Led Zeppelin - II
Жанр: Hard Rock
Год выпуска: 1969
Лейбл: Atlantic, SD 8236
Страна-производитель: Original US Pressing
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:41:47
Треклист:
Side one
01. "Whole Lotta Love" John Bonham/Willie Dixon/John Paul Jones/Jimmy Page/Robert Plant 5:34
02. "What Is and What Should Never Be" Page/Plant 4:47
03. "The Lemon Song" Bonham/Burnett/Jones/Page/Plant 6:20
04. "Thank You" Page/Plant 4:47
Side two
01. "Heartbreaker" Bonham/Jones/Page/Plant 4:15
02. "Living Loving Maid (She's Just a Woman)" Page/Plant 2:40
03. "Ramble On" Page/Plant 4:35
04. "Moby Dick" Bonham/Jones/Page 4:25
05. "Bring It On Home" Page/Plant/Dixon 4:19
Credits & Notes
Companies etc▼
Mastered At – Sterling Sound
Pressed By – Columbia Record Productions
Manufactured By – Atlantic Recording Corporation
Copyright (c) – Atlantic Recording Corporation
Credits▼
Artwork – David Juniper
Engineer – Andrew Johns*, Chris Huston, Edwin H. Kramer*, George Chkiantz
Executive-producer – Peter Grant
Mastered By – Robert Ludwig*
Performer – Jimmy Page, John Bonham, John Paul Jones, Robert Plant
Producer – Jimmy Page
Technician [Director Of Engineering] – Edwin H. Kramer*
Written-By – Jimmy Page, John Bonham (tracks: A1, A3, B1, B4), John Paul Jones (tracks: A1, A3, B1, B4), Robert Plant (tracks: A1 to B3, B5)
Notes▼
First press information...
If this doesn't have "SS RL" etched in the run-outs then it is a repress - remastered at Atlantic, rather than Sterling Sound.
Around 200,000ish pressings were done of Robert Ludwig's 'high mix' which, like Hendrix's 'Ladyland' 1st masters, caused some poor-quality phonograph needles to 'skip'. Thus, a repress ordered by Ertegan at Atlantic.
Barcode and Other Identifiers▼
Matrix / Runout (Run-out area A-side, Etching): T ST-A-691671
Matrix / Runout (Run-out area B-side, Etching): T ST-A-691672
Label Code (Center Label A-side): (ST-A-691671 CTH)
Label Code (Center Label B-side): (ST-A-691672 CTH)
Matrix / Runout (Runout Area A and B Side): RL SS
Источник оцифровки: Великий и "ужасный" Анонимус, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: VPI Scoutmaster
Головка звукоснимателя: Audio-Technica AT33PTG/II
Предварительный усилитель: Cinemag SUT feeding a Marantz 2220B
АЦП: E-MU 1212
Программа-оцифровщик: Adobe Audition 3.01
Обработка: В технической информации
Спектр, АЧХ, Уровень записи
Доп. информация:
Техническая информация
Vinyl Ripping Process/Equipment
VPI 16.5 RCM
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24
Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II
What Exactly Is An "Ultimate Master"
It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.
/1 
发表于 2020-9-24 11:38:23
提升卡
置顶卡