Jimi Hendrix - Nine To The Universe
Жанр: Rock, Blues Rock, Jazz Rock
Носитель: MC
Год выпуска: 1980
Лейбл: Polydor, POLSC 1023
Страна-производитель: UK
Аудио кодек: FLAC
Тип рипа: image+.cue
Формат записи: 24/48
Формат раздачи: 24/48
Продолжительность: 38:44
Треклист:
A1. Young/Hendrix [10:41]
A2. Jimi/Jimmy Jam [8:09]
B3. Nine To The Universe [8:53]
B4. Easy Blues [4:38]
B5. Drone Blues [6:22]
Credits
Personnel:
Jimi Hendrix – lead and rhythm guitar all tracks, lead vocals on track B3 (wiped)
Larry Lee – rhythm guitar on track B4 (his guitar solo was removed)
Jim McCarty – lead & rhythm guitar on track B2
Larry Young – organ on track A1
Billy Cox – bass guitar on tracks B3, B4 & B5
Dave Holland – bass on track A1
Roland Robinson – bass on track A2
Mitch Mitchell – drums on tracks A2 & B4
Buddy Miles – drums on tracks A1 & B3
Rocky Isaacs – drums on track B5
Al Marks – percussion on track B5
Juma Sultan – percussion on track B4 (mixed down)
Gerardo Velez – percussion on track B4 (mixed down)
Unknown – tambourine on track B4 (not on the original recording)
Devon Wilson – backing vocals on track B3 (wiped)
Recording details:
Side 1, Track 1 recorded at Record Plant, April 14, 1969
Side 1, Track 2 recorded at Record Plant, March 25, 1969
Side 2, Track 1 recorded at Record Plant in New York City, May 22, 1969
Side 2, Track 2 recorded at The Hit Factory in New York City, August 28, 1969
Side 2, Track 3 recorded at Record Plant, April 24, 1969
Nine to the Universe is an album of studio jams by American guitarist Jimi Hendrix with a variety of musicians. It was released in March 1980 in the US and in June 1980 in the UK. It was the third album of Hendrix recordings to be produced by Alan Douglas. The album contains five jam sessions, edited by Douglas. It reaching number 127 on the Billboard 200 char. Various versions of the jams on the LP had previously circulated on bootlegs.
Nine to the Universe is the third posthumous compilation Hendrix release produced by Alan Douglas. He had previously wiped almost all of the backing musicians from the original recordings and replaced them with session musicians on Crash Landing and Midnight Lightning and heavily edited (even significantly changing the tempo in some cases), overdubbing extended rhythm guitar, female backing singers, etc. on occasion. During his pre-release promo interviews/released statements, for his first release Crash Landing, Douglas strongly hinted that he intended to release the jam session that Hendrix recorded with John McLaughlin, which would justify his loud claims that Hendrix intended embarking on a new jazz direction. But whether McLaughlin refused permission or not, it was never released officially and never could be as, when the jam was finally bootlegged, it proved that McLaughlin's semi-acoustic guitar's pickup was faulty and was nothing more than a rough jam. It was recorded during a later part of the session on March 25, that also featured Dave Holland (an English jazz musician who was then mostly known as Miles Davis' regular acoustic and electric bass player and his contribution to Davis' seminal post-bop/fusion albums between 1968 and 1970, such as Filles de Kilimanjaro, In a Silent Way and Bitches' Brew) and Buddy Miles on drums. Instead, Douglas heavily edited, and released a number of disparate jam sessions recorded between March and August 1969, (mostly) retaining the original backing tracks and musicians. Douglas removed over 50% from each jam, apart from "Drone Blues" – which only lost a third – one of Hendrix' very first new recordings with Billy Cox, who hadn't played with Jimi in three years and some young "pop" musicians recruited from a club. https://www.discogs.com/Jimi-Hendrix-Nine-To-The-Universe/release/5442049
Технические данные оцифровки
Источник оцифровки: выполнена автором раздачи
Устройство воспроизведения: Sony TC-K790ES
АЦП: Tascam US-122mkII
Программа-оцифровщик: Audacity 2.0.3
Обработка: убрал шум пленки встроенным в Sound Forge Pro шумодавом
Примечание: когда-то давно я оцифровывал и такую пластинку, желающие могут сравнить звук здесь и там.
Помнится что раньше мне с винила слушать этот альбом нравилось больше, а сейчас - наоборот, кассета лучше идет.
Слух с годами значит меняется, факт.
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发表于 2020-9-24 11:53:48
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