King Crimson - Beat(1982/2019)
Жанр: Prog Rock
Носитель: LP
Год выпуска: 1982/2019
Лейбл: Panegyric
Страна-производитель: UK
Аудио кодек: FLAC
Тип рипа: side-files
Формат записи: 16/44.1
Формат раздачи: 16/44.1
Продолжительность: 36:00
Треклист:
A1 Neal And Jack And Me 4:21
A2 Heartbeat 3:54
A3 Sartori In Tangier 3:35
A4 Waiting Man 4:22
B1 Neurotica 4:47
B2 Two Hands 3:22
B3 The Howler 4:10
B4 Requiem 6:30
Источник оцифровки: автором раздачи
Код класса состояния винила: Mint
Устройство воспроизведения: Technics SL-1200
Головка звукоснимателя: Technics SL-1200
Предварительный усилитель: Technics SL-1200
АЦП: Realtek High Definition Audio
Программа-оцифровщик: Audacity 3.2.3
Обработка: Untouched
Уровень записи:
REM GENRE "Prog Rock"
REM DATE "1982/2019"
REM COMMENT "Vinyl, LP, Panegyric - KCLP9, UK"
PERFORMER "King Crimson"
TITLE "Beat"
FILE "- Side A.flac" WAVE
TRACK 01 AUDIO
TITLE "A1 Neal And Jack And Me"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "A2 Heartbeat"
INDEX 01 04:12:42
TRACK 03 AUDIO
TITLE "A3 Sartori In Tangier"
INDEX 01 07:55:60
TRACK 04 AUDIO
TITLE "A4 Waiting Man"
INDEX 01 11:21:30
FILE "- Side B.flac" WAVE
TRACK 05 AUDIO
TITLE "B1 Neurotica"
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "B2 Two Hands"
INDEX 01 04:34:70
TRACK 07 AUDIO
TITLE "B3 The Howler"
INDEX 01 07:51:14
TRACK 08 AUDIO
TITLE "B4 Requiem"
INDEX 01 11:50:45
Dynamic Range Meter (DR12):
foobar2000 1.1.3 / Dynamic Range Meter 1.1.1
log date: 2019-07-03 11:54:48
--------------------------------------------------------------------------------
Analyzed: King Crimson / Beat
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -1.31 dB -16.68 dB 4:13 ?-A1 Neal And Jack And Me
DR13 -1.80 dB -16.92 dB 3:43 ?-A2 Heartbeat
DR14 -1.71 dB -17.75 dB 3:26 ?-A3 Sartori In Tangier
DR11 -1.02 dB -15.08 dB 4:09 ?-A4 Waiting Man
DR13 -1.16 dB -17.52 dB 4:35 ?-B1 Neurotica
DR11 -4.79 dB -18.35 dB 3:16 ?-B2 Two Hands
DR12 -2.94 dB -17.87 dB 3:59 ?-B3 The Howler
DR12 -0.82 dB -18.67 dB 6:08 ?-B4 Requiem
--------------------------------------------------------------------------------
Number of tracks: 8
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 820 kbps
Codec: FLAC
================================================================================
log file:
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183322.jpg
Format : JPEG
File size : 1.39 MiB
Image
Format : JPEG
Width : 3 840 pixels
Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 1.39 MiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183333.jpg
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File size : 1.13 MiB
Image
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Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
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Compression mode : Lossy
Stream size : 1.13 MiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183538.jpg
Format : JPEG
File size : 1.35 MiB
Image
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Width : 3 840 pixels
Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 1.35 MiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183554.jpg
Format : JPEG
File size : 1.75 MiB
Image
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Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 1.75 MiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183604.jpg
Format : JPEG
File size : 1.55 MiB
Image
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Width : 3 840 pixels
Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 1.55 MiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183700.jpg
Format : JPEG
File size : 714 KiB
Image
Format : JPEG
Width : 3 840 pixels
Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 714 KiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\photos\IMG_20190702_183726.jpg
Format : JPEG
File size : 723 KiB
Image
Format : JPEG
Width : 3 840 pixels
Height : 2 160 pixels
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Stream size : 723 KiB (100%)
General
Complete name : E:\King Crimson - Beat 2019 200gr LP\Side B.wav
Format : Wave
File size : 182 MiB
Duration : 17 min 58 s
Overall bit rate mode : Constant
Overall bit rate : 1 411 kb/s
Album : Beat
Track name : Side B
Performer : King Crimson
Director : King Crimson
Genre : Prog Rock
Recorded date : 2019
Original source form/Name : Beat
Audio
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : 1
Duration : 17 min 58 s
Bit rate mode : Constant
Bit rate : 1 411.2 kb/s
Channel(s) : 2 channels
Sampling rate : 44.1 kHz
Bit depth : 16 bits
Stream size : 182 MiB (100%)
Infos:
Adrian Belew: Guitar, Lead Vocal
Robert Fripp: Guitar, Organ, Frippertronics
Tony Levin: Stick, Bass Guitar, Support Vocal
Bill Bruford: Drumming
Cut from the 30th anniversary masters series - overseen and approved by Robert Fripp - Beat is the tenth release in the King Crimson LP reissue series.
Beat was released in June 1982 just eight months after the 80s Crimson line-up's debut Discipline. It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer (Rhett Davies).
The juxtaposition of lyrics heavily influenced by 1950s beat luminaries Jack Kerouac and Neal Cassady, the complex polyrhythmic musical textures of the 1980s Crimson, the strength of the songs and the cohesion of the studio performances, all helped the album chart upon release in the US and the UK.
Songs like Waiting Man, Neal and Jack and Me and Heartbeat became firm fan favourites (Heartbeat, in particular, was an FM radio regular in the US and even merited a promo film shot for the then-emerging music TV market).
As ever, Crimson was pushing forward, looking for new methods to communicate internally as a band and externally with an audience. It was, perhaps, the nearest King Crimson ever came to the rock music ‘mainstream’.
200g edition, cut at Loud Mastering by Jason Mitchell.