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[电子音乐] (Breakbeat, Leftfield, Breaks, Big Beat) [LP] [1/5.6] Prodigy ‎– The F

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发表于 2020-9-23 13:49:02 | 显示全部楼层 |阅读模式
Жанр: Breakbeat, Leftfield, Breaks, Big Beat
Носитель: LP
Год выпуска: 1997 (2012)
Лейбл: XL Recordings ‎– XLLP 121
Страна-производитель: UK
Аудио кодек: DSD 128
Тип рипа: tracks
Формат записи: 1/5.6
Формат раздачи: 1/5.6
Продолжительность: 00:56:28
Треклист:
A1 Smack My Bitch Up 5:43
A2 Breathe 5:35
B1 Diesel Power 4:18
B2 Funky Shit 5:16
C1 Serial Thrilla 5:11
C2 Mindfields 5:40
C3 Narayan 7:07 (трек начинается последним на С и продолждается на Д перед Поджигателем)
D1 Firestarter 6:43
D2 Climbatize 6:38
D3 Fuel My Fire 4:19
Источник оцифровки: автором раздачи
Код класса состояния винила: Mint
Устройство воспроизведения: Pro-Ject DEBUT CARBON RecordMaster HiRes
Головка звукоснимателя: Ortofon 2M Bronze
Предварительный усилитель: встроенный фонокорректор
АЦП: Asahi Kasei Microdevices AK5552VN
Программа-оцифровщик: VisualStudio 9.0.9
Обработка: нет
Спектр









АЧХ









Уровень записи









Credits
Art Direction – Alex Jenkins, Liam Howlett
Design – Alex Jenkins
Illustration [Band] – Jake (31)
Management [For Midi Management] – Mike Champion
Mastered By – Mike's*
Photography By [Ant] – Terry Whittaker
Photography By [Band And Train] – Pat Pope
Photography By [Front Cover - Silvestris/Courtesy Of FLPA-Images Of Nature] – Konrad Wothe
Photography By [Inner Bag Band Shot] – Lou Smith
Photography By [Live Shots] – Alex Scaglia, Christian Ammann, Pat Pope
Photography By [Truck And Background] – Alex Jenkins
Producer, Mixed By – L. Howlett*

Комментарии по данному репрессу с Дискорга
Confederate December 29, 2017
This is without any doubt one of the best sounding vinyl releases I have heard in my life. The sound is just PERFECT on this release. This sounds so much better than the CD. The Music for the Jilted Generation vinyl release sounds great, too, but this album is 22 minutes shorter than Music for the Jilted Generation so there is much more space for each song on each side and you can really hear it !!! If anyone thinks CD is better than vinyl then he must listen to this release !!! You can get this release almost anywhere and it is so easy to find. Buy it. Buy it. Buy it. I love electronic music and this album has not lost any of its freshness ever since it was released twenty years ago.
alphagrade July 3, 2017
No idea what pressing I've just picked up advertised as an original pressing, mine has (Side D): XLLP 121 D¹ I DAMONT MIKE'S - THE EXCHANGE 3 !! Sounds great though, timeless album.
cooked71 May 18, 2017
Yeah, great pressing. Absolutely no surface noise at all .
plucker September 26, 2015
How can one tell the difference between this 2012 repress from the original 1997 press (http://www.discogs.com/Prodigy-The-Fat-Of-The-Land/release/26194)? According to the Discogs pages, these 2 presses have identical barcodes and matrix runouts??? Anyone know how to distinguish between the two pressings?
Very nice and good sounding repress !

Информация о прессе
Доп. информация: A1 published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL Recordings Ltd.
A2 published by EMI Virgin Music Ltd/EMI Music Ltd/MCA Music. ℗ 1996 XL Recordings Ltd.
B1 published by EMI Virgin Music Ltd/Momentum Music Ltd. ℗ 1997 XL Recordings Ltd.
B2 published by EMI Virgin Music Ltd/Polygram Music. ℗ 1997 XL Recordings Ltd.
C1 published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL Recordings Ltd.
C2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
C3 published by EMI Virgin Music Ltd/Hit And Run Publishing Ltd. Crispian Mills appears courtesy of of Columbia Records Ltd. ℗ 1997 XL Recordings Ltd.
D1 published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL Recordings Ltd.
D2 published by EMI Virgin Music Ltd. ℗ 1997 XL Recordings Ltd.
D3 published in the USA: By Drop Trou Tunes. Administered by Zomba Songs Inc. (BMI)/Shock Music Publishing Australia. Rest of the world: By Zomba Music Publishers Ltd/Shock Music Publishing Australia. ℗ 1997 XL Recordings Ltd. Saffron appears courtesy of Deconstruction/BMG Entertainment International UK and Ireland Ltd.
Produced & mixed at Earthbound.
Vocals on A1, A2, C3 and D1 recorded at Strongroom.
A1 contains portions of "Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled "Critical Beatdown" used courtesy of Next Plateau Records.
B2 excerpts from "Root Down" used under license from Capitol Records. A division of Capitol Records Inc. Sample from "2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from "Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc.. Published by EMI Gold Horizon Music.
C1 "Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Inc.
D1 sample of Breeders "SOS" courtesy of 4AD/Elektra (by arrangement with Warner Special Products). "Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.
D2 contains portion of "Horn Track" by Egyptian Empire/Tim Taylor courtesy of London Records and published by Northcott Music administered by International Music Network.
This Album: ℗ XL Recordings Ltd 1997 © XL Recordings Ltd 1997.
Made in England.
"Fuel My Fire" originally performed by L7.
Track durations of C3 and D1 are different to the CD version, because the last 2 minutes of "Narayan" on the CD are the first 2 minutes of "Firestarter" on the LP version. The audio content is exactly the same.
                                                       
                       
                       
                       
                       
                       
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