Sui Generis – 2 LP's
Жанр: Progressive rock, Prog-folk, Crossover Prog
Носитель: LP
Год выпуска: 1972, 1973
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 1:09:18
Устройство воспроизведения: Technics SL-1200MK2 Quartz
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Marantz 2252
АЦП: E-MU 0404
Обработка: DeClick with iZotope RX5: Only Manual (Click per click)
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
1972 – Vida
Год выпуска: 1972 (Re 1974)
Лейбл: Microfon – SE-369
Страна-производитель: Argentina
Продолжительность: 34:08
Код класса состояния винила: Ex+
Треклист:
A1 Cancion Para Mi Muerte
A2 Necesito
A3 Dime Quien Me Lo Robo
A4 Estacion
A5 Toma Dos Blues
B1 Natalio Ruiz
B2 Mariel Y El Capital
B3 Amigo Vuelve A Casa Pronto
B4 Quizas, Porque
B5 Cuando Comenzamos A Nacer
B6 Posludio
Спектр
АЧХ
Уровень записи
DR13
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Analyzed folder: /Sui Generis ?– Vida (LP)
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DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR13 -1.23 dB -16.88 dB 01 Sui Generis - LADO 1- Cancion Para Mi Muerte.wav
DR14 -1.55 dB -18.20 dB 02 Sui Generis - Necesito.wav
DR13 -0.38 dB -17.61 dB 03 Sui Generis - Dime Quien Me Lo Robo.wav
DR12 -1.99 dB -16.56 dB 04 Sui Generis - Estacion.wav
DR15 -0.12 dB -18.14 dB 05 Sui Generis - Toma Dos Blues.wav
DR14 -1.18 dB -19.97 dB 06 Sui Generis - LADO 2- Natalio Ruiz.wav
DR12 -1.02 dB -17.17 dB 07 Sui Generis - Mariel Y El Capital.wav
DR13 -0.14 dB -15.24 dB 08 Sui Generis - Amigo Vuelve A Casa Pronto.wav
DR13 -0.85 dB -23.77 dB 09 Sui Generis - Quizas, Porque.wav
DR14 -0.12 dB -17.38 dB 10 Sui Generis - Cuando Comenzamos A Nacer.wav
DR12 -7.87 dB -24.46 dB 11 Sui Generis - Posludio.wav
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Number of files: 11
Official DR value: DR13
==============================================================================================
Personel
Coordinator – Billy Bond (2)
Electric Guitar, Concert Flute, Vocals – Nito Mestre
Guest, Bass Guitar – Alejandro Medina
Guest, Drums – Francisco Pratti
Guest, Electric Guitar – Claudio Gabis
Guest, Violin – Jorge Pinchevsky
Piano, Electric Guitar, Vocals, Written-By – Charlie Garcia*
Producer – Jorge Alvarez
About
Eng
Who would have thought that this little hippie folk album would make such a big impact in Argentine music and lead to much better things? This album was written by a duo of youngsters, Nito Mestre and Charly Garcia, who grew rapidly into a top notch songwriter. Vida was a big hit in Argentina, carrying a group of easy and charming fireside tunes with a great sense of melody. The best example is what may actually be Charly Garcia’s most recognizable composition: Cancion Para mi Muerte, which not only has extremely memorable melodies and charming guitar/piano interplay but it also fools the listener into thinking that it is a song sung to a girlfriend. It isn’t, it is actually sung to death itself. Surprising, isn’t it? And this is just a shadow the much better lyrical writing of the next albums and especially Seru Giran’s lyrics which border on genius.
While that is in my opinion the best song from this album, it does not mean that the rest is disappointing. There are in my opinion three other highlights and the rest mostly works as simple, charming music. Dime Quien me lo Robo, which is the longest song in the album is a mostly acoustic tune like most are, but has a somewhat story-telling structure and eventually leads to a fiery (for them) electric guitar section. Cuando Comenzamos a Nacer is a beautiful flute-driven folk tune which might not be immediate due to its simplicity but grows on you and Prosludio is a short instrumental with flute and piano interplay which is very effective and charming, a great way to close the album.
The only song that really doesn’t work for me is Toma Dos Blues, a surprisingly weak blues number with no interesting solos to redeem it. I guess I could include Mariel y el Capitan’s major->minor->major transitions which sound a bit silly and forced.
Nevertheless, this is an important album which while dated, still brings a pleasure to my ears.
progarchives.com
Rus
Sui generis (суи генерис; (лат.) букв. своеобразный, единственный в своём роде)
В первой половине 1973 года наибольшей популярностью у молодежи Аргентины пользовался альбом
группы Sui Generis "Vida".
Группу основали Charly Garcia и Nito Mestre в 1969 году на
обломках двух коллективов To Walk Spanish и The Century Indignation. Из первого коллектива пришёл Carlos Alberto "Charly" Garcia Moreno, из второго Carlos Alberto "Nito" Mestre.
Sui Generis была одной из важнейших групп на аргентинской рок-сцене, которая была популярна в первой половине 70-ых годов.
Выпустив в мир три студийных лонг плея , один живой, один фильм группа распалась , но послужила основанием для двух других групп Seru Giran и La Maquina De Hacer Pajaros.
