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[爵士和蓝调] [TR24][OF] Koki Nakano - Pre-Choreographed - 2020 (chamber jazz, minimalism, neoclassical, piano solo, No Format!)

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发表于 2021-8-9 15:56:31 | 显示全部楼层 |阅读模式
Koki Nakano / Pre-Choreographed
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: chamber jazz, minimalism, neoclassical, piano solo
Издатель (лейбл): N ø F ørmat!
Продолжительность: 00:32:31
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): highresaudio
Треклист:
01 Overlay 02:35
02 Bloomer 02:59
03 Near-Perfect Synchronization 02:48
04 Choreographed Mollusks 03:16
05 Minim 02:54
06 Palinopsia 02:22
07 Genou respirant 03:15
08 Graftage 03:29
09 Berceuse 02:31
10 Train-train 02:40
11Faire le poirier 03:42
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Дебютный альбом Коки Накано:
[TR24][OF] Koki Nakano & Vincent Segal - Lift - 2016 (chamber jazz, minimalism, neoclassical, piano & cello, No Format!)
Доп. информация: http://kokinakano.com/
Лог проверки качества

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-04-25 16:24:49
--------------------------------------------------------------------------------
Analyzed: Koki Nakano / Pre-Choreographed
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR10      -0.87 dB   -14.23 dB      2:35 01-Overlay
DR7       -0.66 dB   -12.10 dB      2:59 02-Bloomer
DR9       -0.87 dB   -13.79 dB      2:48 03-Near-Perfect Synchronization
DR11      -0.95 dB   -16.47 dB      3:16 04-Choreographed Mollusks
DR10      -0.95 dB   -13.63 dB      2:54 05-Minim
DR10      -1.05 dB   -14.85 dB      2:22 06-Palinopsia
DR11      -0.99 dB   -14.66 dB      3:15 07-Genou respirant
DR8       -0.75 dB   -13.14 dB      3:29 08-Graftage
DR12      -1.18 dB   -17.31 dB      2:31 09-Berceuse
DR8       -0.71 dB   -11.46 dB      2:40 10-Train-train
DR10      -0.82 dB   -15.52 dB      3:42 11-Faire le poirier
--------------------------------------------------------------------------------
Number of tracks:  11
Official DR value: DR10
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2507 kbps
Codec:             FLAC
================================================================================


Об исполнителе (рус.) | About Artist (ru)
Коки Накано
Источник: [url=http:// СПАМ «Солонеба»[/url]
Японский пианист Коки Накано (род. в 1988 году в Фукуоке, Япония) начал осваивать азы искусства игры на пианино с трёх лет. После окончания средней музыкальной школы в Токио он поступил на музыкальное отделение Токийского университета искусств. На музыкальном Олимпе он проявил, в первую очередь, свой композиторский талант, написав много произведений, как для различных коллективов, так и для сольных фортепианных выступлений, в т.ч. композиции для дуэта виолончели и фортепиано. В его музыке слышны мотивы минимализма, неоклассики, джаза. В настоящий момент он проживает в Париже, где и выпустил в 2016 году на лейбле No Format! свой дебютный альбом Lift, записанный в тандеме с гениальным виолончелистом Венсаном Сигалем.
http:// СПАМ

Об исполнителе (англ.) | About Artist (en)
Koki Nakano
Koki Nakano was born in 1988 in Fukuoka,Japan and has been playing piano since he was three years old. After graduating Music High School at Toho Gakuen School of Music in Tokyo, he enrolled at the composition department of Tokyo University of the Arts. He has written works for various ensembles including a vast amount of solo piano compositions and numerous pieces for cello and piano, he has been involved as a musical director for fashion shows and concerts, and as a band leader for his band ‘Gas Law’ he has been composing and performing throughout Japan. Next to this he has also been involved in production work for Tokyo FM.Furthermore he has performed solo recitals at the ‘Maison de la culture du Japon’ and the Louvre in Paris, and at the Stef ánia Palace in Budapest. At the present moment he is based in Paris.
http://kokinakano.com/

Об альбоме (англ.) | About Album (en)
Info for 'Pre-Choreographed'
Pre-Choreographed’ evokes the strong “saudade” for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even “missing” the choreography. That is to say, the character of the music is yet very “raw”, no direction is given. I always have the various images of body movements when I compose. And It helps greatly when I’m to give its own unique structure to each piece. My musics often develop as if they are to respond to body movements that I have as the image in my head.
Romantic musics, or some of contemporary musics often have a great distance from the dance, I reckon. And therefore they scarcely arouse my interest. The devotion to virtuosity or excessive intellectualism have somewhat brought the music far away from the dance. I feel that, we have already passed the “experimental” phase of the history of music, and now it is a great time to combine these two art forms back again. Needless to say, this new endeavor is already somewhat on going at the club music scenes. But I’d like to show to the audiences, in the manner of 2020, and in my very own way, that musics and dances are purely inseparable.
Throughout this project, I also would like to capture the mood of this age that, at any part of the world, anyone can evolve the art. Any personal perspective could work essentially for the upcoming art scenes, and it is strongly needed for artists, no matter who you are or where you are, to face their own authenticity and dig deep into it. In my case, one can describe me as a Japanese artist who have the occidental music base, who have also studied the European musical instrument.
But nowadays I purely grasp the piano as a very well made instrument for expressing my emotions and I’m also still excited to find new emotions in me with playing it. For me, it's always important to genuinely face my own expression and be subtle and personal without being easily diverged by the broader categories such as “the nationality” or “the race”. A representation is a question, how “you” touch the complexity of this world.
https://www.highresaudio.com/en/album/view/iam8h3/koki-nakano-pre-choreographed

Состав | Artists
Koki Nakano - Piano
Executive Production by Laurent Bizot & Thibault Mullings

                                                                                       
                       
                       
                       
                       
                       
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