Crosby & Nash - Another Stoney Evening
Жанр: Rock, Folk, World, & Country
Носитель: LP
Год выпуска: 1971(2011)
Лейбл: Blue Castle Records/BCR31221
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 37:29+38:13=1:15:13
Треклист:
A1 Anticipatory Crowd
A2 Deja Vu
A3 Wooden Ships
A4 Man In The Mirror
A5 Orleans
B1 I Used To Be A King
B2 Traction In The Rain
B3 Lee Shore
B4 Southbound Train
C1 Laughing
C2 Triad
C3 Where Will I Be?
C4 Strangers Room
D1 Immigration Man
D2 Guinevere
D3 Teach Your Children
D4 Exit Sounds
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
Код класса состояния винила: Mint
Устройство воспроизведения: Technics SL-1200MK2 Quartz
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Marantz 2252
АЦП: E-MU 0404:
Обработка: DeClick with iZotope RX4: Only Manual (Click per click)
Спектр
АЧХ
Уровень записи
Сэмпл
любой трек
DR12/12
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Analyzed folder: /Crosby-Nash - Another Stoney Evening (LP-1)
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DR Peak RMS Filename
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DR13 -7.03 dB -23.82 dB 01 Crosby-Nash - LADO 1- Anticipatory Crowd.wav
DR13 -0.12 dB -18.18 dB 02 Crosby-Nash - Deja Vu.wav
DR12 -1.29 dB -17.92 dB 03 Crosby-Nash - Wooden Ships.wav
DR12 -1.66 dB -17.32 dB 04 Crosby-Nash - Man In The Mirror.wav
DR13 -2.76 dB -20.09 dB 05 Crosby-Nash - Orleans.wav
DR11 -0.45 dB -14.89 dB 06 Crosby-Nash - LADO 2- I Used To Be A King.wav
DR13 -1.20 dB -19.58 dB 07 Crosby-Nash - Traction In The Rain.wav
DR13 -1.84 dB -20.16 dB 08 Crosby-Nash - Lee Shore.wav
DR13 -2.13 dB -18.37 dB 09 Crosby-Nash - Southbound Train.wav
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Number of files: 9
Official DR value: DR12
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Analyzed folder: /Crosby-Nash - Another Stoney Evening (LP-2)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -0.10 dB -17.09 dB 01 Crosby-Nash - LADO 3- Laughing.wav
DR13 -1.25 dB -19.70 dB 02 Crosby-Nash - Triad.wav
DR14 -0.79 dB -21.12 dB 03 Crosby-Nash - Where Will I Be?.wav
DR10 -0.12 dB -15.29 dB 04 Crosby-Nash - Strangers Room.wav
DR12 -0.12 dB -16.19 dB 05 Crosby-Nash - LADO 4- Immigration Man.wav
DR12 -0.91 dB -17.97 dB 06 Crosby-Nash - Guinevere.wav
DR12 -1.65 dB -16.82 dB 07 Crosby-Nash - Teach Your Children.wav
DR14 -23.72 dB -42.30 dB 08 Crosby-Nash - Exit Sounds.wav
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Number of files: 8
Official DR value: DR12
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Personel
Art Direction, Design – George Gruel, Will Nash
Executive Producer – Cree Clover Miller, Donald Miller
Layout – Brian Porizek
Liner Notes – Steve Silberman
Mastered By – Pete Lyman
Mixed By – Graham Nash, Stephen Barncard
Photography – Joel Bernstein, Robert Hammer
Producer – Stephen Barncard
Recorded By – Bill Halverson
Technician [Tape Archivist] – David Marchant, Keith Woods
Notes
Publishing:
David Crosby's songs are published by Stay Straight Music (BMI)
Graham Nash's songs are published by Sony/ATV Songs LLC
About
The Crosby-Nash subset of CSNY carried with it much of the charm and harmony of the larger group, and together and apart the two singers mined that appeal for several gold albums, especially in the first couple of years after the breakup of CSNY in 1970.
They even inspired bootleggers, who released Another Stoney Evening, drawn from one of their 1971 shows. Hence the title of this belated official release, drawn from a different show at the Dorothy Chandler Pavilion in Los Angeles on October 10. Working with acoustic guitars and piano, they sang some of their more popular CSNY songs ("Deja Vu," "Teach Your Children"), as well as tunes from their solo albums and songs that would turn up on their duo album the following year. Boasting of having "the loosest show on earth" and making cryptic drug references, they nevertheless sang and played well, overcoming with enthusiasm and craft the relative weaknesses of some of the material – Crosby's formlessness, Nash's preciousness. And the camaraderie they shared with each other and their audience even allowed them a certain imperiousness, such as when the drugged performers lectured the drugged audience on how to clap on the right beat.
allmusic.com