, Wq 172 - III. Allegro assai
--------------------------------------------------------------------------------
Number of tracks:  9
Official DR value: DR14
Samplerate:        88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2633 kbps
Codec:             FLAC
================================================================================


Скриншоты спектра частот (треки 1 и 9)




About this album
Carl Philipp Emanuel Bach was Johann Sebastian Bach’s second and most successful son. He was a transitional figure between the Baroque and the Classicism, and greatly influenced Mozart and Beethoven, partly thanks to his keyboard sonatas. In the 18th century, the cello concerto was still a fairly new genre, and Boccherini and Haydn had not yet written their contributions at the point when C.P.E. Bach completed his, the three concertos written between 1750 and 1753.
The tempestuous drama of the openings and the carefree candour of the finales stand in stark contrast to the tenderness and emotional depth of the slow parts. The renowned Belgian cellist Roel Dieltiens and the legendary Orchestra of the Eighteenth Century reveal themselves to be born raconteurs, turning this music into fascinating, colourful stories.
The edition includes a beautiful essay by the popular novelist Anna Enquist, a long-time friend of the Orchestra and of the late Frans Bruggen, in which she takes her experience visiting the recording sessions of this album in Amsterdam as a departure point to explore the musical personality of Carl Philipp Emanuel, especially when seen in relation to his father’s oeuvre.
                                                                                       
                       
                       
                       
                       
                       
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