Official DR value
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Analyzed folder: /Wallenstein - Blitzkrieg (LP)
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DR Peak RMS Filename
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DR11 -0.23 dB -12.64 dB 01 Wallenstein - LADO 1- Lunetic.wav
DR11 -0.50 dB -14.39 dB 02 Wallenstein - The Theme.wav
DR11 -0.07 dB -13.86 dB 03 Wallenstein - LADO 2- Manhatten Project.wav
DR12 -0.48 dB -16.38 dB 04 Wallenstein - Audiences.wav
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Number of files: 4
Official DR value: DR11
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Доп. информация
Track A1 recorded Sept. 1971
Track A2 and B1 recorded Dec. 1971
Track B2 recorded 1971
Made in the E.E.C.
Barcode and Other Identifiers
Barcode: 090204639939
Matrix / Runout (A-side, etched): 115364 A1 JP
Matrix / Runout (B-side, etched): 115364 B1 JP
Rights Society: Austromechana
Rights Society: BIEM / AUME
Label Code: LC 02641
Credits
- Bill Barone / Gibson 335 guitars, acoustic guitar, vocals
- Jerry Berkers / bass, lead vocals
- Jurgen Dollase / keyboards, Mellotron, lead vocals, words
- Harald Großkopf / drums, percussion
Companies etc
Phonographic Copyright (p) – ZYX Music
Copyright (c) – ZYX Music
Credits
Cover – GIL*
Performer [Phasing] – Dieter Dierks (tracks: A1)
Producer – Dieter Dierks, Wallenstein
Written-By – Dollase*
About
One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international group comprised of a Dutch bassist Berkers, an American guitarist Barone and fellow German drummer Grosskopf (big head), but clearly jurgen is the star of the show with his battery of keys, mainly piano, but harpsichord and mellotron, but surprisingly no organ.
Just four tracks on this corking red-hot album, all well above the 7-minutes, and not one weaker than the others. The 12-min instrumental Lunetic starts on harpsichord arpeggios, before the group is adopting a binary rhythm, until they break free of it and stroll on through constantly shifting patterns, with Barone pulling one or two solos over Dollasse's harpsichord. Less than halfway through the track, the track dies down, letting Dollasse (sole songwriter) slowly rebuild it back, but the man is taking his sweet time for our pure enchantment. What a performance, even if the track overstays its welcome by roughly one minute!! The 10-mins Theme is a no-less impressive slow starter, with Dollasse singing (3 minutes into the song) from behind his piano (but plays synth and mellotron as well), almost a one man show, but so well supported by Grosskopf's excellent drumming and Barone's discreet but efficient guitars. The track is a succession of seesaw moods that takes from exaltation to sadness to reflection inside the half-minute.
On the flipside, the 14-mins instrumental Manhattan Project is obviously the "piece de resistance" (main course) in the Wallenstein menu; whatever they managed so wall on the A-side is here multiplied by four, the group shrewdly tearing spine chills and tears of joy from you, as it moves through the constantly evolving web of moods they spin around your dizzied brains. Closing the album is the almost 8-mins Audiences, Dollasse's singing (lacking the perfection of The Theme's vocals) giving way to a mellotron and the band picking their usual tricks and twists.
A stunning debut symphonic prog album, one of Germany's very best, Blitzkrieg is a must-belong in every proghead's collection, for fear that it wouldn't be worth a penny without it. What a corker this album is!!
progarc
/1 
发表于 2020-9-24 11:02:16
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