(Alternative Rock, Avantgarde) [2LP] [24/96] Tori Amos - Boys For Pele - 1996, F

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Tori Amos - Boys For Pelevinyl 24 bit / 96 kHz stereo Аудио кодек: FLAC Тип рипа: tracks Формат записи: 24/96 Формат раздачи: 24/96 Продолжительность: 01:10:29 Битрейт: ~ 2500 kbps
Жанр: Alternative Rock, Avantgarde Носитель: 2LP, Clear, Green Tint Год выпуска: 1996 Лейбл: Atlantic ‎– 82862-1 Страна-производитель: USA

Tracklisting & Info

Side 1
A1a - Beauty Queen 1:51
Piano [Bösendorfer Through Leslie Cabinet] - Tori Amos
A1b - Horses 4:16
Piano [Bösendorfer Through Leslie Cabinet] - Tori Amos
A2 - Blood Roses 3:56
Bells [Delgany Church] - Marcel van Limbeek / Harpsichord [Through Marshall] - Tori Amos
A3 - Father Lucifer 3:43
Trumpet - James Watson
A4 - Professional Widow 4:31
Mixed By [Coda] - Marcel van Limbeek, Mark Hawley / Other [Bull] - Bull
Side 2
B1 - Mr Zebra 1:07
Brass - The Black Dyke Mills Band / Conductor - James Watson
B2 - Marianne 4:07
Arranged By - John Philip Shenale / Directed By [Musical Director] - Peter Willison / Orchestrated By, Conductor - Scott Smalley / Strings - The Sinfonia Of London
B3 - Caught A Lite Sneeze 4:24
Instruments [Swells] - Steve Caton
B4 - Muhammad My Friend 3:48
Soprano Saxophone - Clarence J Johnson III
B5 - Hey Jupiter 5:10
Electric Guitar, Mandolin - Steve Caton
Side 3
C1 - Way Down 1:13
Choir [Gospel] - Darryl Lewis, Gus McField Jr, Jack Trimble, James Crawford Jr, Mark Sterling, Marvin Sterling, Sam Berfect
C2 - Little Amsterdam 4:29
Clavichord - Tori Amos / Effects - Alan Friedman
C3 - Talula 4:08
Flugelhorn - Brian Graber, Tracy Griffin / Percussion - Mino Cinelu / Mandolin, Guitar [All Manner Of Guitars] - Steve Caton / Sousaphone - Craig Klein / Tenor Saxophone - Clarence J Johnson III / Trombone, Arranged By [Horns] - Mark Mullins
C4 - Not The Red Baron 3:49
Voice [Dutch Pilots] - Marcel, R.O.B.
Side 4
D1 - Agent Orange 1:26
D2 - Doughnut Song 4:19
Guitar [HA HA], Twelve-String Guitar [Acoustic] - Steve Caton
D3 - In The Springtime Of His Voodoo 5:32
Bagpipes - Bernard Quinn, Michael Deegan / Organ, Programmed By - Alan Friedman / Percussion - Mino Cinelu / Vocals [Additional] - Beenie, Nancy Shanks
D4 - Putting The Damage On 5:08
Brass - The Black Dyke Mills Band / Conductor - James Watson
D5 - Twinkle 3:12