Группу реанимировали в середине 90х в изменённом составе , даже выпустили пару концертников и студийную пластинку.
Они любимы, уважаемы и популярны и сегодня.
Доп. информация
Record Company – Microfon Argentina S.R.L.
Barcode and Other Identifiers
Matrix / Runout: Side A 369-1-1S
Matrix / Runout: Side B 369-2-1S discogs
Covers
1973 - Confesiones De Invierno
Год выпуска: 1973 (Re 1974)
Лейбл: Microfon/SE-431
Страна-производитель: Argentina
Продолжительность: 35:10
Треклист:
A1 Cuando Ya Me Empiece A Quedar Solo
A2 Bienvenidos Al Tren
A3 Un Hada, Un Cisne
A4 Confesiones De Invierno
B1 Rasguna Las Piedras
B2 Lunes Otra Vez
B3 Aprendizaje
B4 Mr. Jones, O Pequena Semblanza De Una Familia Tipo Americana
B5 Tribulaciones, Lamentos Y Ocaso De Un Tonto Rey Imaginario, O No
Спектр
АЧХ
Уровень записи
DR13
----------------------------------------------------------------------------------------------
Analyzed folder: /Sui Generis - Confesiones De Invierno (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR13 -3.00 dB -20.74 dB 01 Sui Generis - LADO 1- Cuando Ya Me Empiece A Quedar Solo.wav
DR14 -0.14 dB -18.56 dB 02 Sui Generis - Bienvenidos Al Tren.wav
DR13 -3.18 dB -18.59 dB 03 Sui Generis - Un Hada, Un Cisne.wav
DR13 -0.86 dB -20.10 dB 04 Sui Generis - Confesiones De Invierno.wav
DR12 -3.25 dB -19.27 dB 05 Sui Generis - LADO 2- Rasguna Las Piedras.wav
DR13 -3.81 dB -18.17 dB 06 Sui Generis - Lunes Otra Vez.wav
DR14 -6.19 dB -23.90 dB 07 Sui Generis - Aprendizaje.wav
DR12 -4.58 dB -17.99 dB 08 Sui Generis - Mr. Jones, O Pequena Semblanza De Una Familia Tipo Americana.wav
DR13 -6.39 dB -23.37 dB 09 Sui Generis - Tribulaciones, Lamentos Y Ocaso De Un Tonto Rey Imaginario, O No.wav
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Number of files: 9
Official DR value: DR13
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Personel
Cover, Artwork, Photography [Colored Over] – Juan O Gatti*
Design, Illustration – Juan O. Gatti*
Engineer – Billy Bond (2)
Photography By – Jorge Fisbein, Jorge Fisbein
Written-By – Charlie Garcia*
About
A clear improvement over the debut in all levels: songwriting, performance, lyrics, depth, emotion. The album is a bit more mature, though it doesn’t totally leave behind the cheery naive sound of the debut behind, as you can clearly hear on the catchy piano track “Bienvenidos al Tren”.
“Cuando Yo me Comienze a Quedar Solo” starts with a somber piano while it has more uptempo choruses. This is as good (if not better) as the non-opener highlights from “Vida”.
“Un Hada, Un Cisne” is one of the highlights and borders on genius. It is a folk-jazz tune which has a fantastic fast-paced instrumental part while the vocal sections may be even better, being probably my favorite harmony-vocal work in all Sui Generis.
“Confesiones de Invierno” is a neat acoustic ballad. I personally enjoy it due to the vocal melodies but I can imagine some proggers might find it too simple. “Aprendizaje” is similar but has a bit more of instrumentation and better vocal performance, a highlight for me.
“Rasguna las Piedras” is where the album sounds the most like the debut. Musically it sounds catchy and a bit naive (the small orchestra is used for simple riffs and melodies). This might be the band’s 2nd best-known track and it’s pretty good.
“Mr Jones” is a satire on American lifestyle and apparently homicidal tendencies. The intro is funny (I was wondering what that English part said when I didn’t know English) but the song is kinda dumb lyrically and musically. Just a satirical rock&roll filler.
“Tribulaciones .” is the last highlight of the album and might be the only hint of the band’s unexpected turn to political symphonic prog in the next album. It is a very mellow and symphonic ballad in which the lamenting vocals and lonely piano take the spotlight. I absolutely love it when the band goes into dramatic vocal harmonies at minute three and at the end of the song. The climax is hauntingly powerful tho underdeveloped. Nevertheless, the only prog-related song in the album is a winner and the lyrics are amazing.
If you want to hear the non-prog side of Sui Generis, this is the album to go. Recommended, especially if you understand Spanish.
Review by Zitro, progarchives.com
Доп. информация
Phonographic Copyright (p) – Microfon Argentina S.R.L.
Manufactured By – Microfon Argentina S.R.L.
Distributed By – Microfon Argentina S.R.L.
Recorded At – Estudios Phonalex
Recorded At – RCA Victor Studios, Argentina
Published By – Edifon S.R.L.
Grabada en Junio – Julio – Agosto de 1973: Estudios RCA, Estudios Phonalex
Label on disc: Microfon, cover has a Talent logo.
Barcode and Other Identifiers
Rights Society: SADAIC-BIEM-AADI-CAPIF
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发表于 2020-9-24 11:51:19
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