Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: fado, world music, portuguese folk
Издатель (лейбл): Galileo Music Communication
Продолжительность: 00:51:46
Наличие сканов в содержимом раздачи: front+back, press-info
Источник (релизер): highresaudio
Треклист:
01 Rosa Negra no Meu Peito II (04:32)
02 Ouso Dizer (04:27)
03 Corazón y Hueso (03:25)
04 Os Homens Que Eu Amei (03:35)
05 Lágrima (03:38)
06 Ausência (04:30)
07 Fado dos 2 Pardais (03:52)
08 Escrevo na Pele (04:04)
09 Destino (03:38)
10 Pásion (03:23)
11 Fadinho do Anúncio (02:26)
12 Santo e Senha (03:07)
13 Prelúdio para el Año 3001 (04:18)
14 Viagem (02:51)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Доп. информация: http://www.misia-online.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2019-11-19 10:34:30
--------------------------------------------------------------------------------
Analyzed: Mísia / Pura Vida (Banda Sonora)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.10 dB -16.57 dB 4:32 01-Rosa Negra no Meu Peito II
DR8 -0.10 dB -11.92 dB 4:27 02-Ouso Dizer
DR9 -0.10 dB -13.14 dB 3:25 03-Corazón y Hueso
DR8 -0.10 dB -11.41 dB 3:35 04-Os Homens Que Eu Amei
DR9 -0.10 dB -13.11 dB 3:38 05-Lágrima
DR7 -0.10 dB -10.12 dB 4:30 06-Ausência
DR8 -0.10 dB -11.18 dB 3:52 07-Fado dos 2 Pardais
DR9 -0.10 dB -13.34 dB 4:04 08-Escrevo na Pele
DR7 -0.10 dB -10.56 dB 3:38 09-Destino
DR11 -0.10 dB -12.90 dB 3:23 10-Pásion
DR5 -0.10 dB -8.77 dB 2:26 11-Fadinho do Anúncio
DR8 -0.10 dB -11.77 dB 3:07 12-Santo e Senha
DR7 -0.10 dB -9.34 dB 4:18 13-Prelúdio para el Año 3001
DR7 -0.10 dB -11.28 dB 2:51 14-Viagem
--------------------------------------------------------------------------------
Number of tracks: 14
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1485 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
Мизия
Мизия (род. 18 июня 1955, Порту) – португальская певица, исполнительница фаду. Отец – португалец, мать – каталонка. Первый альбом выпустила в 1991 г. В своём творчестве Мизия соединяет традиции фаду, идущие от Амалии Родригиш, с новыми для фаду инструментами (аккордеон, скрипка, фортепиано, контрабас), обращаясь, при этом, к текстам лучших португальских поэтов (Фернандо Пессоа, Мариу де Са-Карнейру, Антониу Ботту, Жозе Сарамаго, Вашку Граса Моура, Роза Лобату де Фариа, Наталия Коррейя, Агуштина Беса-Луиш, Лидия Жоржи, Антониу Лобу Антунеш). Выступала с такими певицами, как Мария Бетания, Уте Лемпер, Анжелика Ионатос, пианисткой Марией Жуан Пиреш, сотрудничала с актерами Марией де Медейруш, Кармен Маура, Фанни Ардан, Изабель Юппер, Аньес Жауи, Мирандой Ричардсон, художниками Арманом, Гилбертом и Джорджем, фотографом Софи Калль и др. Участвовала в фильме Джона Туртурро «Страсть» (2010) и еще нескольких фильмах. В октябре 2015 года она выпустила двойной диск Para Amália – альбом-трибьют легендарной королеве фаду Амалии Родригиш, записанный годом ранее к 15-летию со дня кончины великой фадишты. В 2019-ом выпустила саундтрек к фильму Pura Vida («Чистая жизнь»). Награждена рядом премий и наград, среди прочего – Премия немецкой критики (2003), Большая вермелевая медаль Парижа (2004), Португальский Орден Заслуг (2005), Премия Джильда (Италия, 2011). https://ru.wikipedia.org/wiki/Мизия_(певица)
Об исполнительнице (англ.) | About Artist (en)
Mísia
Mísia (born Susana Maria Alfonso de Aguiar, in 1955 in Porto, Portugal) is a Portuguese fado singer. Mísia is a polyglot. Despite singing mostly fado, she has sung some of her themes in Spanish, French, Catalan, English, and even Japanese.
Mísia's mother was Catalan and used to be a cabaret dancer, which accounts for many of the influences that shaped her music: tango, bolero, the use of Portuguese guitar with accordion, violin and the piano.
Throughout her career, Mísia developed a new style: she modernized Amália Rodrigues's fado, shocking orthodox audiences by adding to the traditional instruments (bass guitar, classical guitar and Portuguese guitar) the sensuality of the accordion and the violin, and borrowing their finest verses from the greatest Portuguese poets.
Her first album was released in 1990, at a time when, even at home in Portugal, fado was a poor career choice for a singer. With the exception of Amália Rodrigues and Carlos do Carmo, there was no audience for "fadistas". Nevertheless, Mísia went on to record an album respecting all the traditional features of the genre, including poems from popular fado songwriters, such as Joaquim Frederico de Brito or José Niza, alongside poems by famous Portuguese poets, such as José Carlos Ary dos Santos, and even a piece from Vinicius de Moraes's song, "Samba em Prelúdio".
