MARIN MARAIS: PIECES DE VIOLE DU IV LIVRE, 1717 - JORDI SAVALL AND

洛杉矶

简介：
Жанр: Classical, Instrumental
Год выпуска диска: 2006
Производитель диска: Austria - AliaVox - AVSA 9851 A+B
Аудио кодек: DST 2.0, 5.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 47:57 + 56:38

To celebrate Marin Marais' 350th birthday, Jordi Savall has made his first complete recording of Marais' most intricate work: the Suitte d'un Goût Etranger. As indicated in the detailed liner notes, these 33 pieces offer the quintessence of the art of Marais, with fascinating titles like La Rêveuse (The Dreamer), La Singulière (The Special), La Bizarre (The Weird), La Superbe (The Proud), including the final Badinage, full of nostalgia. No other work in the baroque repertoire surpasses this fabulous 'Suitte'

This SACD-Set is grandious. Jordi Savall and friends give us such pleasure that I cannot imagine a better recorded album.

The reason for the extremly touching result of the SACD is first of all the music: The genius of Marin Marais' gamba music lies in his omnipresent, but not too aparent melancholity. In every piece, be it as virtuous or quick as possible, there is a touch of bittersweet feeling, making gooseflesh to the listener. I will not pick out several pieces because all are a treat for themselves. In addition, Savall plays so extremly delicate that it is a complete delight. His musicality, sense for style and, of course, virtuosity is beyond every criticism. His music making is divine, not from our world. His combatants, Marc Hantai, Rolf Lislevand, Xavier Díaz-Latorre, Philippe Pierlot and of course Pedro Estevan, are the best accompanist possible.

But also the technical side of this album is so great, so perfect, so splendid that there is no way around this SACD. Manuel Mohino, one of Savalls prefered sound technicans, has created an warm, gorgeous and dazzling sonic stage, with Jordi in the centre and his co-musicians around him. Recorded propably with DPA microphones (as the most of Savalls CDs), you can hear everything. Everything means, that you hear the noises of the fingers, page-turning, breath etc. and this gives the sound such an vibrancy that you feel almost like in St Michel en Thierache, France, where the recording sessions took place in August and September 2006. And this in already in stereo! In multichannel this is again better (of course). There you REALLY are in the french church.

PS: I guess to hear the album after a long and exhausting, or frustrating day. You'll see, this album whith is the best consolation you can imagine.


曲目：
Disc 1:

1. Marche Tartare, IV.55 - 2:11
2. Allemande, IV.56 - 2:11
3. Sarabande, IV.57 - 2:50
4. La Tartarine, IV.58 - 0:57
5. Double, IV.59 - 1:13
6. Gavotte, IV.60 - 1:43
7. Feste Champêtre, IV.61 - 5:46
8. Gigue la Fleselle, IV.62 - 2:26
9. Rondeau le Bijou, IV.63 - 5:59
10. Le Tourbillon, IV.64 - 1:40
11. L'Uniforme, IV.65 - 1:25
12. Suitte, IV.66 - 0:57
13. Suitte, IV.67 - 2:24
14. L'Ameriquaine, IV.68 - 4:21
15. Allemande pur le Sujet et Gigue pour la Basse, IV.69 - 2:37
16. Allemande l'Asmatique, IV.70 - 1:42
17. La Tourneuse, IV.71 - 2:36
18. Muzette, IV.72 - 5:01

Disc 2:

1. Caprice ou Sonate IV.73 - 5:29
2. Le Labyrinthe IV.74 - 10:52
3. La Sauterelle IV.75 - 2:34
4. La Fougade IV.76 - 4:06
5. Allemande la Bizare IV.77 - 2:43
6. La Minaudiere IV.78 - 1:57
7. Allemande la Singuliere IV.79 - 2:34
8. L'Arabesque IV.80 - 4:49
9. Allemande la Superbe IV.81 - 3:01
10. La Reveuse IV.82 - 7:39
11. Marche IV.83 - 2:02
12. Gigue IV.84 - 1:20
13. Piece Luthee IV.85 - 1:42
14. Gigue la Caustique IV.86 - 1:53
15. Le Badinage IV.87 - 3:56

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