Erich Kunzel & The Cincinnati Pops Orchestra - Mega Movies
Жанр: Soundtrack
Годы записи материала: 2000
Год выпуска диска: 2006
Производитель диска: Telarc SACD-60535
Аудио кодек: DST 2.0, 5.1
Тип рипа: image (ISO)
Битрейт аудио: 5645 kbps, 16934 kbps
Продолжительность: 73:49
Наличие сканов в содержимом раздачи: да
Источник (релизер):
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper v0.21
Дополнительно: http://www.amazon.com/dp/B000JMKJGE
Треклист:
1. The Mummy – The Sand Volcano 04:13
2. Don't Mess With Z (Sfx) 00:16
3. The Mask Of Zorro – Main Title 04:22
4. Air Force One – Main Title / The Parachutes 04:44
5. Chopper Flyby (Sfx) 00:13
6. The Rock – End Title 04:59
7. Contact – End Credits 04:02
8. Mighty Joe Young – Dedication And Windsong 05:35
9. Day At The Races (Sfx) 01:07
10. Star Wars: The Phantom Menace – Main Title / The Flag Parade 04:59
11. L.A. Confidential – Badge Of Honor / L.A. Confidential 02:32
12. The Prince Of Egypt – When You Believe 05:24
13. What's That Hum? (Sfx) 00:45
14. The X-Files – Threnody In X 03:04
15. A Bug's Life – The Time Of Your Life 04:11
16. Elizabeth – Main Title 05:37
17. A Stroll In New York City (Sfx) 01:37
18. Godzilla – Main Title 03:20
19. Shakespeare In Love – Main Title 03:30
20. Iceberg! (Sfx) 00:42
21. Titanic – Back To Titanic 04:59
22. Armageddon – Main Title 03:38Mega Movies is compilation of soundtracks performed by Erich Kunzel & The Cincinnati Pop Orchestra and released by Telarc in 2000.
All Music Review
In the main, this is a collection of film music resembling others by Erich Kunzel and the indefatigable Cincinnati Pops, featuring short excerpts from film scores like those to Star Wars: The Phantom Menace, The Rock, Godzilla, and Titanic. Kunzel’s performances are brisk, a bit subdued compared to those in the original films, technically faultless, and carefully consistent. Anyone who has enjoyed other Kunzel discs will enjoy this one, but this is a film-music disc with a difference: there are five tracks of sound effects included. These are quite short, but they’re well worth hearing. For one thing, they’ll give a full workout even to stereo equipment costing thousands of dollars. The booklet contains various disingenuous warnings about not turning up the volume too high while playing these, but they are in no way oversold. What’s remarkable about them is that for the most part they don’t rely on synthetic sound synthesis. The bee attack in The X-Files: The Movie was recorded by engineer Michael Bishop in a field, with six microphones placed at the entrances of a beehive. It’s uncanny. This may be the only audiophile album in existence whose credits thank a beekeepers’ association. The sound, auditioned on a good conventional stereo, is the main attraction here, and those with the equipment to take full advantage of the glories only hinted out by mere mortals among sound reproduction systems ought to be fully satisfied.