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[专辑] [欧美摇滚]前卫硬摇:Frank Zappa《Joe's Camouflage》2014/FLAC/百度

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发表于 2020-1-11 15:21:12 | 显示全部楼层 |阅读模式


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Frank Zappa - Joe's Camouflage  (2014) [FLAC]
  Genre: Pop/Rock
  Styles: Progressive Rock, Hard Rock
  Source: CD (log + cue)
  Codec: FLAC
  Bitrate: ~ 1,000 kbps
  Bit Depth: 16
  Sampling Rate: 44,100 Hz
  01 Phyniox (Take 1)
  02 TΓ??Mershi Duween
  03 Reeny Ra
  04 Who Do You Think You Are
  05 Slack 'Em All Down
  06 Honey, DonΓ??t You Want a Man Like Me?
  07 The Illinois Enema Bandit
  08 Sleep Dirt - In Rehearsal
  09 Black Napkins
  10 Take Your Clothes Off When You Dance
  11 Denny & Froggy Relate
  12 Choose Your Foot
  13 Any Downers?
  14 Phyniox (Take 2)
  15 I Heard A Note!
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地区:United States of America 美国风格:前卫爵士 Progressive Jazz, 融合爵士 Jazz Fusion, 爵士摇滚 Jazz Rock, 前卫摇滚 Progressive Rock, 实验摇滚 Experimental Rock, 硬摇滚 Hard Rock, 喜剧摇滚 Comedy Rock, 实验音乐 Experimental, 迷幻摇滚 Psychedelic RockFrank Zappa原名Francis Vincent Zappa Jr.1940年生于巴尔地摩,是美国六十年代摇滚乐发展史上的先锋人物之一。1960年出版了第一张唱片,不过是为一部电影做的插曲。随后他又为电影配乐使得他有钱自己买了一间录音棚。1964年他和与他公事的乐手组成了一支乐队“Mothers”。1966年乐队推出了双专辑《Freak Out!》。体现了乐队“嬉皮“的风格,也使人们对他们有了更深的印象。再这张专辑中,Zappa在录音方面比同时期的其他乐手到要先进。1966年出版专辑《Absoulately Free》和1967年出版专辑《We’re only in it for the money》。1969年Zappa出版了个人专辑《Hot Rats》。这张专辑使他获得了“出色的爵士摇滚音乐家的”的称号。在此后的多张专辑中他尝试了多样的主题和手法,使专辑呈现出不同的特色。1968年他与他的经理人组建了自己唱片公司,并推出一些亲手提拔的一些乐队。在此后推出了一些个人专辑如1975年的《Bongo Fury》,1978的《Zappa in New》。此后,Zappa解除了同公司的合同并建立了自己的公司Zappa。1979年推出了经典作品《Joe’s Garage Act 1》,《Joe’s Garage Act 2,3》。到了八十年代他几乎每年都出一张专辑。并写了一部音乐剧和一部卡通片。虽然也有失败的地方但他依然被公认为是一位摇滚大师。1991年Zappa被查处患有癌症,但他依然不停的出专辑直到他1993年12月去世。

  Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. His disparate influences included doo wop music and avant-garde classical music; although he led groups that could be called rock & roll bands for much of his career, he used them to create a hybrid style that bordered on jazz and complicated, modern serious music, sometimes inducing orchestras to play along. As if his music were not challenging enough, he overlay it with highly satirical and sometimes abstractly humorous lyrics and song titles that marked him as coming out of a provocative literary tradition that included Beat poets like Allen Ginsberg and edgy comedians like Lenny Bruce. Nominally, he was a popular musician, but his recordings rarely earned significant airplay or sales, yet he was able to gain control of his recorded work and issue it successfully through his own labels while also touring internationally, in part because of the respect he earned from a dedicated cult of fans and many serious musicians, and also because he was an articulate spokesman who promoted himself into a media star through extensive interviews he considered to be a part of his creative effort just like his music. The Mothers of Invention, the '60s group he led, often seemed to offer a parody of popular music and the counterculture (although he affected long hair and jeans, Zappa was openly scornful of hippies and drug use). By the '80s, he was testifying before Congress in opposition to censorship (and editing his testimony into one of his albums). But these comic and serious sides were complementary, not contradictory. In statement and in practice, Zappa was an iconoclastic defender of the freest possible expression of ideas. And most of all, he was a composer far more ambitious than any other rock musician of his time and most classical musicians, as well.
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