Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: world fusion, trip-hop, electronic, tunisian
Издатель (лейбл): Partisan Records
Продолжительность: 00:45:14
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): qobuz
Треклист:
01 Rescuer
02 Footsteps
03 Womb
04 Wakers Of The Wind
05 Merrouh
06 This Place
07 A Quiet Home
08 Ana Wayek
09 Does Anybody Sleep
10 Everywhere We Looked Was Burning
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Доп. информация: https://emelmathlouthi.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2019-09-30 21:42:02
--------------------------------------------------------------------------------
Analyzed: Emel Mathlouthi / Everywhere We Looked Was Burning
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR5 0.00 dB -6.79 dB 5:09 01-Rescuer
DR5 0.00 dB -9.43 dB 3:31 02-Footsteps
DR7 0.00 dB -9.31 dB 4:56 03-Womb
DR5 -0.04 dB -9.15 dB 4:11 04-Wakers of the Wind
DR6 0.00 dB -8.79 dB 4:17 05-Merrouh
DR7 -0.13 dB -8.54 dB 5:05 06-This Place
DR6 -0.01 dB -9.99 dB 4:45 07-A Quiet Home
DR6 -0.09 dB -8.10 dB 3:58 08-Ana Wayek
DR7 0.00 dB -9.67 dB 4:50 09-Does Anybody Sleep
DR7 -0.26 dB -11.18 dB 4:36 10-Everywhere We Looked Was Burning
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR6
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1465 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
Эмель Матлути: голос арабской весныИсточник: арт-дайджест «Солонеба»
Автора песен и композитора, певицу и гитаристку, завораживающую красотой и голосом ближневосточную диву Эмель Матлути называют «голосом арабской весны». Воспитанная в условиях репрессивного режима в Тунисе, в своем творчестве она выступает против ущемления прав и свобод человека. В 2012 году Эмель выпустила альбом Kelmti Horra («Моё слово свободно»). Он в одночасье получил известность после того, как заглавный трек с этого диска стал гимном протестующих, вышедших на улицы Туниса и Египта во время уличных акций протеста. Музыка Матлути была, в конечном счете, запрещена на тунисских и египетских радиостанциях, но принесла ей титул «голоса арабской весны». «Мы свободные люди, – говорилось в тексте песни, – которые не боятся, мы секреты, которые никогда не умирают, мы голоса тех, кто сопротивляется…»
C 2007 года Эмель Матлути жила во Франции, где стала резидентом Международного парижского центра искусства Cité internationale des arts. В 2014-ом певица переехала в Нью-Йорк, где проживает в настоящий момент вместе с мужем и дочерью. В 2015 году комитет Нобелевской премии мира пригласил Эмель выступить на вручении этой награды в Осло. Премия досталась Квартету национального диалога Туниса за демократизацию страны после революции.
Следующий альбом тунисской исполнительницы вышел 24 февраля 2017 года на лейбле Partisan Records, с которым певица незадолго до этого подписала контракт. Запись альбома под названием Ensen («Человек») проходила в семи странах и на двух континентах. Над ним работали четыре разных продюсера, включая Валгера Сигурдссона, известного по работе с Sigur Rós и Bjork.
Новый альбом Эмель Everywhere We Looked Was Burning («Везде, куда мы ни смотрели, всё полыхало»), который увидел свет в сентябре 2019 года на Partisan Records, является самым сложным и экспериментальным проектом на сегодняшний день. Это также ее первая большая студийная работа, в которой наряду с треками на арабском представлены песни, исполняемые на английском языке. Будучи необычайно одаренной, Эмель Матлути не только демонстрирует выдающиеся вокальные данные, но и незаурядный композиторский и поэтический талант, а также отличную технику игры на гитаре. Ее музыка – это невероятный коктейль из ориентальных напевов, фламенко, цыганских песен, кельтских мелодий, включая горючую смесь из революционных гимнов, рока, «тёмной» электроники и трип-хопа. http://soloneba.com/emel-mathlouthi/
Об исполнительнице (англ.) | About Artist (en)
Emel MathlouthiEmel Mathlouthi (Arabic: آمال المثلوثي) also known as Emel is a Tunisian singer-songwriter best known for her protest song "Kelmti Horra" ("My Word is Free"), which became an anthem for the Tunisian revolution and the Arab spring . Her first studio album, also titled Kelmti Horra, was released worldwide by Harmonia Mundi in 2012 to critical acclaim. Her second album, "Ensen", was released by Partisan Records in 2017, also to considerable acclaim. In 2015 she performed at the Nobel Peace Prize Ceremony. Emel was titled as Voice of Tunisian Revolution due to her song Kelmti Horra.
Emel Mathlouthi started singing and acting since she was 8 years old in a suburb of her hometown Tunis. She wrote her first song when she was 10 years old. She discovered her strong vocal capacities when she was 15, encouraged by her entourage and inspired by great pop singers of the 90's. She found a strong refuge in heavy metal a bit later and gothic music and formed her first metal band at a university in Tunis when she was 19. A few years later deeply moved by the voice and ideas of Joan Baez after her bandmate played "The boxer" for her, she quit the band and began writing political songs,discovering her big frustration by the lack of opportunities and the apathy of her compatriots such as "Ya Tounes Ya Meskina" ("Poor Tunisia"). In 2006 she was a finalist in the Prix RMC Moyen-Orient Musique competition. She decided to move to Paris, France, in 2008 when the Tunisian government banned her songs from radio and TV. Although banned from Tunisian airwaves, bootlegs of her live performances in France circulated on the internet in Tunisia. After the death of Mohamed Bouazizi she dedicated an Arabic version of the Joan Baez song "Here's To You" to him.
