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[摇滚] (Rock, New Wave, Pop) [LP] [32/192] Simple Minds - Коллекция (6 LP), 1983-2014,

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发表于 2020-9-24 11:34:04 | 显示全部楼层 |阅读模式
Simple Minds - Коллекция (6 LP)
Жанр: Electronic, Rock, Pop
Носитель: LP
Год выпуска: 1983-2014
Аудио кодек: WavPack
Тип рипа: image+.cue
Формат записи: 32/192
Формат раздачи: 32/192
Источник оцифровки: автором раздачи
Устройство воспроизведения: Rega RP3 (mod.)
Головка звукоснимателя: Benz Micro Wood SL
Предварительный усилитель: Benz Micro Lukaschek PP1 T9
АЦП: Infrasonic WINDY6
Программа-оцифровщик: Adobe Audition CS6
1983 - Sparkle In The Rain [Virgin - 205 913, Europe]
Sparkle In The Rain
Жанр: Electronic, Rock
Носитель: LP
Год выпуска: 1983
Лейбл: Virgin
Страна-производитель: Europe
Продолжительность: 00:44:42.179 (514 978 288 samples)
Код класса состояния винила: NM
Обработка: минимальная iZotope RX4 (Declick вручную)
Треклист:
A1 Up On The Catwalk
A2 Book Of Brilliant Things
A3 Speed Your Love To Me
A4 Waterfront
A5 East At Easter
B1 Street Hassle
B2 White Hot Day
B3 "C" Moon Cry Like A Baby
B4 The Kick Inside Of Me
B5 Shake Off The Ghosts
Тех. графика




1985 - Once Upon A Time [Virgin - 207 350/207 350-630, Europe]
Once Upon A Time
Жанр: Electronic, Rock
Носитель: LP
Год выпуска: 1985
Лейбл: Virgin
Страна-производитель: Europe
Продолжительность: 00:40:05.852 (461 923 494 samples)
Код класса состояния винила: NM
Обработка: iZotope RX4 (Declick вручную)
Треклист:
A1 Once Upon A Time
A2 All The Things She Said
A3 Ghost Dancing
A4 Alive And Kicking
B1 Oh Jungleland
B2 I Wish You Where Here
B3 Sanctify Yourself
B4 Come A Long Way
Тех. графика




1989 - Street Fighting Years [A&M Records - SP 3927, USA]
Street Fighting Years
Жанр: Pop Rock
Носитель: LP
Год выпуска: 1989
Лейбл: A&M Records
Страна-производитель: USA
Продолжительность: 59:31.511 (685 730 263 samples)
Код класса состояния винила: Mint (sealed)
Обработка: минимальная iZotope RX4 (Declick вручную)
Треклист:
A1 Street Fighting Years
A2 Soul Crying Out
A3 Wall Of Love
A4 This Is Your Land
A5 Take A Step Back
B1 Kick It In
B2 Let It All Come Down
B3 Mandela Day
B4 Belfast Child
B5 Biko
Тех. графика




Доп. информация
Mastered by Bob Ludwig


1991 - Real Life [Virgin - V2660/211 393, UK]
Real Life
Жанр: Rock, Pop
Носитель: LP
Год выпуска: 1991
Лейбл: Virgin
Страна-производитель: UK
Продолжительность: 52:03.721 (599 754 442 samples)
Код класса состояния винила: VG+
Обработка: iZotope RX4 (Declick вручную)
Треклист:
A1 Real Life
A2 See The Lights
A3 Let There Be Love
A4 Woman
A5 Stand By Love
B1 African Skies
B2 Let The Children Speak
B3 Ghostrider
B4 Banging On The Door
B5 Travelling Man
B6 Rivers Of Ice
B7 When Two Worlds Collide
Тех. графика





1991 - Real Life [Virgin - V2660, Italy (S.I.A.E.)]
Real Life
Жанр: Rock, Pop
Носитель: LP
Год выпуска: 1991
Лейбл: Virgin
Страна-производитель: Italy (S.I.A.E.)
Продолжительность: 52:03.721 (599 754 442 samples)
Код класса состояния винила: Mint
Обработка: минимальная iZotope RX4 (Declick вручную)
Треклист:
A1 Real Life
A2 See The Lights
A3 Let There Be Love
A4 Woman
A5 Stand By Love
B1 African Skies
B2 Let The Children Speak
B3 Ghostrider
B4 Banging On The Door
B5 Travelling Man
B6 Rivers Of Ice
B7 When Two Worlds Collide
Тех. графика





2014 - Big Music [Embassy Of Music - SMBM05, UK & Ireland]
Big Music
Жанр: Rock, Pop
Носитель: 2LP
Дата выпуска: 03.11.2014
Лейбл: Embassy Of Music
Страна-производитель: UK & Ireland (Made in EU)
Продолжительность: 51:33.964 (594 041 184 samples)
Код класса состояния винила: G (sealed)
Обработка: iZotope RX4 (Declick вручную)
Треклист:
A1 Blindfolded
A2 Midnight Walking
A3 Honest Town
B1 Big Music
B2 Human
B3 Blood Diamonds
C1 Let The Day Begin
C2 Concrete And Cherry Blossom
C3 Imagination
D1 Kill Or Cure
D2 Broken Glass Park
D3 Spirited Away
Тех. графика




Jim Kerr о работе над альбомом
Spent much of these last weeks talking about our soon to be released new album, BIG MUSIC. The reaction from those who have heard it seems to be very positive, that is a nice feeling to experience on our part.
After all, you never know if listener's are going to hear and feel the music as we do, while we are in the process of making it. Likewise, just because we are jumping up and down with excitement in relation to the final results of years of writing and recording work, does not mean that anyone else will. Far from it.
But that is the deal when you are an artist, or a performer on stage. Truth is, there is very little guarantee that anyone will give a damn about your work, or even turn up. That of course means you can get hurt quite badly, as many do.
The fact that people might have even heard or know of your works existence is miracle enough in these days where virtually everyone is struggling (time wise and otherwise) to keep up with the stuff that they fundamentally need to. That they like it as a result of hearing is almost unknowable. But that is the artists "lot", and you will never hear me complain about it. I made my choice to do what I do and I accept (almost) all that goes with it.
My parents worked in heavy duty garment factories, and mud ladened construction sites respectively. That was "their lot" and they did it with full effort and pride. They did it for us - their kids. Their type of life was staring me in the face also. Unlike them though, I could never have made a success of it. And so, against all odds, I gambled on something else, something unimaginable really.
I gambled on being a successful artist, and along with my colleagues we work with that challenge almost everyday still. Why did I decide to do this? I like to think that I had a "calling" of sorts. I might only have been sixteen with no experience in anything, but somehow I felt the "BIG MUSIC" whispering to me, telling me I could write songs that people would want to hear. Was I nuts? Yes definitely. But brave with it.
So how do we work? That is the question that we are being asked always. Well, in relation to BIG MUSIC, given that that there is no (reliable) guidebook, manual, rules or regulations involved. I can only describe what we do as working through the heart, with trust, and with some great amount of love for the music. We don't work with analysis when we create songs, and it would not make much sense either to observe too much of what others do. We would not know how to do what they do, and we can only work with what is inside of us - and our imagination. That is the source of all our material.
And that then is what you are hearing when you listen to BIG MUSIC. You are listening to what is inside of us, while hoping that it also strikes a chord inside of you. And if and when it does, you can believe me. There is no better feeling!
19.10.2014
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