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[摇滚] (Progressive-Folk) [LP] [24/96] Los Jaivas - 2 LP - 1972, 1981, FLAC (tracks+.cu

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发表于 2020-9-24 11:18:02 | 显示全部楼层 |阅读模式
Los Jaivas - 2 LP
Жанр: Progressive-Folk
Носитель: LP
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 1:18:01
Код класса состояния винила: VG+/Mint
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
Los Jaivas - 1972 (Original Chile Press)
Год выпуска: 1972
Лейбл: IRT/ILS-120
Страна-производитель: CL (Чили)
Продолжительность: 40:22
Код класса состояния винила: VG+
Устройство воспроизведения: Marantz 6170
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Sansui 9090DB
АЦП: E-MU 0404
Обработка: DeClick with iZotope RX5: Only Manual (Click per click)
Треклист:
A1 Marcha Al Interior Del Espiritu
A2 Mira Ninita
A3 Todos Juntos
A4 En La Quebra Del Aji
B1 Ciclo Vital (Improvisaciones En Re-Percusion)
B2 Los Caminos Que Se Abren
B3 Pasillo Del Condor
Спектр



АЧХ



Уровень записи



Сэмпл
Любой трек

DR12
----------------------------------------------------------------------------------------------
Analyzed folder: /Los Jaivas - Los Jaivas (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -2.06 dB -15.83 dB 01 Los Jaivas - LADO 1- Marcha Al Interior Del Espiritu.wav
DR12 -0.11 dB -13.57 dB 02 Los Jaivas - Mira Ninita.wav
DR12 -0.62 dB -14.42 dB 03 Los Jaivas - Todos Juntos.wav
DR11 -1.74 dB -14.50 dB 04 Los Jaivas - En La Quebra Del Aji.wav
DR12 -0.33 dB -15.26 dB 05 Los Jaivas - LADO 2- Ciclo Vital (Improvisaciones En Re-Percusion).wav
DR12 -1.05 dB -15.86 dB 06 Los Jaivas - Los Caminos Que Se Abren.wav
DR12 -2.75 dB -17.05 dB 07 Los Jaivas - Pasillo Del Condor.wav
----------------------------------------------------------------------------------------------
Number of files: 7
Official DR value: DR12
==============================================================================================

Personel
Musicians
- Gato Alquinta / vocals, electric guitar, bass, acoustic guitar, "charango", flute, "tarka y tumbadoras"
- Mario Mutis / bass, electric guitar, acoustic guitar, "tarka", "tambores" and voices
- Gabriel Parra / drums, percussion, voices
- Claudio Parra / piano, celesta, ''rasca de metal'', maracas, triangle, backing vocals
- Eduardo Parra / organ, and piano, bongo, ''pandereta'', ''tumbadoras'', ''cultrum'', backing vocals
Guest musicians:
- Patricio Castillo / charango (2, 3, 5), acoustic guitar (3), ''guitarron'' (7);
- Julio Numhauser, Tito Ibarra / vocals (6)
- Eduardo Sienkewic, Augusto Hemandes / cellos (4)
- Ivan Cazabon / contrabass (4)
- Oscar Sandoval, Sofia Gonzalez, Victor Schiegel / violas (4)
- Jose Ramirez / violin (4)
- Ramon Silva, Gilberto Silva / trumpets (4)
- Alfredo Jarpa / tarka (4)
- Nino y Patria Choir directed by Jorge Reese / vocals (1)

