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[专辑] [分享]5★冷门 -【Glossa】福斯蒂娜(1697-1781)的那不勒斯之旅

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5★冷门 -【Glossa】福斯蒂娜(1697-1781)的那不勒斯之旅

I VIAGGI DI FAUSTINA 福斯蒂娜的旅程
Faustina Bordoni’s journeys to Naples 福斯蒂娜·博尔多尼的那不勒斯之旅
‘Sirene’ - Viaggi musicali di celebri cantanti - vol. 1 "塞壬" - 著名歌唱家的音乐旅程(卷1)
(注: ‘Sirene’ as Faustina Bordoni was called in Venice 福斯蒂娜·博尔多尼在威尼斯被人们叫作"塞壬")


Composer(s): Nicola Porpora, Leonardo Vinci, Francesco Mancini, Domenico Sarro, Antonio Maria Bononcini
Artists: Roberta Invernizzi, soprano 罗伯塔·因弗妮吉 / 因弗尼吉
Ensemble: I Turchini
Conductor: Antonio Florio 安东尼奥·弗洛里奥
Genre: Classical
Label: Glossa  (http://www.glossamusic.com/glossa/default.aspx)
No.: GCD 922606  (http://www.glossamusic.com/glossa/reference.aspx?id=307)
Recorded in Naples (Sala del Vasari, Chiesa di S. Anna dei Lombardi) on May 31 and 1-2 June 2012
Rls. date: April 2012


福斯蒂娜·博尔多尼Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano.
Faustina Bordoni was one of the best-known Italian prima donnas of the 18th century. Faustina (in England she was always just "Faustina") already had a European reputation when Handel brought her to London in 1726, where she sang in the first runs of his "Alessandro", "Admeto", "Riccardo Primo", "Siroe", and "Tolomeo", as well as revivals of "Floridante", "Radamisto" and "Ottone". She left to marry a then even more famous composer, Hasse, and toured Europe with him for thirty years, until she was well into her 60s. She died aged 84 in 1781.


罗伯塔·因弗妮吉Roberta started out on her career with a strong musical preparation already in her background; this included playing the double-bass and performing in different music genres, and a considerable experience of choral performances. At the same time, she has always been cultivating a wide interest for all the elements of knowledge around a musical score, including literature, history, theory, methods, and so on. Recently she has become a teacher of historical singing methods at the same Naples conservatory where Antonio Florio holds the chair in Baroque music and singing practice with orchestra.

Her enchanting voice has the ability and the flexibility to adapt without any trouble to different kinds of repertoire and style across three centuries. I remember her outstanding roles from Monteverdi or Provenzale as well as in early Romantic music. However, in the middle of this repertoire sweep you can insert any composer in whose music she excels, composers as different as Scarlatti, Purcell, Lully, Handel or Paisiello. Roberta really is the “Nuova Sirena” (as Faustina Bordoni was called in Venice) of our modern times.

罗伯塔·因弗妮吉不愧是当代的"新塞壬"。

塞壬来源自古老的希腊神话传说,在神话中的她被塑造成一名人面鸟身的海妖,飞翔在大海上,拥有天籁般的歌喉,常用歌声诱惑过路的航海者而使航船触礁沉没,船员则成为塞壬的腹中餐。

神话1:

塞壬是河神埃克罗厄斯的女儿,是从他的血液中诞生的美丽妖精。因为与缪斯比赛音乐落败而被缪斯拔去双翅,使之无法飞翔。失去翅膀后的塞壬只好在海岸线附近游弋,有时会变幻为美人鱼,用自己的音乐天赋吸引过往的水手使他们遭遇灭顶之灾。塞壬居住的小岛位于墨西拿海峡附近,在那里还同时居住着另外两位海妖斯基拉和卡吕布狄斯。也正是如此,那一带海域早已堆满了受害者的白骨。在希腊神话里,英雄奥德修斯率领船队经过墨西拿海峡的时候事先得知塞壬那令凡人无法抗拒的致命歌声。于是命令水手用蜡封住耳朵,并将自己用绳索绑在船只的桅杆上,方才安然渡过。传说中还提到,太阳神阿波罗之子,善弹竖琴的俄耳甫斯也曾顺利的通过塞壬居住的地方,因为他用自己的琴声压倒了塞壬的歌声。同样是女人的头和鸟的身躯,塞壬与哈耳庇厄比较相似,但鸟身女妖多被描写成凶暴粗野,兴灾作乱的恶兽;而阴毒致命的塞壬,却是姿容娇艳、体态优雅。

神话2:

