简介:
舒伯特钢琴二重奏作品 布拉格钢琴二重奏乐团
Between April 1813 and June 1828, Schubert wrote some 32 scores requiring a partner or pupil. For him, the piano four hands was ‘always a place of exchange and dialogue, a symbol of fraternal communion within the same affective universe’, as Brigitte Massin summed it up so well. In addition to dances, marches, L渀搀氀攀爀, divertimenti, variations and varied themes, Schubert left a modest, highly moving testament in the Fantasy in F minor, a masterpiece of the genre. Here it is coupled with a few artful examples of this new literature for an instrument that had just found its technical optimisation in the invention of the double escapement.
" A distinguished recotal of Schubert's music for four hands at one piano...All their performances are lovingly prepared in the finest detail allowing them an expressive freedom unknown to lesser players. Well recorded, this is a disc for every musician." April Gramophone