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[摇滚] (Blues Rock) [2LP][24/96] Bloomfield/Kooper – The Live Adventures Of Mike Bloomf

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发表于 2020-9-24 11:39:42 | 显示全部楼层 |阅读模式
Bloomfield-Kooper - The Live Adventures (2LP) (1969)

Жанр: Blues-Rock
Год выпуска диска: 1969
Лейбл: CBS - S 63554/63555
Производитель диска: Germany
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 1:25:56
Трэклист:
Side 1
A1 Opening Speech (1:36)
Narrator [Spoken Word] – Mike Bloomfield
A2 The 59th Street Bridge Song (Feelin' Groovy) (5:36)
Backing Vocals [Harmony] – Paul Simon
Vocals, Backing Vocals [Harmony] – Al Kooper
Written-By – Paul Simon
A3 I Wonder Who (6:02)
Vocals – Mike Bloomfield
Written-By – Ray Charles
A4 Her Holy Modal Highness (9:07)
Written-By – Al Kooper, Mike Bloomfield
Side 2
B1 The Weight (4:03
Written-By – Robbie Robertson
B2 Mary Ann (5:20)
Vocals – Mike Bloomfield
Written-By – Ray Charles
B3 Together 'Til The End Of Time (4:15)
Piano – Roosevelt Gook
Vocals – Al Kooper
Written-By – Frank Wilson
B4 That's All Right (3:19)
Vocals – Mike Bloomfield
Written-By – Arthur "Big Boy" Crudup
B5 Green Onions (5:23)
Written-By – Al Jackson Jr., Booker T. Jones, Lewis Steinberg, Steve Cropper
Side 3
C1 Opening Speech - Al Kooper (1:39)
Narrator [Spoken Word] – Al Kooper
C2 Sonny Boy Williamson (5:57)
Guitar – Carlos Santana
Vocals – Al Kooper
Written-By – Jack Bruce, Paul Jones
C3 No More Lonely Nights (12:27)
Vocals, Guitar – Elvin Bishop
Written-By – Sonny Boy Williamson
Side 4
D1 Dear Mr. Fantasy (8:14)
Vocals – Al Kooper
Written-By – Chris Wood, Jim Capaldi, Steve Winwood
D2 Don't Throw Your Love On Me So Strong (10:58)
Vocals – Mike Bloomfield
Written-By – Albert King
D3 Finale - Refugee (1:59)
Written-By – Al Kooper, Mike Bloomfield
Personnel
Al Kooper – Organ, Piano (overdub as Roosevelt Gook on "Together 'Til The End Of Time")
Mike Bloomfield – guitar
John Kahn – bass guitar
Skip Prokop – drums
Carlos Santana – guitar
Elvin Bishop – guitar
Recorded at Bill Graham's Fillmore Auditorium, San Francisco, September 26, 27, 28, 1968.
Информация об источнике: скачано с Сети, автор оцифровки AlfredoCatalani
Код класса состояния винила: не указано автором рипа
Ripping Infos
Posted by AlfredoCatalani - March 7th, 2012
TT: Clearaudio Champion Level II + Special Edition Denon DL 103 –> Clearaudio Smartphono
TT: Pro-Ject RPM 6 SB + Sumiko Evolution III –> Pro-Ject Phono Box II
Pre Amp: Unison Research Unico Pre (Tube)
Finals: Opera Consonance 9.9 Mono (Tube)
Speakers: Dali Helikon 400
Rec Software: Twisted Wave 1.9 – Adobe Audition CS 5.5 —> Wave 24/96
Light De-Clicking (if needed) on Audition, significant clicks manually removing, no De-Noising
Convert —> Flac 24/96: Twisted Wave
Artwork: Sony Alpha 350, Photoshop CS 5.5

Спектр, АЧХ, Уровень








Доп. информация:
Об альбоме:
The Live Adventures of Mike Bloomfield and Al Kooper
Live album by Mike Bloomfield & Al Kooper
Released 1969
Recorded Recorded at Bill Graham's Fillmore Auditorium, San Francisco, September 26, 27, 28, 1968.
Genre Rock, blues
Length 85:56
Label Columbia KGP-6 (US Original 1969 issue)
Producer Al Kooper
Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue, the album is a successor to the studio album Super Session which included both Bloomfield and Kooper in addition to Stephen Stills, and had achieved commercial and critical success earlier in 1968.
The performances, recordings and production cannot be described as flawless; in his sleeve notes, Kooper describes the difficulties of finding rehearsal space, Bloomfield's insomnia, and the failure of a vocal microphone during "Dear Mr Fantasy"; the track "I Wonder Who" is faded during a Bloomfield solo for no apparent reason.
Nevertheless, the album remains an important, if raw, document of a live blues-rock performance of the period and apart from its intrinsic qualities is notable for not only one of the earliest live recordings by Carlos Santana, but also Bloomfield's debut as a vocalist. Whilst he is not historically noted in this role, in "Don't Throw Your Love On Me So Strong", according to Kooper, "he displays consummate homage to the traditional guitar-voice trade-offs; a lesson in phrasing and understanding."



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