Формат записи/Источник записи: [TR24][DVDA]
Наличие водяных знаков: Нет
Издание: Reissue
Год издания/переиздания диска: 1980/2003
Жанр: Jazz
Издатель (лейбл): Coast Records
Продолжительность: 00:40:08
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 – I’m Afraid The Masquerade Is Over 04:06
02 – You Call It Madness (But I Call It Love) 03:52
03 – Blues For Junior 05:13
04 – Sweet Georgia Brown 05:17
05 – I Want To Be Happy 02:36
06 – Put Your Little Foot Right Out 05:57
07 – Captain Bill 03:08
08 – To Each His Own 05:15
09 – Sister Sadie 04:04
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: LPCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-01-13 15:36:15
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Analyzed: Monty Alexander / Trio
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DR Peak RMS Duration Track
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DR12 -0.66 dB -16.01 dB 4:10 01-I'm Afraid the Masquerade Is Over
DR12 -2.56 dB -18.62 dB 3:58 02-You Call It Madness (But I Call It Love)
DR12 -1.35 dB -16.70 dB 5:20 03-Blues for Junior
DR13 -0.98 dB -16.18 dB 5:21 04-Sweet Georgia Brown
DR12 -1.18 dB -15.30 dB 2:42 05-I Want to Be Happy
DR13 -1.30 dB -19.00 dB 6:03 06-Put Your Little Foot Right Out
DR12 -1.20 dB -16.78 dB 3:14 07-Captain Bill
DR13 -2.12 dB -18.28 dB 5:21 08-To Each His Own
DR12 -0.85 dB -15.66 dB 4:08 09-Sister Sadie
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Number of tracks: 9
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2600 kbps
Codec: FLAC
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Об альбоме (сборнике)
"It would be an over-simplification to characterize the group you are about to hear (or are perhaps now hearing) simply as the old Oscar Peterson Trio with Monty Alexander replacing the leader," writes Leonard Feather in his liner notes to this album, after acknowledging that both bassist Ray Brown and guitarist Herb Ellis used to be part of the Peterson group. He's right, of course, but it also would be incorrect to say there isn't at least a feel of that earlier drum-less ensemble in this one. The chief difference, of course, is that the Jamaica-born Alexander is not Peterson; although less of his rhythmic flair is on display here than on other dates, he has his own personality, and it is far showier than Peterson's. A second major difference is that Peterson was the leader of his trio and, as Feather also points out, "this is essentially a three-way partnership" in which each member gets to contribute more or less equally. The selections are a mixture of standards, most of them typical jazz springboards (though the 1940s pop hit "To Each His Own" seems to be new to the medium) with a Brown original and showcase, "Blues for Junior," and another original, "Captain Bill," that contains associations with Count Basie. Whether playing fast or slow, the three musicians interact well together, the younger Alexander holding his own with his veteran partners.