VA - Deutsche Elektronische Musik (Experimental German Rock and Electronic Music 1972-83)
Жанр: Krautrock
Год выпуска диска: 2010
Производитель диска: Soul Jazz Records, UK
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 1:17 + 1:00
Трэклист:
Vol.I:
1. Can — Aspectacle
2. Between — Devotion
3. Harmonia — Dino
4. Gila — This Morning
5. Kollectiv — Rambo Zambo
6. Michael Bundt — La Chasse Aux Microbes
7. E.M.A.K — Filmmusik
8. Popol Vuh — Morgengruss
9. Conrad Schnitzler — Auf Dem Schwarzen Kanal
10. La Dusseldorf — Rheinita
11. Harmonia — Veterano
12. Faust — It's A Rainy Day, Sunshine Girl
13. Neu! — Hallo Gallo
Vol.II:
1. Cluster - Heisse Lippen 2:21
2.Ibliss - High Life 13:01
3. Dieter Moebius - Hasenheide 2:36
4. Amon Duul II - Fly United 3:29
5. Popol Vuh - Aguirre 1 6:13
6. Ash Ra Tempel - Daydream 5:22
7. Tangerine Dream - No Man's Land 9:05
8.Amon Duul II - Wie Der Wind Am Ende Einer Strasse 5:43
9. Roedelius - Geradewohl 3:31
10. Can - I Want More 3:30
11. Deuter - Soham 4:55
Информация об источнике:собственный рип
Доп. информация:
Тех. данные
Класс состояния винила: VG+
Устройство воспроизведения: SL-1210 mk2 + Salsa
Предварительный усилитель: Consonance MP-6.
АЦП: M-Audio Audiophile 192.
Программа-оцифровщик: Sound Forge 9.0
Обработка:foobar2000 v0.9.6.9
Формат записи (Bit/kHz): 24/96
Формат раздачи (Bit/kHz): 24/96
Спектр,АХЧ
CueSheet файл
REM GENRE Kraut Rock
REM DATE 2010
REM СOMMENT Motor956_Vinylrip
REM Label - Soul Jazz Records, UK
PERFORMER "VA"
TITLE "Deutsche Elektronische Musik vol.1"
FILE "LP1.flac" WAVE
TRACK 01 AUDIO
TITLE "Aspectacle"
PERFORMER "Can"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Devotion"
PERFORMER "Between"
INDEX 01 05:41:15
TRACK 03 AUDIO
TITLE "Dino"
PERFORMER "Harmonia"
INDEX 01 09:30:00
TRACK 04 AUDIO
TITLE "This Morning"
PERFORMER "Gila"
INDEX 01 12:26:13
TRACK 05 AUDIO
TITLE "Rambo Zambo"
PERFORMER "Kollectiv"
INDEX 01 18:46:40
TRACK 06 AUDIO
TITLE "La Chasse Aux Microbes"
PERFORMER "Michael Bundt"
INDEX 01 30:28:60
FILE "LP2.flac" WAVE
TRACK 07 AUDIO
TITLE "Filmmusik"
PERFORMER "E.M.A.K."
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Morgengruss"
PERFORMER "Popol Vuh"
INDEX 01 03:14:60
TRACK 09 AUDIO
TITLE "Auf Dem Schwarzen Kanal"
PERFORMER "Conrad Schnitzler"
INDEX 01 06:15:20
TRACK 10 AUDIO
TITLE "Rheinita"
PERFORMER "La Dusseldorf"
INDEX 01 09:25:45
TRACK 11 AUDIO
TITLE "Veterano"
PERFORMER "Harmonia"
INDEX 01 16:32:400
TRACK 12 AUDIO
TITLE "It's A Rainy Day, Sunshine Girl"
PERFORMER "Faust"
INDEX 01 21:06:50
TRACK 13 AUDIO
TITLE "Hallo Gallo"
PERFORMER "Neu!"
INDEX 01 28:37:15
Information
The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.
Many German youth turning their back on mainstream society. From the opening of the first collective/cooperative in 1967, Commune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new radical German bands including Amon Duul, Faust and Can.
Many artists and musicians believed a complete rejection of everything musically that had gone before was also necessary in order to build a new identity for German culture. At this time German music meant ‘schlager’ music – insipid pop music that hardly confronted the country’s recent historical events.
The first recordings of groups such as Kluster (later Cluster) were extreme experiments with sound; un-music, anti-melody and anti-rhythm - attempts to destroy any musical links with the past. Holger Czukay and Irmin Scmidt of Can studied music under the radical avant-garde composer Karheinz Stockhausen and Conrad Schnitzler studied art under the conceptual artist Joseph Beuys. German rock groups were as interested in musique concrete and serial compostion as they were in the psychedelia of Pink Floyd or the rock, soul and jazz music played by resident American forces.
From this beginning German rock music began an evolutionary journey of experimentation. Electronic music became a pathway to notions of space and the cosmos. Conversely, the emergence of communal living led to a number of musicians setting up live/work spaces in rural areas and developing a ‘pastoral’ outlook, with musical ideas engaged closely with nature.
And despite an aversion to the politics of American society, German rock bands were nevertheless fascinated by the emerging stateside counter-culture of psychedelic music and drug experimentation. A band such as Ash Ra Tempel even recording an album with drug guru/theoretician Timothy Leary (‘Seven Up’, 1973).
German electronic music, kosmische music, cosmic rock, space music. The objectives were to create new music, ‘free’ from the past. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.
And whilst some of the bands featured here slipped by the wayside over the years, others such as Faust, Cluster, Can, Tangerine Dream are now well into their fourth decade having firmly established that which they set out to achieve – a new German music.
***** GUARDIAN REVIEW (John Savage)
/1 
发表于 2020-9-24 12:18:33
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