Credits & Notes
Companies, etc.
Record Company - Atlantic Recording Corporation
Phonographic Copyright (p) - Atlantic Recording Corporation
Copyright (c) - Atlantic Recording Corporation
Phonographic Copyright (p) - WEA International Inc.
Copyright (c) - WEA International Inc.
Published By - Sword And Stone
Designed At - Kono Design
Designed At - EastWest
Recorded At - The Egyptian Room
Recorded At - Dinosaur Studios
Recorded At - Air Studios
Mixed At - Jacobs Studios
Mixed At - Mix This!
Mixed At - Record One, Los Angeles
Mastered At - Gateway Mastering
Lacquer Cut At - Frankford/Wayne Mastering Labs
Pressed By - Specialty Records Corporation
Credits
Art Direction - Cindy, Vincent, Walter
Bass - George Porter Jr (tracks: A3, A4, B3, B4, C2, C3, D2, D3 )
Coordinator [Production Co-Ordination And Pa-Kerri Manuell Project Co-Ordination] - Julie Larson
Design [Graphic] - Paddy Cramsie, Paul Chessell
Directed By [Project Director], Management [Tour] - John Witherspoon
Drum Programming - Alan Friedman (tracks: A4, B3, C3)
Drums - Manu Katche (tracks: A4, C2, C3, D3 )
Graphics [Electronic Manipulation By] - Metro Imaging
Guitar - Steve Caton (tracks: A3, A4, C2, D3)
Harmonium [Organ] - Tori Amos (tracks: A2, B4, B5)
Harpsichord - Tori Amos (tracks: A4, B3, C3, D3)
Lacquer Cut By - RCE
Mastered By - Bob Ludwig
Mixed By - Bob Clearmountain (tracks: A4, B3, C3, D2), Marcel van Limbeek (tracks: A1 to A3, B1, B2, B4 to C2, C4, D1, D3 to D5), Mark Hawley (tracks: A1 to A3, B1, B2, B4 to C2, C4, D1, D3 to D5)
Mixed By [Assistance At Jacobs] - Declan O'Regan, Lin Gardiner
Mixed By [Assistance At Record One] - Rail Jon Rogut
Mixed By [Assisted By] - Rob van Tuin (tracks: A1 to A3, B1, B2, B4 to C2, C4, D1, D3 to D5), Ryan Freeland (tracks: A4, B3, C3, D2)
Photography By - Cindy Palmano
Piano [Bösendorfer] - Tori Amos (tracks: A2 to C2, C4 to D5)
Producer, Written-By - Tori Amos
Recorded By - Marcel van Limbeek, Mark Hawley
Recorded By [Additional Assistance] - Jim Albert, Robinson Mills
Recorded By [Assisted By] - Rob van Tuin
Recorded By [The Sinfonia Of London Recording Assistance] - Rupert Coulson
Technician [Harpsicord And Piano] - Tania Staite
Vocals - Tori Amos
Notes
On the sleeve, the track names of A1, B1, C1, D1 and D5 are given, but the tracks are excluded from the alphanumeric listing. For example, 'Beauty Queen' is not numbered, while 'Horses' is listed as track 1.
Reflecting their arrangement in a single band on the A side of the record, the durations of 'Beauty Queen' and 'Horses' are combined and appear as a single duration after 'Horses'.
Includes 2-sided full-color insert with lyrics, credits and photos.
℗ & © 1996 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States
Recorded at a church in Delgany, CO Wicklow, and at a wonderfully damp Georgian house in Co. Cork, Ireland
Additional recording at The Egyptian Room and Dinosaur Studios, New Orleans, Louisiana.
The Sinfonia Of London recorded at Air Studios, London
Mixed at Jacobs Studios, Surrey, England, Mix This! Studios, Los Angeles, CA and Record One, Los Angeles, CA
Mastered at Gateway Mastering, Portland, ME
Equipment Support:
SSE Hire Ltd: John Penn
Focusrite Audio Engineering.
Hilton Sound
Sony Digtal: Simon Griffett
Microphones: Georg Neumann GMBH
Tori Plays:
Bösendorfer Pianos
Harpsichord Made By: Robert Goble & Son
Harmonium Rebuilt By: Tania Staite
Clavichord Made By: Adam Swanson
DELGANY
Programming and Utility: Alan Freidman for Yipe!
(Cookie, Viking, Piggy, Pizza)
Carpenter/Drinker and Sometime Jesus: Iain Cambell
Chef: Lut de Clerq
Location Assistance: Thea de Ringh
Fantasticness: Andy Muir
Northern Exposure: Black Dyke Mills Band
CORK
Chef: Darren (Unlucky) Staats,
Assisted by Jayne Lewis
Fire Officer: Iaian Cambell
Jambalaya: George Porter Jr
Bread Pudding: Ara (Mama) Porter
All Smiles: Steve Canton
Model Connection in Paris: Manu Katche
Domestic Engineering: Claire Griffin
Nancy Shanks: Nancy Shanks
Clear Head & On Line: Peggy Beach
Model Planes: Crashed
University Hospital: Too many times
Awesome Babes: Nancy Bennett, Kelly, Jan and Carol
Crew Help:
Van Nelle Zware Shag
Miami, FL: 32 dogs, 20 red, 12 hot
NEW ORLEANS
Musician Co-ordination: George Porter Jr
Nola's: David and all the staff
Is That You: Steve Caton
Marching: Tod and the boys, well you are on tape
Dinner Lady: Ara (Mama again)
Thanks to all in Breaux Bridge, Louisiana
Barcode and Other Identifiers
Barcode (Text): 0 7567-82862-1 6
Barcode (String): 075678286216
Matrix / Runout (Side A Label): ST-A-950571-A
Matrix / Runout (Side B Label): ST-A-950571-B
Matrix / Runout (Side C Label): ST-A-950571-C
Matrix / Runout (Side D Label): ST-A-950571-D
Matrix / Runout (Side A Runout, Etched): STA-95071-A 1- F/WRCE
Matrix / Runout (Side B Runout, Etched): STA-95072-A SP1-1 F/WRCE SP
Matrix / Runout (Side C Runout, Etched): STA-95073-A 1- F/WRCE
Matrix / Runout (Side D Runout, Etched): STA-95074-A 1- F/WRCE
Matrix / Runout (Sides A, C & D Runouts, Stamped): SRC (Large S with the R and C in the loops)