About

Eng
In terms of prog-rock sophistication, this wonderful 1972 album is not the best place to start investigating Los Jaivas, but it is the most important album of Los Jaivas' earliest and folkiest phase. Here we see the early fusion of psychedelic rock with bona fide Andean music. While some songs are merely good, and others intriguing, it is the brilliant title track that happens to be my all time favourite Spanish language song.* I can't tell you the emotions that run through me as I hear Gato Alquinta intonate the opening words of this majestic call for peace and unity, this song gets me right the way through to the passionate conclusion ... "Para que vivir tan separados, si la tierra nos quiere juntar, si este mundo es uno y para todos, todos juntos vamos a vivir" which doesn't translate quite as poetically (roughly "Why do we live so far apart, if the world wants to unite us, if this world is one and for all for us, we will all live together). To me it is breath-taking ... and heart-breaking. Musically the Todos Juntos track is a pleasing, albeit pretty basic fusion of quena, ocarina and charango (Andean flutes and mandolin respectively), fiery acidic lead guitar and Latin percussion, but lyrically, melodically, spirtually, this track is an unforgetable anthem.
The song itself is the greatest highlight of an engaging albeit simplistic album. The opening song is a hymnal chant of peace, Mira Ninita is a delicate sweet tune that takes its out sweet time to evolve beyond its languid, marimba-dominated opening into a joyous celebration.
Another thing that defines this album are the extravagant percussion interludes (bombo, bongo, you name it, they play it!). Los Caminos Que Se Abren is probably the most interesting track from a progressive point of view (probably the best realisation of the sort of improvisational psychedelic music that the band played on its debut ... the limited edition En Volantin ) and it too is full of traditional percussion as well as hypnotic Eastern sounding themes, vibrant violin and out of tune psych guitar ... although it definitely goes on too long. The urgent call that is La Quebra Del Aji contains many of the same ingredients but is better-paced.
There are a few different versions of this album (which I believe was initially released as La Ventana and retitled when Todos Juntos became a hit) and unfortunately mine omits Ciclo Vital ... do get the full one if you can! I must repeat my earlier statement that this album is not about progressive sophistication ... that will come later with Cancion Del Sur, Alturas De Machu Picchu and Obras De Violeta Parra. This album has immense passion, an almost fiery hope and in retrospect, a sense of historical importance (that goes way beyond music) that makes it an esssential purchase in my opinion. ... 70% on the MPV scale.
*Some CD releases come as "Todos Juntos" by title.
Review by Trotsky, progarchives.com

Rus
Los Jaivas Чилийская группа которая комбинировала прогрессивный рок с латиноамериканскими ритмами и использовала много национальных инструментов. Группа образовалась в 1963 году в Винья - дель - Мар,
и до сих пор достаточно активны. Первый альбом выпустили в 1972 году в Чили . Но уже в 1974 году группа решает переехать жить в Аргентину , в связи с небезызвестным переворотом. В 1977 перебираются в Париж.
В 1983 году в рамках мирового тура Los Jaivas посещают Советский Союз . Выпускаеться даже концертный альбом EN MOSCU 1983.
В своём более чем сорокалетнем плаванини в мире музыки Los Jaivas применяли и сплавляли самые различные стили музыки , от тропических мотивов , до авангардного джаза и классического рока.


Доп. информация
Companies etc
Record Company – Industria De Radio y Television, S.A.
Credits
Music By, Words By – Los Jaivas
Notes
Released with a protective outer plastic bag.
Black labels with silver lettering.

Scans




Alturas De Machu Picchu - 1981 (Issue 2013 180g EU Press)
Год выпуска: 1981
Лейбл: Sony Music/88883790881
Страна-производитель: EU
Продолжительность: 37:39
Код класса состояния винила: Mint
Устройство воспроизведения: Technics SL-1200MK2 Quartz
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Marantz 2252
АЦП: E-MU 0404
Обработка: DeClick with iZotope RX5: Only Manual (Click per click)
Треклист:
A1 Del Aire Al Aire
A2 La Poderosa Muerte
A3 Amor Americano
B1 Aguila Sideral
B2 Antigua America
B3 Sube A Nacer Conmigo Hermano
B4 Final
Спектр



АЧХ



Уровень записи



Сэмпл
Любой трек

DR12
----------------------------------------------------------------------------------------------
Analyzed folder: /Los Jaivas - Alturas De Machu Picchu (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR13 -3.60 dB -20.33 dB 01 Los Jaivas - LADO 1- Del Aire Al Aire.wav
DR11 -0.12 dB -14.62 dB 02 Los Jaivas - La Poderosa Muerte.wav
DR12 -0.86 dB -14.18 dB 03 Los Jaivas - Amor Americano.wav
DR12 -0.75 dB -16.11 dB 04 Los Jaivas - LADO 2- Aguila Sideral.wav
DR11 -0.89 dB -14.26 dB 05 Los Jaivas - Antigua America.wav
DR11 -0.12 dB -12.47 dB 06 Los Jaivas - Sube A Nacer Conmigo Hermano.wav
DR12 -3.94 dB -19.65 dB 07 Los Jaivas - Final.wav
----------------------------------------------------------------------------------------------
Number of files: 7
Official DR value: DR12
==============================================================================================

