RCA Living stereo 60 Collection - Vol.1, 2 -FLAC/BD

洛杉矶

立体声发明时代的神级录音 - RCA Red Seal , FLAC, WAV
RCA Living stereo 60 Collection - Vol.1, 2  







“Living Stereo”，是美国RCA Victor唱片公司的一个经典系列唱片名称。1950年，RCA 公司为对抗水星公司Living Presence系列唱片的竞争，积极投入立体声录音研究试验。
世界上没有任何一个录音方式比RCA Victor Living Stereo更能够代表高传真录音的黄金年代。这个傲人的成就由RCA唱片公司的音乐制作人及录音工程师在1950年中期研究开发完成，使古典乐录音技术由单声道跃升为立体声音响，并成为永久性的音响革命。“LIVING STEREO”系列唱片几乎每一张都有优异录音效果，它们都是当年RCA用AMPEX300磁带录音机、NEUMANN U-47与M-49/50无指向性麦克风录制的。RCA结合了当时最伟大的古典音乐大师和小提琴家海飞兹、钢琴家鲁宾斯坦、克莱本，女高音普莱丝，安娜莫芙及指挥家莱纳、费德勒等名家的演绎，不但受到消费市场的欢迎，同时也博得专家一致的肯定。Living Stereo为录音技术带入崭新的时代，并为立体声奠定了无法企及的崇高地位。
Product Description
Through the decade following 1953, RCA Victor made a wondrous and substantial body of recordings which have come to be identified with their early stereo release label, Living Stereo. At the beginning of the widespread adoption of stereo audio in the home, Living Stereo offered a widely available range of quality music and performances in high quality sound.
An impressive amount of these records offer music, performances and audio quality which are still top choices and in many cases, still definitive! In its recording philosophies, Living Stereo influenced many of the recordings made since. They were significant in terms of music and sound quality and represent an important part of audiophile history.
On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra.
In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Munch, in a performance of The Damnation of Faust by Hector Berlioz. This began a practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made by Toscanini and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner.
Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49/50 omnidirectional microphones. Then they switched to an Ampex 300-3 one-half inch machine, running at 15 inches per second (which was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the logo ‘Living Stereo’.

1953年之后的十年中，RCA Victor制作了许多精彩而庞大的唱片。以其早期的立体声发行唱片“ Living Stereo”来识别。是家庭音响系统广泛采用立体声音频的开始，Living Stereo提供了范围广泛的高质量音乐的表演录音。在RCA的录音哲学中，“活着的立体声”，影响了此后制作的许多录音。它们在音乐和声音质量方面很重要，并且代表了发烧友历史的重要组成部分。
1953年10月6日，RCA在纽约曼哈顿中心举行了实验性的立体声演示会。利奥波德·斯托科夫斯基Leopold Stokowski 指挥的一组纽约音乐家表演了Enesco的罗马尼亚第一狂想曲和柴可夫斯基歌剧Eugene Onegin的华尔兹。12月，再一次在曼哈顿中心进行了立体声测试，这次演绎的是Pierre Monteux指挥波士顿交响乐团的成员。
1954年2月，RCA录制了第一张商业立体声录音。使用了查尔斯·明希Charles Munch 指挥波士顿交响乐团的录音，演奏了赫克托·贝里奥兹Hector Berlioz 的《浮士德》。开始了使用立体声和单声道设备同时录制乐团演奏的方式。其它早期立体声录音分别由托斯卡尼尼Toscanini和肯塔利Guido Cantelli与NBC交响乐团合作完成。以及亚瑟·费德勒Arthur Fiedler 领导的波士顿流行乐团；还有弗里兹·莱纳Fritz Reiner 领导的芝加哥交响乐团。
最初，RCA使用RT-21四分之一英寸录音机（每秒30英寸速度运行），连接到单声道混音器，并配有Neumann U-47心形指向性麦克风和M-49 / 50全向麦克风。然后他们切换到一台Ampex 300-3一半英寸的机器，以每秒15英寸的速度运行（后来增加到每秒30英寸）。这些录音最初于1955年在特殊的立体声录音带上发行，然后从1958年开始，在带有徽标“ Living Stereo” 的乙烯基LP上发行。

付费主题

当前隐藏内容需要支付

12 音乐币

立即购买