Техническая информация
Источник оцифровки: третьим лицом
Код класса состояния винила: Mint
Устройство воспроизведения: Pro-ject Debut III
Головка звукоснимателя: OMB 5E
Предварительный усилитель: Cambridge Audio Azur 540P-B MM
АЦП: M-Audio Audiophile 192
Программа-оцифровщик: Audacity 1.3.5-beta
Обработка: Light settings on ClickRepair to clean out the pops (DeClick set at 30)

Спектр и АЧХ
Professional Widow


Professional Widow


Muhammad My Friend


Muhammad My Friend


... Чтобы сменить обстановку, она уехала на Гавайи, где заинтересовалась культом богини вулканов Пеле (Pele). Именно там и родилась идея будущего альбома, запись которого проходила в Ирландии - в старинном доме георгианской архитектуры и ирландской церкви. Обложку пластинки «Boys for Pele» (1996) украшало изображение Тори, сидящей в провокационной позе и держащей в руках винтовку. Во вкладыше содержалась еще более скандальная фотография с прикорнувшим к обнаженной груди певицы молочным поросенком. Содержание песен и музыкальная фактура альбома соответствовали оформлению. Гавайская богиня вулканов Пеле, вдохновившая Амос, стала неким альтер-эго певицы, грозной альтернативой вездесущему образу отца. Чтобы добиться максимального драматизма, Амос, выступившая продюсером записи, специально усиливала контраст между исповедальной лирикой, полной страдания и гнева, и сдержанной вокальной манерой. Она не отказывалась от экспериментов: отставив в сторону рояль, привнесла в аранжировки элементы барокко (для чего альбом и записывался в церкви), создавая более мрачную палитру с помощью струнных и духовых инструментов, клавикорда, фисгармонии и таких нетипичных для поп-музыки ингредиентов, как духовный хор, волынка и церковные колокола. Самый амбициозный и сложный из всех ее альбомов, неоднозначно оцененный критиками, «Boys for Pele» остается одним из самых успешных в ее карьере. С первой же недели диск поднялся на вторую позицию в хит-парадах США и Англии и через пару месяцев стал платиновым ... wikipedia
                                                                                                                                                               
                       
                       
                       
                       
                       
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