Personel
Bass, Electric Guitar, Sampona [Zampona], Quena, Vocals – Mario Mutis
Drums, Bombo [Bombo Leguero], Timbales [Cromaticos], Xylophone, Horn [Trutruca], Recorder [Tarka], Vocals – Gabriel Parra
Electric Piano, Synthesizer [Mini Moog], Recorder [Tarka] – Eduardo Parra
Engineer – Dominique Strabach (tracks: A1), Luciano Piccinno (tracks: B3), Rolf Hanekamp (tracks: B3)
Engineer [Grabacion Y Remix] – Daniel Michel
Lead Vocals, Electric Guitar, Bass, Acoustic Guitar, Cuatro, Quena, Sampona [Zampona], Ocarina – Gato Alquinta
Lyrics By – Pablo Neruda (tracks: A2 to B4)
Music By – Los Jaivas (tracks: A2 to B4)
Painting – Rene Olivares
Piano, Harpsichord, Electric Piano, Synthesizer – Claudio Parra (2)
Producer, Directed By – Los Jaivas

About

Eng
What would it sound like if you combined symphonic prog with Andean folk influences? Well, "Alturas De Machu Picchu" by Los JAIVAS answers that question. This album is an incredible find for anyone who enjoys both progressive rock and traditional Peruvian, and Chilean, folk music. If you can imagine electric guitars, bass, drums, piano, and the Moog interacting with instruments like the cuatro, quena, and zamponia then you're in for a treat. "Alturas…" combines epic-length symphonic prog tracks, with shorter traditional Andean songs. In my opinion, the keyboardist really stands out when playing acoustic piano. He tends to mix pentatonic-based melodies with local rhythms, yet those melodies sound closer to Chinese classical folk more than American blues, or Eastern European folk. His style is unique in the world of rock. The other musicians are equally impressive, but I think most listeners will focus in on the excellent vocals. Anyway, this is one of the top 5 prog rock albums to come out of South America.
progarchives.com

Rus
Los Jaivas Чилийская группа которая комбинировала прогрессивный рок с латиноамериканскими ритмами и использовала много национальных инструментов. Группа образовалась в 1963 году в Винья - дель - Мар,
и до сих пор достаточно активны. Первый альбом выпустили в 1972 году в Чили . Но уже в 1974 году группа решает переехать жить в Аргентину , в связи с небезызвестным переворотом. В 1977 перебираются в Париж.
В 1983 году в рамках мирового тура Los Jaivas посещают Советский Союз . Выпускаеться даже концертный альбом EN MOSCU 1983.
В своём более чем сорокалетнем плаванини в мире музыки Los Jaivas применяли и сплавляли самые различные стили музыки , от тропических мотивов , до авангардного джаза и классического рока.


Доп. информация
Recorded At – Studio Pathe Marconi EMI
Recorded At – EMI-Electrola Studios, Cologne
Mixed At – Studio Pathe Marconi EMI
Grabado y remixado en los estudios Pathe-Marconi, EMI - Electrola, Colonia, Alemania, Julio de 1981
Tecnicos de grabacion: Daniel Michel, Rolf Hanekamp. Tecnicos de remix: Daniel Michel, Alain Butet, Luciano Piccio.
Asistente de Grabacion: Rosko, Dominique Strabach.
Tapa de Caratula: Intihuatana, Piedra sagrada de Machu Picchu, Pintura de: rene Olivares
Produccion Ejecutiva: Alejandro Parra, Hernan poblete.
Direccion Artistica: los Jaivas
Produccion: Los Jaivas

Scans



                                                                                                                                                               
                       
                       
                       
                       
                       
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