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[摇滚] (Classic Rock, Blues Rock) [LP] [24/96] The Rolling Stones – The Marquee Club (L

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发表于 2020-9-24 12:02:57 | 显示全部楼层 |阅读模式
The Rolling Stones – The Marquee Club (Live In 1971)
Жанр: Classic Rock, Blues Rock
Носитель: LP
Год выпуска: 2015
Лейбл: Eagle Vision – ERDVLP086, Universal Music Group
Страна-производитель: Europe
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 37:59
Треклист:
A1 Live With Me
A2 Dead Flowers
A3 I Got The Blues
A4 Let It Rock
A5 Midnight Rambler
B1 (I Can't Get No) Satisfaction
B2 Bitch
B3 Brown Sugar
Источник оцифровки: saidalani
Код класса состояния винила: Mint
Тех. информация
RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30′-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 118 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC
CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic
SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Спектр



АЧХ



Уровень записи



Сэмпл
B1 (I Can't Get No) Satisfaction.flac
B3 Brown Sugar.flac

DR10
foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2015-12-15 10:40:57
--------------------------------------------------------------------------------
Analyzed: Rolling Stones / The Marquee Club (Live in 1971
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -4.47 dB -16.96 dB 4:16 ?-A1 Live With Me
DR10 -4.80 dB -16.64 dB 4:15 ?-A2 Dead Flowers
DR10 -5.42 dB -17.84 dB 3:36 ?-A3 I Got The Blues
DR10 -4.49 dB -16.35 dB 2:31 ?-A4 Let It Rock
DR9 -4.16 dB -15.33 dB 9:55 ?-A5 Midnight Rambler
DR10 -3.81 dB -14.53 dB 4:58 ?-B1 (I Can't Get No) Satisfaction
DR10 -3.85 dB -14.89 dB 4:14 ?-B2 Bitch
DR9 -4.16 dB -14.67 dB 4:15 ?-B3 Brown Sugar
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2887 kbps
Codec: FLAC
================================================================================

Personel
Bass Guitar – Bill Wyman
Coordinator [Production Coordinator For Eagle Rock Entertainment] – Claire Higgins, Mark Fossitt, Paul Bullock
Design – Studio Fury
Drums – Charlie Watts
Engineer [Archive Audio Production] – Mick McKenna
Engineer [Video Grading] – Pete Lynch
Engineer [Video Restoration] – Simon Marbrook
Executive-Producer [2015 Production] – Dave Trafford, Jane Rose, Joyce Smith (3), Sherry Daly
Executive-Producer [For Eagle Rock Entertainment] – Geoff Kempin, Terry Shand (3)
Film Director [1971 Production] – Bruce Gowers
Film Editor – Martin Greenbank
Film Producer [Archive Video Production] – Phil Davey
Guitar – Mick Taylor
Guitar, Vocals – Keith Richards
Horns – Jim Price
Keyboards – Nicky Hopkins
Mastered By – Mazen Murad
Mastered By [Vinyl] – PHD*
Mixed By – Bob Clearmountain, Brandon Duncan
Photography – Homer Skyes, J. Maum
Photography By – Alec Byrne, Dominique Tarlé
Piano – Ian Stewart
Producer [1971 Production] – Derek Randal
Production Manager [1971 Production] – Chip Monck
Production Manager [For Eagle Rock Entertainment] – Rosie Holley
Research [Memorabilia & Research] – Ira Korman, James Karnbach, Tony Marinello
Saxophone – Bobby Keys
Supervised By [Supervising Producer For Eagle Rock Entertainment] – Lindsay Brown
Vocals, Harp – Mick Jagger

Доп. информация
Phonographic Copyright (p) – Promotone B.V.
Copyright (c) – Promotone B.V.
Licensed To – Eagle Rock Entertainment Ltd.
Manufactured By – Optimal Media Production
Recorded At – Marquee Club
Mixed At – Mix This!
Mastered At – Metropolis Studios
Live at the Marquee Club, London, March 26 1971, except "Brown Sugar".
Barcode: 5034504908697
Matrix / Runout (Runout Side A, Variant 1, Etched): ERDVLP086 A2 PHD +S BF80457-01-A1
Matrix / Runout (Runout Side B, Variant 1, Etched): ERDVLP086 B2 PHD BF80457-02-B1
Matrix / Runout (Runout Side A, Variant 2, Etched): ERDVLP086 A2 PHD 91 BF80457-01 A1
Matrix / Runout (Runout Side B, Variant 2, Etched): ERDVLP086 B2 PHD VV BF80457-01 B1
Matrix / Runout (DVD): EREDV1149 DF89079-01 manufactured by optimal media GmbH [R logo]
Mastering SID Code: ifpi L574
Mould SID Code: IFPI 9738
Rights Society: MCPS

Scans



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