She was recorded on the Avenue Habib Bourguiba singing "Kelmti Horra" to protesters and it became a viral video. She has given concerts in Egypt and Iraq, and performed in Canada at the Vancouver Folk Music Festival and the Festival du Monde Arabe de Montréal.
At the beginning of July 2012, she gave a groundbreaking concert in Baghdad, Iraq. On July 28 she gave a concert at the Sfinks Festival in Belgium, where she received a standing ovation for her cover of the Leonard Cohen song "Hallelujah". In 2013, after her first concert in Cairo since the revolution, Ahram Online described her as "The Fairuz of her generation". She opened for Dead Can Dance in the festival Les nuits de Fourvière in Lyon and performed at the WOMAD Festival at Charlton Parkin the UK. Israeli authorities refused to let her enter Ramallah to perform, so she sang in front of a camera in Jordan. The small show was broadcast to the Palestinian audience in a theater in Ramallah.
In 2015 she was invited to perform at both the Nobel Peace Prize Ceremony and The Nobel Peace Prize Concert along with A-ha and Aurora, where she performed two renditions of her song "Kelmti Horra," one accompanied only by a guitarist, Karim Attoumane, and the other with a full orchestra and chorus. The concert was hosted by Jay Leno, who praised her in the concert press conference as being the first Arabic-language singer to catch his attention.
In 2017 she performed returned to Tunisia for her first concert there in five years, headlining the prestigious Carthage Festival. That summer she also performed at the Beitaddine Festival in Lebanon, and the SummerStage festival in Central Park, New York City. https://en.wikipedia.org/wiki/Emel_Mathlouthi
Об альбоме (англ.) | About Album (en)
Emel Mathlouthi - Everywhere We Looked Was Burning
The new album from Emel is out now! Everywhere We Looked Was Burning is her first album sung almost entirely in English. Emel's breathtaking voice is, as always, at the heart of the music, and her lyrics touch on everything from tributes to nature, the truth, creation, destruction, and rebirth.
Everywhere We Looked Was Burning was recorded in the Catskill Mountains, London, and France. It was co-produced by Steve Moore (Zombi) and Ryan Seaton, and was mixed by Chris Tabron (Beyoncé, Common, the Strokes) and Marta Salogni (the xx, Björk, Frank Ocean). The origins of the album took root in Woodstock, where Mathlouthi rented a house to “write about nature as well as the beauty and struggle of these times.” https://partisanrecords.com/moment/emel_everywhere
Tunisian-born/New York-based experimental singer Emel Mathlouthi has announced the release of her new album Everywhere We Looked Was Burning, out September 27 via Partisan Records.
To mark the announcement, Emel has revealed her powerful new single and video “Rescuer” (dir. by Alessandra Leone). “The world needs rescuing, right?” Emel asks. “We need to rescue our senses because they’ve been hurt. They keep us from being completely evil. They let us awaken by poetry and art. They connect us to each other and make sense of our purpose. This song is like dawn where you can start seeing the first rays of light. It’s a moment to revive power.”
“Rescuer” is the second single to be taken from the album, following the release of “Footsteps” in March. For the first time, Emel sings almost entirely in English after previously only recording a handful of tracks in the language. The choice was informed by settling in New York with her family, discovering the “essential imagery” of poets Rainer Maria Rilke, T.S. Elliot, and John Ashbury, and “thinking back to how music in English was so important to me growing up.” She initially rented a house in Woodstock, NY and set off to “write about nature as well as the beauty and struggle of these times.”
While Upstate, she ventured into the world around her and spent hours recording the woods, wind, water, and fire. In the studio, she matched this earthly choir with homemade synths, keys and percussions. With a general framework in place, she joined producers Steve Moore [Zombi] and Ryan Seaton in the Catskill Mountains to record. Sessions followed with regular collaborators Ash Koosha in London, Karim Attoumane and Amine Metani in France as the music crystallized throughout 2018 and 2019. Chris Tabron (Beyoncé, Nicki Minaj, The Strokes) and Marta Salogni (Björk, M.I.A., Liars) were brought in to mix.”
Other album highlights include the vulnerable yet vital “Womb,” which welcomes a tender embrace after jagged cinematic orchestration and resonant piano. “As a mother, I have a responsibility to tell the truth as I show some kind of utopia to my kid,” she explains. “It’s a sci-fi scenario where this element brings strange harmony into the universe. I want to build a path for my children to fulfill their dreams.”
The album culminates with a rebirth in flames on the title track and closer “Everywhere We Looked Was Burning.” “After lava, you see those little green plants,” she says. “The music is not only about the bad things happening. There has to be something positive in the aftermath.” In the end, Emel realizes her own power for change.
Emel’s last album Ensen in 2017 was produced with Valgeir Sigurðson (Sigur Ros, Feist, Bjork), and earned profiles with NPR Music, Pitchfork, The Fader, The Guardian, Brooklyn Magazine, Nowness, WNYC + lots more. She was also recently featured in NPR Music’s ‘200 Best Songs By 21st Century Women’ feature.
Emel rose to fame after a video of her performing her song “Kelmti Horra (My Word is Free)” generated millions of views throughout the 2011 Tunisian Revolution. That song served as the anthem for the Arab Spring, gave its name to her debut album ‘Kelmti Horra’, and took her to the 2015 Nobel Peace Prize Concert where she performed it to thunderous applause. https://circuitsweet.co.uk/2019/06/emel-mathlouthi-new-album-everywhere-we-looked...t-eu-tour-dates/
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发表于 2020-9-23 06:05:10
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