在其它记载中,塞壬是冥界的引路人。相传塞壬是冥王所劫的冥后珀尔塞福涅的女友,未能尽到保护珀尔塞福涅的职责,被罚变怪形,为亡魂向冥界引路。鸟体女妖在某些传说中是勾魂的使者,进一步显示了两者间的可能关联。遥远的海面上有一岛屿,石崖边居住着唱魔歌的海妖塞壬三姐妹。半人半鸟的塞壬姐妹们坐在一片花丛里,唱着蛊惑人心的歌,甜美的歌声把过往的船只引向该岛,然后撞上礁石船毁人亡。过往的海员和船只都受到迷惑走向毁灭,无一幸免。
奥德修斯遵循女神喀耳刻的忠告。为了对付塞壬姐妹,他采取了谨慎的防备措施。船只还没驶到能听到歌声的地方,奥德修斯就令人把他拴在桅杆上,并吩咐手下用蜡把他们的耳朵塞住。他还告诫他们通过死亡岛时不要理会他的命令和手势。
不久石岛就进入了他们的视线。奥德修斯听到了迷人的歌声。歌声如此令人神往,他绝望地挣扎着要解除束缚,并向随从叫喊着要他们驶向正在繁花茂盛的草地上唱歌的海妖姐妹,但没人理他。海员们驾驶船只一直向前,直到最后再也听不到歌声。这时他们才给奥德修斯松绑,取出他们耳朵中的蜡。这次塞壬海妖们算是白唱了歌。三姐妹中的老大帕耳塞洛珀深深地爱慕着奥德修斯。当他的船只走过后,她就投海自尽了。


About this CD

With I Viaggi di Faustina Glossa is launching a new collection focusing on famous Italian singers from the 17th and 18th centuries, whose travels bear witness to the intense level of artistic activity then taking place in the major cities of Europe. Faustina Bordoni, the brilliant pa with whom we begin this series pursued her career mainly in Naples (the principal focus of this CD) and Venice, but also in cities such as Bologna, Parma, Dresden and London. These were cities hosting – with great success – operas by Johann Adolph Hasse (Bordoni’s husband), Nicola Popora, Leonardo Vinci, Francesco Mancini and Domenico Sarro; most of these composers are represented on this first selection of wonderful arias.

The artist chosen to reincarnate Faustina Bordoni has been the singer considered by many to be the leading soprano in Baroque music today: Roberta Invernizzi. In a repertory fitting her like a glove, Invernizzi displays all her renowned sensitivity and virtuosity along with a sense of mutual musical understanding – which is second bar none – with Antonio Florio and I Turchini. This is Roberta Invernizzi’s second release on the label as the main protagonist, the first being her outstanding and very highly-appreciated album of Vivaldi arias.

Devised by the scholar Dinko Fabris and the conductor Antonio Florio, with further musicological advice coming from Juan José Carreras and Giulia Veneziano, this new collection also gives a central importance to the texts and to the iconography which provide each recording with their context; in this way endeavouring to create the most complete and stimulating vision possible of the conditions which were surrounding these inimitable artists.


Tracks:

I VIAGGI DI FAUSTINA 福斯蒂娜的旅程
Faustina Bordoni’s journeys to Naples 福斯蒂娜·博尔多尼的那不勒斯之旅

01 Son prigionera d’amore
[Cleofide – Nicola Porpora, Poro. Turin, 1731]

02 Scendi da questo soglio
[Camilla – Leonardo Vinci, Il Trionfo di Camilla. Parma, 1725]

03 Canta e dì caro usignolo
[Giulia – Francesco Mancini, Traiano. Naples, 1723]

04 Sinfonia (Presto e staccato – Largo – Presto forte e staccato)
[Nicola Porpora, Agrippina. Naples, 1708]

05 Confusa, smarrita
[Marzia – Leonardo Vinci, Catone in Utica. Naples, 1732]

06 Un guardo solo ancor
[Camilla – Leonardo Vinci, Il Trionfo di Camilla. Parma, 1725]

07 Raggio amico di speranza
[Cleofide – Nicola Porpora, Poro. Turin, 1731]

08 Sinfonia (Allegro – Andante staccato – Allegro)
[Francesco Mancini, Traiano. Naples, 1723]

09 Tortora che il suo bene
[Rosmira – Domenico Sarro, Partenope. Turin, 1722/23]

10 Non ti minaccio sdegno
[Marzia – Leonardo Vinci, Catone in Utica. Naples, 1732]

11 Ecco mi parto / Qual rusceletto
[Leonardo Vinci, Cantata “Parto ma con qual core”. Naples, 1723]

12 Concerto per flauto e archi (Amoroso – Adagio – Allegro)
[Domenico Sarro]

13 Spera sì, mio caro bene
[Giulia – Francesco Mancini, Traiano. Naples, 1723]

14 Lasciami un sol momento
[Rosiclea – Antonio Maria Bononcini, Rosiclea in Dania. Naples, 1721]

Total playing time 66:37


Roberta Invernizzi, soprano

I Turchini / Antonio Florio

Alessandro Ciccolini, first violin (leader)
Tommaso Rossi, recorder
Patrizio Focardi, Paolo Cantamessa, first violins
Marco Piantoni, Nunzia Sorrentino, Massimo Percivaldi, second violins
Rosario Di Meglio, viola
Rebeca Ferri, violoncello & 2nd recorder
Eva Sola, violoncello
Giorgio Sanvito, double bass
Patrizia Varone, harpsichord





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