The album bore her name, "Mísia", and was very well received by both audience and critics outside Portugal, mainly in France. The album was followed by "Fado" in 1993, in which she maintained her decision to use lyrics by popular writers and poets. This time she sang songs by Sérgio Godinho ("Liberdades Poeticas"), Amália Rodrigues ("Lágrima"), along with poems from António Lobo Antunes ("Nasci Para Morrer Contigo"), Rosa Lobato de Faria ("Fado Quimera" and "Velhos Amantes" based on a song by Jacques Brel) and even a text by future Nobel prize winner José Saramago ("Fado Adivinha").
In 1995, she recorded "Tanto Menos Tanto Mais" (Means "Less Is More"), which combines the texture of classical fado instruments, the Portuguese guitar, the acoustic guitar and the bass, with that of the violin, the accordion, the piano and even the harp. Once more, she sang António Lobo Antunes, but also Fernando Pessoa and João Monge, one of the most appreciated Portuguese lyrics-writer.
The first album to be released in the USA was "Garras dos Sentidos" ("Claws Of The Senses") in 1998. The concept of this album was to use lyrics by famous Portuguese poets with melodies belonging to Traditional Fado (where the melody is not bound to specific lyrics). This way, Mísia not only sang text by past poets like Fernando Pessoa, Mário de Sá Carneiro, Natália Correia or António Botto but also contemporary poets like José Saramago and Mário Cláudio, and she also invited two writers to write poems for the album, Agustina Bessa-Luís, who wrote the lyrics for the titletrack, and Lídia Jorge, whose main poem, Fado Do Retorno is sung in two versions: track 4 with piano, accordion, violin and double bass, and track 11 with Portuguese guitar, acoustic guitar, bassa, double bass, violin and accordion.
Her 1999 album, "Paixões Diagonais" ("Diagonal Passions") again used songs from a variety of writers, from João Monge, Amélia Muge, Antonio dos Santos or Vitorino Salomé, to Rosa Lobato de Faria or Sérgio Godinho.
In 2001, she decided to pay a tribute to Amália Rodrigues, after the latter's death, and recorded "Ritual", where all the songs (except the last one) were recorded as traditional three-instrument fados.
Her 2003 album, Canto, may be considered as her masterpiece. Mixing pieces of the best works of the Portuguese guitarist Carlos Paredes with poems by Vasco Graça Moura (and lyrics by Sérgio Godinho and Pedro Tamen), Mísia created a musical work she would describe as belonging to her "gallery of impossible things".
In her 2005 Album Drama Box, Mísia depicts herself as a cabaret dancer living in the "Drama Box Hotel" with her musicians.
In her 2009 album, Ruas (streets) Mísia goes beyond the boundaries of the fado. The first part of the double album, "Lisboarium" is an imaginary journey through Lisbon, expressed in fado. The second part, "Tourists", however, contains performances by Mísia of very different kinds of music. It includes music in Turkish, Spanish, English and French. The concept is non-fado music that according to Mísia has the "fado soul". An example of this is her version of "Hurt", originally by Nine Inch Nails but inspired by the version by Johnny Cash. https://en.wikipedia.org/wiki/Mísia
Об альбоме (англ.) | About Album (en)
Mísia / Pura Vida
After living for two years that – for the worst reasons – represented an essential learning process of decisive importance, I am still the same albeit different. In fact, everything has changed. Especially my work, which is me – there are no borders.
Here is the soundtrack of that period in which there is heaven and hell, harshness and passion, Fados of bitter longing, songs of heart and bone, black roses, absence, tears and rebirth. The musics of Pura Vida (soundtrack) are pure music, pure musical notes completely free of rules because I do not need anymore to belong to any genre or tribe after what I have experienced.
I cannot nor do I want to render this banal. I do not think Fado is happy or sad, it is Life, Fate. Only a music with this nobility allows us to uses its most symbolic melodies the way painters use primary colours to express everything their souls need to say.
That is why I say that this album includes fado musics but it is not an album of Fado. Pura Vida (soundtrack) is full of gaps, rough edges and sometimes a little “silk, velvet and wool”. The Portuguese guitar is Heaven and the electric guitar Hell. The feeling of tragedy is conveyed in this work through the electric guitar.
It is not a question of being “pop or modern”, on the contrary. I dare to say that there is a cinematographic beauty in Fabrizio Romano’s arrangements. It is not an album to anaesthetise the public. It is an album that seeks the “other”, an echo of that fragility and inability that we have all felt. The mystical Rumi said that the wound is the place through which light enters.
In this case you are being asked to hear the difference. The beauty, strength and humility that a “calvario” can offer us . The anxiety of a possible path through the words of Miguel Torga, Tiago Torres da Silva and Vasco Graça Moura, among others.
And finally, the wish to live and sing without being afraid to show your scars.
Mísia, Fevereiro 2019 https://www.galileomusic.de/artikel/21103/Mísia_Pura_Vida_Banda_Sonora
Состав | Artists
Mísia, vocal
Luís Cunha, violin (Tracks Nr 4, 6, 8, 9, 10, 11, 12, 13, 14)
Filipe Felizardo, guitar (Tracks Nr 12, 14)
Paulo Gaspar, bass clarinet (Tracks Nr 1, 4, 6, 9, 10, 11, 13, 14)
Luís Guerreiro, portuguese guitar (Tracks Nr 2, 3, 4, 6, 9, 11, 12, 14)
Walter Hidalgo, bandoneon (Tracks Nr 3, 8, 10, 13)
Cláudio Romano, guitar (Tracks Nr 2, 6, 10)
Fabrizio Romano, piano (Tracks Nr 3, 4, 6, 7, 8, 9, 10, 11, 12, 13, 14)
Pedro Santos, accordion (Tracks Nr 8, 13)
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发表于 2020-9-23 06:02:33
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