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[摇滚] (Art Rock) [LP] [24/96] Ambrosia - Ambrosia - 1975, FLAC (tracks+.cue)

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发表于 2020-9-24 12:27:45 | 显示全部楼层 |阅读模式
Ambrosia - Ambrosia
Жанр: Art Rock
Год выпуска: 1975
Лейбл: 20th Century Records - T 434
Страна-производитель: Original US Pressing
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:38:36
Треклист:
Side 1
A1 - Nice, Nice, Very Nice 5:55
A2 - Time Waits For No One 4:53
A3 - Holdin' On To Yesterday 4:19
A4 - World Leave Me Alone 3:18
Side 2
B1 - Make Us All Aware 4:29
B2 - Lover Aware 3:11
B3 - Mama Frog 6:05
B4 - Drink Of Water 6:29
Credits▼
Bass Guitar, Lead Vocals – Joe Puerta
Guitar, Lead Vocals – David Pack
Keyboards – David Pack (tracks: B2)
Keyboards, Vocals – Christopher North
Percussion, Bassoon, Vocals – Burleigh Drummond
Mastered By – Doug Sax
Producer – Freddie Piro
Источник оцифровки: Великий и "ужасный" Анонимус, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: VPI Scoutmaster
Головка звукоснимателя: Audio-Technica AT33PTG/II
Предварительный усилитель: Cinemag SUT feeding a Marantz 2220B
АЦП: E-MU 1212
Программа-оцифровщик: Adobe Audition 3.01
Обработка: В технической информации
Спектр, АЧХ, Уровень записи



Доп. информация:
Техническая информация
Vinyl Ripping Process/Equipment
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24
Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II
What Exactly Is An "Ultimate Master"
It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly"
named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it
has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations.
Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra
clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe
to the notion that they represent the best source 95% of the time.
                                                                                                                                                               
                       
                       
                       
                       
                       
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